How can you think
of melancholy as only weakness,
as only the stain
in a row of perfect
windows radiating cathedral light?
Whoever invented beauty
understood:
what moves and lifts us beyond
ourselves, shows us too that vaster space
whose edge, whenever we've tried
to approach it,
seduces
through apparitions. And so,
where we imagined
the place we'd fall
through space, we inked monsters: sea
pigs and leviathans, sirens,
pythons
in whose gristled mouths whole
basins of stars could drown. We don't pull
sadness out of the air; its molecules live there
alongside the brighter
atoms of expected happiness—
Isn't that the way bodies learn to adapt? Never
absorbing more light than they can use,
treasuring what glows even as it disappears.