Triptych

If I were a leaf, a thorn, a sapling bent by wind— And you do but don’t believe, when I tell you how at seventeen, I stood up in the darkened cinema (one of two in my hometown); the usher in the shabby cardigan shone his flashlight up and down the aisles, calling my name because my father had phoned the manager to ask that I be ordered home.

*

If I were a knot, a burr on the surface of wood— You would not say so often, Weep then bear up; crumple then cease, endure, transmute. Transmute, as the heart of darkest wood yields coils that might still shine, after the axe— Onyx or anthracite, or something more domestic: yes, sorghum dripping from a spoon.

*

If I were fairer or less coarse, less complicated than a modular plot— But I am always the immigrant, wed to a handful of exit visas. Spring is a relief after the two-plot designs of rain and summer, rain and heat. Of the parched heart, a poet once wrote: come upon me with a shower of mercy. Sometimes I think spring is kinder by far than love.

*

 

In response to cold mountain (59).

Echo

Yes, I still remember how the old market was laid out:
fruit, rice and dried fish, the row of coffee vendors,

the vegetable sellers; and beyond, the butchers
and the fishmongers. At the end of narrow corridors

slick with scales and fish guts, the women who packed
salt expertly into paper cones— such tiny fossils

of minerals and tears. And the boys that pulled
wobbly wooden carts filled with mountain produce

called out warnings up and down the hilly streets.
Most everyone I used to know has gone ahead—

gone on to gold, to gated subdivisions, early
retirement, presumably to everything they ever

wanted. And under this half-biscuit of a moon,
I stand, head tilted, still listening for the slow

stutter of crickets calling from the garden.

 

In response to Via Negativa: Fall.

The season turns again

This entry is part 1 of 41 in the series Morning Porch Poems: Autumn 2012

The season turns again, mother. The names of months end
in chilled syllables. For thin-veined plants, it is almost time
to go under, into the ground where the bulbs will winter.

The red-tailed hawk takes wing, mother. But it’s been weeks
since we last saw the yellow-crowned night herons. Perhaps
they’ve begun their pilgrimage to a coast that’s warmer.

There’s a clump of mint that remains in the pot, mother.
And the stand of rosemary is hardy, and will hold its ground.
But the bee balm is fringed lace, and the lavender thins—

In time, all that remains is their feathery scent.

 

In response to an entry from the Morning Porch.

Sampler

Running Stitch
The hand that spins the yarn has also sanded the frame, has lit the fire and boiled the morning coffee, has brought the trash to the curb for pick-up, has started the ignition of the car that sits in rusted place in the old garage.

*

Herringbone
Noon is the hour of making do: smack in the middle of need and want, those two tips that touch and break, touch and break, mimicking the hinge in the collarbone.

*

Backstitch
The earliest words learned in a new language: body parts, swear words, words with which to make a promise, words to oil a stone. Which ones cannot be taken back?

*

Chain
You know when someone will change your life: that split second when an edge makes itself more sharply apparent. For instance, an upturned collar in the crowd. Then, stepping into the sunlight’s bronze hoops, blinded by something you cannot quite decide— whether akin to remorse, or pleasure.

 

In response to Via Negativa: Topocentric.

Proclamation 1021: A Ghazal

“…even a Bodhisattva’s career is oriented within emptiness”

It was the summer after the fall, after the First Couple fled to Hawaii. We joined
the crowds lined up to see her museum of shoes: each pair embellished with emptiness.

We’d just come from a trip north to visit old churches. We gaped at such audacity—
their likenesses painted on a basilica wall: as angels ascending through the emptiness.

Who remembers those days, those nights, or the period called martial?
The soldier who raided the arsenal dined with us the week before he disappeared.

And countless others stormed a bridge, raised a banner, painted slogans,
took to the hills. They warned: the countryside is not a vast emptiness.

We housed the daughter of one of my father’s friends. One night, maybe two, as she
fled from agents of the state. Blacklists grew as our houses feigned emptiness.

Memory’s faulty, memory’s short. History’s long, or really, just repeats itself. The widow
and her son are back in power. The poor watch politicos squabble in the emptiness.

Who remembers those days, those nights? Rallies and explosions in the square, our poets
and intellectuals jailed. A people’s anthem of a captive bird, singing in the emptiness.

 

In response to miscellany (living hagiography 9.20.2012).

Fire Drill

This entry is part 46 of 47 in the series Morning Porch Poems: Summer 2012

The alarms go off at ten, lights flashing
on each floor. And dutifully we file down
the stairs to the courtyard, where fall’s
first sharp wind is blowing. The sky
is full of rain clouds dark as the underside
of vultures’ wings. And you know, where there
are vultures, there is always death
waiting for its cue: even in those old
Looney Tunes cartoons, they watch with interest
from the canyon’s rim as the wild-eyed hare
or speeding roadrunner miscalculate the road,
then skid, and plunge— All is practice
for the real thing. But not today, not yet
today— Shrill bells cease their jangling.
The elevator lights blink green. The bunny
with the overbite and the long-legged bird
spring up, intact. The chase is on again.

 

In response to an entry from the Morning Porch.

Letter to Convergence

Dear one, here I am again, still always addressing
you; and here’s the season’s changing light, the juncture
at which the past and future are once more equinoctial.

When were they not so? Meaning to say, there is no need
to make it harder on ourselves, no need to agonize unduly
over those who walk past in such cold, glittering beauty—

oblivious to the soul perched on the farthest twig, brown
and insignificant, damp and trembling slightly in the wind.
You won’t believe me if I say it will get easier; I can’t

blame you. Yet I know wet tinder catches fire, eventually,
burns no less brightly for its numerous delays. Now, gray light
and rain; but blow, wind; scatter your auguries for change.

 

In response to small stone (151).

September 1972

This entry is part 45 of 47 in the series Morning Porch Poems: Summer 2012

This is how it was settled: my father’s first cousin, who was some minister or deputy of tourism or other, would help him get a room at the Hilton by the bay. Failing that, his other cousin the congressman had one of his half-dozen apartments in Bel-Air. We could stay in the guest room, which was really his home office. The only caveats: his maid might come in at odd hours to retrieve from one drawer in the filing cabinet, bottles of black label Johnnie Walker, Courvoisier, bourbon; also: his Korean mistress might be in town. He borrowed a government car which came with an assigned driver; after all, it was his oath-taking ceremony at the palace.

My mother took special care, ironing his barong between sheets of dressmaking paper. Feeling generous, he told my mother she could bring a friend, but she didn’t want to invite any of the women in her various clubs. So I invited Rhonda instead. We listened to the adults gossip through the six hour trip and drowsed or threw up in paper bags from motion sickness. There was a new and explosive biography about the First Lady, telling of her origins in the south. How she lived in the garage, illegitimate child of the man in whose household her mother served. A few surreptitious copies were making the rounds; the writer had gone into hiding.

Of course it was hot. Even a butterfly pod would shrivel in the shade, split a sleeve open before its time. But still, we fished out our swimsuits as soon as we got there, and went to bake in the sun by the pool, armed with cheap plastic sunglasses. To hell with heatstroke. We were too young for anything but pineapple juice on the rocks, but the waiters brought them with paper parasols. Rhonda tried to teach me how to affect what she called an air of worldly ennui, but I was working through a library copy of Anna Karenina. She gave up on me and flopped face-down, on her untanned belly.

The next day, the swearing in itself was a blur; but mostly because someone decided at the last minute that we (women) might not have the protocol clearances. The cousin-congressman and cousin-deputy went with him. As for us, we returned to the pool and ordered sandwiches and Coke. My mother cooled her bunioned feet in the water and filed her nails. After lunch, my father came back and said we had to hustle. Rumors, he said. Best to travel back north before nightfall. When I think about it now, I realize he was what his contemporaries might have thought a lightweight, not a big stakes player. Too conscientious for his own good, never took a bribe.

That evening, after we got back, more rumors. Then radio and TV blackouts, and sirens at six and at nine. Not the clarion of the Angelus, but signals for the first of many curfews and the squall ahead. Our sunburned skin peeled for weeks afterward, but nothing of that sort mattered anymore. At home, in the streets where people cast furtive glances at each other, we learned bits of new vocabulary: martial law, suspension, writ of habeas corpus; rally, molotov cocktail, salvage, subversive, detain.

 

In response to Morning Porch and small stone (150).

No mas

This entry is part 92 of 93 in the series Morning Porch Poems: Summer 2011

‘Laughter was our only wealth.’ ~ Carlos Bulosan, “My Father Goes to Court”

All these years, paisano, and it’s la misma
mierda de siempre
: same old, same old,
and I don’t mean creative recycling. You’d think
by now we’d get a little more respect, a little more
credit, a little more of that bankable dream
for things we’ve actually done— My kumpadre
next door gets it. He’s not from the islands, but
like us, he knows (this is the way he puts it)
the trials of people of a certain pigmentation
I might not be able to identify the birds that call
from inside the woods, that open their mouths all
at once from the inside of a dream; but I can see,
most vividly, how the purple asters slowly unclench
beneath overcast skies. The signs have been appearing
for a good long while. Just as Carlos wrote,
the cities are burning. The faithful are marching
with schoolchildren in the streets. The women
marrying women and the men marrying men
drink wine on the hillside. The citizens have pitched
their tents in the park to steal back the laughter
the rich tried to take while they thought they slept.

 

In response to an entry from the Morning Porch.

Spore

This entry is part 44 of 47 in the series Morning Porch Poems: Summer 2012

At lunch in the Chinese restaurant: couples with salt-and-pepper hair (the women in modest pumps and tweedy jackets and the men just loosening their ties), babies in high chairs, teens in tunic tops not even teetering in their absurd stiletto heels. A veil of sesame oil in the air, the clatter of dim sum carts. The child says— I wonder what you’ll look like when you’re older? On the way here, we passed the Woodlawn Cemetery and I couldn’t remember if that was where the writer who was a diplomat in his other life, was buried. Many years ago I spoke with him a few times, over a crackly phone connection; me in graduate school, acorns pinging from the trees as autumn in the midwest made the branches ready for a long sheathing in ice. He must have been in that nursing home where he died. I did not know then about the daughters they said had left him there then disappeared, the nurses unable to trace them to any forwarding address. He told me he walked to the local library as often as he could, a yellow legal pad under his arm. In the latter part of his life, he scoured the shelves for poems, copied them out by hand. He complained he could not find anything by René Char. I think I might have sent him a book, translated poems found in one of the used bookstores up on Clark. le Poème pulvérisé? I can’t remember now. I knew about his hasty exit from Cambodia just before the fall, he and his wife with one suitcase each. The former dictator’s government never made up for his losses, those years of faithful service. I must repeat, I never really met him. He was a voice on the phone, a voice I imagined when I read his stories. Often I wonder if he ever thought this would be a place as good as any, in which to die.

 

In response to Morning Porch and Via Negativa: Drinking Companion.