"Be aware of our privation; we die
an early death to feast your eyes."
~ M.C. Escher, "Vase," from
XXIV Emblemata, 1931
this is what I wonder: whether you sit,
massive in the museum gardens or atop
The Gates of Hell, your pensive pose never
changes— head in one hand, not a flicker of feeling
passing across your face, despite the torment of all
depicted there. The count, his terrible mouth
poised above the forms of his emaciated
children; desperation hunched over
and holding his left foot; lovers oblivious
to anything but the body of their own desire.
My grandmother scolded me for cupping
my chin in my hands at the table: Malas!
she screamed, Bad luck! This wasn't a stance
associated with being lost in thoughtful
reflection but an obstinate conviction
that whatever awful agony held you in its jaws,
it would never change; and therefore demanded
a mourning. If thoughts are things and things
have shape, sinews, flesh, a muscled body
that contorts at what the mind might be
forced to behold, then O, what innumerable
spectacles of suffering to convulse even
the most stoic! In famine or war, light leaving
the eyes of the wounded or nearly dead; screaming
child, naked, running from the bombs. Men and
women spat at or stabbed or pushed in front
of oncoming trains. What some kinds of language
might describe as ordinary violence— the way
it's said a stone could not possibly be moved.