Because we believe the dead come back in unexpected forms, I talk to the dove that touches down at the end of the fence and sits there without a word, offering nothing but the soft brown of its eyes. Days later, when I find a bone of shingled ivory in the middle of the yard, suddenly an image comes to mind: my mother filing her nails by the window until each tip was a smooth dome. When I cut through the rippled flesh of amargoso, lift out seeds encased in slick red tissue and slice the halves into thin half-moons, I feel her watching. I tell her I remember how to leach some of the bitterness out of the body by steeping its wounds in salt before rinsing it clean.


