Alembic

This entry is part 7 of 27 in the series Morning Porch Poems: Autumn 2014

Alembic: an apparatus used in distillation;
something that refines or transmutes as if by distillation

Time’s a flask, narrow at the waist or neck
depending on who swings the apparatus— Who gives
the order to intercept the ordinary citizen
on his way to or from work, salvage the journalist
called to witness; open fire on the NGO convoy
in pickup trucks loaded with rice, canned goods,
medical supplies, used clothing? In hamlets live
the poor and dispossessed, the ones whose farms
swelled, flooded; and drowning, made way for dams
in the government’s new hydroelectric project.
Their votes don’t count. Or do they? Their number
slight, equivalent to the powdered ash that falls
from wings of bodies that nightly hurl themselves
into the lantern’s crucible of trembled light.

 

In response to an entry from the Morning Porch.

Modified CDC Villanelle

A woman throws up in a crowded bus.
Within minutes, the men in hazmat suits descend.
Fear of contagion panics escalations of distress.

A mother claps a hand upon a baby’s mouth; breathless
she’s crushed by bodies in the street, their frenzied blend
caused by a woman throwing up in a crowded bus.

Meanwhile in Texas, one recovered nurse
gives statements to the press. Daily unpinned,
fear of contagion panics escalations of distress.

I listen on the radio for reports on body counts.
My daughter asks how disease transfers, blood to blood—
What danger is posed by throwing up in a crowded bus?

A radio report recreates conditions— let’s say, a virus
lurking in a monkey’s blood: let’s say the hunter nicked
his hand. Days later: swollen glands, nausea; night sweats.

Cities teem with airports, rivers, bridges. How to adjust
the portals and vents? No current wisdom provides defense.
Watch as a woman throws up in a crowded bus.
Watch the fear of contagion escalate beyond distress.

 

In response to Via Negativa: Outbreak.

Seconds

And give me the not-quite-gold,
the earring found on the sidewalk
without its clasp, the little sip
of coffee left in a paper cup—

Give me the bit role with no
speaking parts so I can be near
the ones whose hearts sing as if
at the point of breaking—

Give me the ache of light
that licks the undersides
of leaves just before dusk,
that dot of butter in the tea—

Give me even that brief
moment of rending, visceral
shudder after the god has grazed
the hills in his passing—

 

In response to Via Negativa: Ukiyo.

Service

This entry is part 6 of 27 in the series Morning Porch Poems: Autumn 2014

What are you supposed to feel
when asked to preside over
a ceremony— to move

or be moved
without warning
or preparation just

after coffee and toast,
the ride on the trolley
or train, identical hands

zipping up jackets
and straightening ties,
touching a button or collar

or badge, folding a newspaper
under an arm, shielding the eyes
from the too-bright sun?

Here is the guard,
ceremonially robed in black,
bearing the silver sword

and golden mace
across the threshold
of a hall bathed just

yesterday with the blood
of assault. And the reporter
notes how the heads

of the houses of Parliament,
more accustomed to disagreement,
break ranks across the aisle

to shake hands, to touch—
circumstance urgent enough to prise
hearts from their catacombs.

 

In response to an entry from the Morning Porch.

Meal Ticket

“Art too is just a way of living.” – Rainer Maria Rilke

And I am the coin surrendered to the mouth of the machine, the ticket that the chain will perforate, indifferent to how or where. I am the payment collected in advance for a carnival ride that ends before it even begins. Here I am again, among the tents where strays and midgets sit, where the natives polish the foreman’s shoes; where the sad girls in torn tutus comb through their high wire repertoire of dreams. Not even the camel knows how narrow the door. Not even the needle knows the jaundice in the eye. Line up, line up for the rations and the dinner bell. Remember, as they ladle out the dregs, what it is that feeds you.

 

In response to Via Negativa: Sunset Boulevard.

Accident of Birth

At holiday gift exchanges, the doll
in the other child’s box is always more

appealing, with its shiny ponytail and pert
nose, the nip-tucked waist, the cheerleader

outfit and the matching pink plastic Ferrari.
And later, in middle school and high school,

she’ll get to go with some of her class
on the optional field trip to Italy or Paris,

or preselect courses for advanced college credit.
Elsewhere in the world a class of 52 students

shares 1 workbook, 1 makeshift schoolroom
with a dirt floor, 1 box of broken crayons.

I could go on, and I suspect you also could
go on about the argument that states how no one

can be held responsible for what is beyond human
control, since no one chooses the conditions of

one’s birth. At least acknowledge that the field
has never been level: that the work of counting

and ministering to dying bodies is underwritten by prejudice.
Though when you look out the window at the sea, it goes on

as if forever. And in its depths, whole cities have perished,
whole towns have drowned in the wake of tsunamis.

 

In response to Via Negativa: Outskirts.

Poem Written After Reading a “Poem Written in the Manner of Billy Collins”

“…until finally there is only a clean white page”
~ Tony Hoagland, “Poem Written in the Manner of Billy Collins”

Except that the problem with these kinds
of erasures and corrections is that one
never winds up with that clean white page
or that tousle-haired child (let me guess,

blue-eyed) feeding one perfect, pesticide-
free leaf to his well-groomed guinea pig—
which by the way is known more widely
in the Andean highlands as cuy or cuye,

where an estimated 65 million of these
“little sea pigs” are consumed every year
(fried, broiled, grilled, or roasted).
Why a Peruvian child might smack

his lips with gusto at this rodent dish
and why here, only an Andrew Zimmern or
Anthony Bourdain would dare chow down
on a crisp foreleg or thigh, illustrates

not only that one man’s meat is another
one’s cultural taboo, but the whole problem
of late 21st century multinational capitalism.
Because practically everything has become

universally commodified, it becomes easier
to substitute the animal, the child, the gun,
the land mine, the beheading, the execution—
And language, yes even the language of poets

and pundits, can be diluted like those coffee beans
steeping in the paper cone filter, or the nibs
of cocoa gathered by farmers on the Ivory Coast
who have never had a square of chocolate

nor shuddered from the pleasure of its melting
on their tongues. Switch from Chopin to the music
of gamelans, write about both those dying from Ebola
in west Africa, and the panic that closed down schools

in Texas and Ohio. Write about journalists killed
and dumped into mass graves. Write about transgendered
Jenny, whose birth name was Jeffrey, and the US Marine
suspected of her murder in Olongapo City.

Self-Portrait, With Five Hours of Sleep

The miser hoards his best coins
in a drawstring bag. He hides them

under his mattress, he takes them out
to spit on them and shine them, count

them into piles. But I, I break a few
more hours from the mostly depleted day

to feed to one more bristling task. Where
does it come from, unbending hunger

wanting to be fed, this maw that’s never
satisfied until it sees me nearly spent?