clearer than I have in years, it seems
I heard your voice speaking its narrative
close to my ear. How quietly and steadily
it built. How it put one foot
in front
of the other in sand, on stone. In mud
and dark and afternoon light. Nights
lit with blue
shadows on snow, the sounds
of metal grinding on metal as trains
traced loops of flickering voltage through
the city. I thought
I could know you, those years
when I pressed against your length like paper
seeking an imprint of something other
than itself. And I did,
I do: though you
are always a few steps ahead, signalling for me
to follow. But I don't know how you've come
to a place where you say
you've learned to live
with what gives you pain—what seizes
tissue or nerve or flesh without warning,
sharp as a spike or sustained
like a note
trussed to the next by a line that looks
like a longbow. Monkey bridges span
the gaps between
banks of rivers. Cables
of suspension bridges are built to sway
in high wind to keep them from breaking.
I cross from one
end to the other,
trying not to look into the gorge;
trying to keep my eye on you.