A high pile of pillows in bed, tufted
mattresses, double-lined quilts. Side
sleepers, face-down sleepers, flat-on-
the-back sleepers chasing the elusive
dream of sleep. But we lose count: sheep
show no signs of quitting their high
jump marathons, and the moon keeps
training its too bright spotlight
through the window. Is it that we've
grown too soft, too dependent on the idea
of sinking as release? In one museum
alcove, shelves of wooden and porcelain
takamakura, curved to cradle the neck and
head of the sleeper in such a way as to
provide both a cooling effect and preserve
elaborate hairstyles. Perhaps they were on
to something, all those geishas and others
who lay on a mat and rested their heads
on these pillows, even while entertaining
the suitor that slid into the chamber at night,
having first slipped a poem of supplication
into the hands of a lady-in-waiting. Soft
light from the moon filters through screens
as though it did not have an iron core
and a silicate mantle. When I purchase
a sobakawa or pillow filled with buckwheat
hulls, I'm thinking only of how tilting
the chin upwards lifts the tongue away from
the back of the throat, straightening the airway
to better aid the flow of air into the lungs.
Breathlessness can be involuntary; can
also be the climax of heightened emotion.