Pivot point

What made the ancestral timberdoodle decide to haunt the woods’ edge instead of the shore? My mother surprised one this morning up above the old dump and watched it for a while: the oddest walk she ever saw, she said. With every step, its chest throbbed visibly, as if with some uncontrollable emotion. I went to look for it after lunch, and it flew before I spotted it on the ground. I followed it up the old woods road, camera at the ready, my eyes riveted to the spot where it landed, but each time it flushed before I could distinguish the mottled brown of its feathers from the brown leaves, which were lifting and turning over in the wind. I’ve never had the sharpest eyesight.

I noticed as I walked back that there were still a few patches of snow on the powerline right-of-way, sheltered by the thick green laurel. Up on the ridge, the wind roared and died, roared and died, not quite as regular as ocean surf.

After Stravinsky, can anyone hear the phrase “rite of spring” and not feel a shiver of strangeness? Tonight at sunset, we will be almost equidistant from this morning’s sunrise and tomorrow’s. And at dusk, if the winds die down, the woodcock will position himself out in the field with his long sandpiper’s bill pointed at the sky and project his nasal longing into the heavens, again and again. Then he’ll launch his fat body several hundred feet straight up and fly in wide ascending circles, his wings twittering like a flock of sparrows, before plunging again to the earth. What if happiness were a pivot point you could occupy, even in the presence of unfulfilled desire? Would you try to make a fulcrum in your breast? Would you throw your voice as far as you could, and then go after it, secure in the knowledge that what goes up must come down? Would you haunt the brushy edges of the night?

Nature in the Cracks

On the Outside

A half-hour before the first bell,
as the kids from the early buses
were milling around in the hall
waiting for the library to open,
a robin began to assault
the courtyard window.

A crowd quickly gathered.
He wants in!
Look at him.
What’s wrong with this fucking bird?

Hammering the glass
with its beak & wings
& ineffectual claws.

The jocks thought it was a riot.
Look out, Jim — he’s after you!
He’s gonna kick your ass.

Then the librarian unlocked the door
& everyone ran to get a seat
& a newspaper, except
for one girl with lank hair
& clothes from the Salvation Army.
He don’t want to come in, she murmured.
He wants that fat thing
that mocks his every move
to meet him outside.

*

Every time we post a new theme announcement at qarrtsiluni, I find myself writing poems in response to the theme without really intending to. As one of the two managing editors, I can’t submit my own work, but none of the rest of you are bound by any such restrictions, so go check out the Call For Submissions. The theme this time is “Nature in the Cracks,” with guest editors Brent Goodman and Ken Lamberton. They write,

We’re seeking prose, poetry, and artwork that celebrates the nature of the world revealed by time, weather, decay, cycle, and neglect. It’s the understated beauty of the stain inside a teacup, not the ornate pattern decorating the porcelain. It’s a sadness for old barns slouching in fog, the branch you accidentally break that turns the owl’s moon face your direction. It’s the liver spots on your grandmother’s forearm, the crooked curl of her fingers over the rocker arm. It’s the well-worn patch of wood stain faded smooth there. […]

It’s in the cracks where nature adjusts, changes, and teems, a marginal place that exists without borders, physical or theoretical, a place where something new might evolve out of the muck. “Nature in the Cracks” seeks writing about wildness found in strange places — from landfills to prisons, sidewalk cracks to salad crispers.

Read the rest here.

Screech owl love

An extended version of this morning’s “Porch.”

At dawn, amid the creaking of trees in the wind, I hear the wavering cry of a screech owl down in the pines. Half a minute later, the male answers: a lower-pitched call from up in the woods. They duet for a couple of minutes, trill-calls intermixed with their trademark descending whinnies.

The temperature is just around freezing, and the air smells of rain. I catch a glimpse of movement off to the left — can they really be that close? — and then there they are, two small, winged silhouettes fluttering through the trees. They connect in mid-air for barely a second, then land in adjacent treetops opposite the porch. They sit ruffling their feathers for about a minute, silent now. Then one at a time they fly off toward the powerline, their wings soundless as always. A gray squirrel begins to scold — softly, as if still half-asleep, or else trying to duet with the nearest tree, creaking in the dawn wind.

I sit clutching my empty coffee mug, thinking that perhaps a one-second mating is the perfect observation for a 140-character Twitter tweet — and realizing at the same time that a bare-bones account just won’t satisfy.

There’s a lot to the courtship of eastern screech owls that I didn’t witness, judging from the description on the Owl Pages (a good site, aside from the incredibly annoying pop-up link-ads).

Breeding season for Eastern Screech Owls is generally around mid April, but may range from mid March to mid May. [Ha!] They have an elaborate courtship ritual. Males approach females, calling from different branches until they are close. The male then bobs and swivels his head, bobs his entire body, and even slowly winks one eye at the female. If she ignores him, bobbing and swivelling motions intensify. If she accepts him, she moves close and they touch bills and preen each other. Pairs mate for life but will accept a new mate if the previous mate disappears. Gray and red colour phases will mate together.

The Cornell Lab of Ornithology gives a slightly more nuanced account of their mating practices:

Eastern Screech-Owl pairs usually are monogamous and remain together for life. Some males, however, will mate with two different females. The second female may evict the first female, lay her own eggs in the nest, and incubate both clutches.

As with most birds, the male lacks any penis whatsoever. Male and female openings are outwardly identical, and the consummation of all that mutual preening tends to be as brief, and seemingly about as passionate, as a peck on the cheek. Homosexual pair bonding has been observed among barn owls, and there’s no reason to doubt that it occurs among screech owls, too: nature loves infinite variety, even if some humans don’t. (See here for sad proof of the latter.)

Happy belated Valentine’s Day, y’all. Thanks for reading.

Golden eagle with transmitter

golden eagle with transmitter
For background on this photo, see here.

After the unasked-for grooming
by that mob of wingless birds,
their strange soft claws reaching deep
under my feathers, they let me go.
The rock field dropped away
& I thought for a moment it was over.

But I still feel
that fleshy insinuation across my breast.
And something rides me, a small weight,
the same way I ride
this snake of wind.

What kind of clutching
doesn’t still the heart?
Its unshakeable presence makes me know myself
apart from beak & talons
as a thing that throbs,
a thing that chafes & pulses
here   here   here   here,
the mountains circling below.

__________

For the Read Write Poem prompt on dressing up. Links to other responses are gathered here.

Out of place?

red-tailed hawk with vole

According to a helpful webpage on film sound clichés, “the Red-Tailed Hawk scree signifies outdoors and a big, lonely place.” Anytime a rocky mountainside appears in a movie, you can almost count on hearing that raspy scream, which most people probably assume belongs to an eagle. It’s also used as an all-purpose signifier of impending or just-concluded drama in the typical outdoors adventure flick. So you know that I must’ve photographed this immature redtail in some wild, lonely setting, right?

red-tailed hawk in maple

Wrong. It was hanging out in the heart of Penn State’s University Park campus yesterday, home to some 40,000 students. Which, I suppose, is positively bucolic compared to Manhattan, where Central Park’s famous Pale Male lives, along with a growing number of other redtails. As I watched, the hawk dove at squirrels on the sidewalk four different times without success: fat and pampered as they seem, Penn State’s squirrels are masters of defense, dodging and feinting. It finally dove into the groundcover next to Schwab Auditorium and came up with what appeared to be a meadow vole, whose presence on campus I found much more surprising than the hawk’s.

By this time, classes had let out and the sidewalks were jammed, but most of the students didn’t appear to notice the hawk ripping at its prey on a low limb less than ten feet above the sidewalk. Half a dozen students had been following the drama with interest, and a few more, seeing all of us, paused briefly to snap pictures with their cell phones, but the vast majority didn’t give it a second glance. In fact, when the hawk dove after the vole, it cleared the head of a passing student by less than three inches, but she never looked up.

red-tailed hawk in elms
It seems ironic that I have to go into town to get good views of wildlife that we have here on the mountain in abundance. I’m reasonably sure our resident redtails have never been shot at, but they are still far warier than this one was. Nor is it the first time I’ve seen a hawk on campus acting as if people were nothing but short, loud, ambulatory trees.

The students who took an active interest in the hawk’s activities were as puzzling to me as those who glanced at it and kept walking. I gathered from their conversation that at least a couple of them had been following it around for close to half an hour by the time I came on the scene. “It sure beats going to class,” I heard one of them say. But they weren’t disinterested wildlife watchers; I soon realized that they were actually trying to herd squirrels toward the hawk. Each time it dove at a squirrel, they hooted and cheered like football fans at Beaver Stadium.

They made an odd counterpoint to the half-dozen crows, who were watching and jeering from a somewhat safer distance in the tops of the elms. But within minutes after the hawk finally scored, both the fans and the opposing team drifted away. I stood alone on the auditorium steps, watching this strange and magnificent creature tear its brunch into bite-sized pieces while students streamed by below. A couple of times it paused to return my gaze with that challenging stare all raptors possess, and I felt a little odd — as if it were really I who was out of place. What was I doing, thinking that the human-nature dichotomy is an out-dated construct only adhered to by a few, misguided purists? The hawk might as well have been a visitor from another planet.
__________

Be sure to check out the short-but-diverse Festival of the Trees #20. And if you have any broader interest in plants, you may be interested to learn that there’s a brand-new blog carnival for plants called Berry Go Round. The first edition is up at Seeds Aside.

An instinct for beauty?

mourning doves mating
Photo by Joby Joseph (Creative Commons)

Do animals other than humans have the capacity to appreciate beauty? I’d be surprised if they didn’t. There are, after all, elephants who have learned to paint, which seems to be simply an extension of a natural impulse to draw: “Unprompted, an Asian elephant in captivity will often pick up a pebble or stick with the tip of her trunk and casually doodle on the floor of her enclosure.” It’s hard to imagine how improvisational singers such as mockingbirds or brown thrashers could produce compelling sequences without a strong instinct for what sounds good with what. But I’ve always considered mourning doves to be kind of brainless, for some reason, so I was a little surprised this morning to observe two pairs of them apparently watching the sunrise. One pair was already perched in the top of a tall locust tree at the edge of the woods when I came out onto the porch, and another flew up to a lower branch shortly afterwards. Neither pair stirred for the next twenty minutes, as the rising sun bathed the western ridge in red and orange light below the setting moon.

You have to understand that it was cold this morning — 10 degrees Fahrenheit, or -12C — and there were plenty of other places they could have perched which would’ve provided much more shelter. And they were facing into the wind.

Of course, that’s only four doves out of a flock of several dozen; most of the others were, I presume, already pigging out on cracked corn below the bird feeders up at the main house. Lord knows, they probably needed the calories. But maybe, as with humans, it’s only a small percentage of the flock who prioritize aesthetic experience over more basic urges.

Then again, the doves watching the sunrise were doing so as couples, so really, it might all be part of extended courtship or pair-bonding behavior. And who’s to say which urges are the most basic, really? Aesthetic response is, after all, pretty integral to the whole mate-selection process. If females didn’t use aesthetic cues when choosing a mate, sexual dimorphism wouldn’t be nearly as widespread as it is in the animal kingdom (though competition for mates apparently isn’t the whole reason why one sex — usually the male — is more colorful or larger than the other, and mourning doves themselves are not highly dimorphic). The hunger for beauty registers in the body as well as the mind, and is so much a part of the way we experience being in the world that it hardly seems possible to isolate an aesthetic impulse from among the whole range of animal instincts.

the morning porch

Incidentally, if you’ve been enjoying The Morning Porch, here are a few other blogs where brevity is key to the aesthetic effect:

  • a small stone, by British poet Fiona Robyn
  • Once around the park, Clare Grant’s 30-word descriptions of her daily walks in Tunbridge Wells, UK
  • Three Beautiful Things, by the same author
  • box elder Out with Mol, where Lucy Kempton has also recently begun writing 30-word posts [updated 2/3/08 to link to Lucy’s new blog, spun off from box elder]
  • Now’s the time, Joe Hyam’s daily “three things” blog
  • tinywords, “the world’s smallest magazine, publishing one new haiku nearly every weekday since late 2000”
  • The Natural History of Selborne — not the text of the first-ever synoptic nature book, but the raw material from which it was made: Gilbert White’s journals. The entries are rarely longer than thirty words.

Tom Montag’s “Lines” series of poems from The Middlewesterner are also almost always very brief. I’ve been collecting my favorite posts from other Twitter-users here. And finally, qarrtsiluni‘s Short Shorts issue from July-August 2006, which featured prose and poetry of 100 words or less, is fun to revisit now and then.

For the birds

Today was our local Audubon chapter’s Christmas Bird Count, and while Mom and Steve scoured the mountain, I hung out in my mother’s kitchen watching the feeders. I had bread to bake, as well as a casserole for the evening potluck. (Click on the photos to view at a larger size.)

house finch

To pass the time, I thought I’d try taking some pictures. For several days now I’ve been meaning to photograph the black raspberry canes below the back steps. They make really terrific patterns, especially against a white and brown bokeh. But the birds must’ve known it was their day — they kept landing right in the middle of my shot.

cardinal 2

I mean, what did they take me for, some kind of wildlife photographer? I don’t even wear a floppy hat! I’m trying to be an artist here, you know?

tufted titmouse

They particularly seemed to like perching on the cross-stroke of a thorny “A.” Anarchists!

goldfinch

I tried shifting the camera to another part of the patch, but it was no use. The birds insisting on critterizing my every attempt at an artsy abstract composition.

My only unique contribution to the Plummer’s Hollow count, by the way, was a pine siskin (which I did take a photo of, purely for documentary purposes). Overall, it was a rather poor count for our property, but Juniata Valley Audubon’s preliminary tally was just short of our all-time record, owing to a large number of unusual waterfowl species elsewhere in the count circle.

For a related post from the archives, see Christmas bird count: the wild and the quiet.
(Update) See also Christmas Bird Count 2007 at the Plummer’s Hollow blog.

A Canadian visitor

eagle talons

My friend and co-editor at qarrtsiluni, Beth Adams, has yet to visit Plummer’s Hollow. But other part-time residents of Quebec fly over twice a year, and sometimes they drop in for a quick bite. This one did, and got a bit more hospitality than she bargained for. See the complete story here.

*

It looks taller, now,
that little pine where the eagle
straightened her feathers.

First blood

grooming pileateds 1

View the slideshow.

Autumn has come to Margaret’s Woods: to the sawhorse and the stump, the tangled beds of hayscented fern and Japanese stiltgrass. The blood-colored Japanese barberry bushes are festooned with rows of scarlet berries and a scattering of fallen maple leaves impaled on their thorns. Feathered migrants learn the way to the best fruit from the early colors: wild gravevines are turning yellow, and the Virginia creepers are red flames against the pale trunks of white oaks. Hercules’-club trees are bowing under the weight of their monstrous purple heads, and their three-foot-long, triply-compound leaves fall nearly intact in the rush to bare their goods.

It’s a cool morning. A cranefly sits motionless on a blackberry leaf, too cold to fly. A pair of pileated woodpeckers, year-round residents too young to remember when this 100-acre deer-ravaged savanna was a mature forest, sun themselves at the top of an oak snag already dead when the loggers came through, one dry, beautiful autumn just like this. Their red crests blaze as they groom themselves, finding insect nourishment under their own black bark. This morning, a new autumn color — hunter’s orange — has entered the woods, and with luck, the first arrows will find their targets and water the parched ground with fresh blood.

Far corners

If only the far corner of the world were some place we could retreat to. Those were the words running through my head when I woke up this morning. I’m not sure what preceded them in my dream, who said them or why. But half an hour later I came across a poem by John Haines, “Circles and Squares,” which admonishes, “A square world can’t be true,” and celebrates all things round:

[T]he tipi sewn in a circle,
the cave a mouth blown hollow
in a skull of sand,
as the cliff swallow shapes
to its body a globe
of earth, saliva, and straw.

When I logged onto the Internet an hour later, I saw that a brutal crackdown was underway in Burma.

*

The fat green globes that are ripe black walnuts have been raining down all week, going thump on the lawn, splat on the driveway, bam on the roof. Yesterday in my parents’ kitchen, a walnut falling on the electric line where it comes into the house reverberated like thunder. And when walnuts hit the drainpipes just right, they sound like rifle shots.

Both houses are ringed with the trees, which are also busy shedding their leaves. It’s astonishing that trees which leaf out so late in the spring and shed so early in the fall can gather enough solar energy to produce such dependably heavy crops of nuts. There’s something about black walnuts that defies reason. Gray squirrels in the winter often expend more energy excavating and shelling black walnuts than they get from the meat inside, according to the authoritative North American Tree Squirrels.

Currently, the squirrels are hard at work husking and burying, leaving little piles of walnut husks all over the farm. But much as the squirrels love them, for most humans black walnuts are more of an acquired taste. I find their pungency makes them better as a condiment than a main ingredient in most stews and pasta sauces. These days, I must admit we buy them pre-shelled and chopped fine from a local Amish store, which sells them so cheaply that it wouldn’t make sense to husk and shell them ourselves unless we valued our labor at only fifty cents an hour. But when I was a kid — and earning a 25-cent allowance a week — shelling walnuts was a yearly chore that I came to dread. The shells must be cracked open with a sledge hammer, and then one has to sift slowly through the meat to pick out small pieces of shell, which are hard enough to break a tooth on. And the husks quickly stain one’s hands a rich yellow-brown that can last up to a week. You can imagine the kind of teasing I came in for from my schoolmates: “Hey, Bonta! Did you’ns run out of toilet paper?” Har har.

Black walnut wood is famously dark, close-grained and beautiful, and farmers used to plant the slow-growing trees as an inheritance for their grandchildren. But they aren’t necessarily the best choice for landscaping, because their roots release a chemical that’s toxic to many other woody and herbacecous plants. Nevertheless, my mother says she’s tempted to write an essay for one of the birding magazines on black walnuts as an ideal yard tree for birders. How many other trees are virtually leafless for both spring and fall migrations? We eat supper out on the front porch whenever the weather permits, and Mom usually has her binoculars at the ready. Lately she’s been able to watch large numbers of black-throated green warblers flitting through the yard while we eat — all the while the walnuts are going bam on the flat roof above us. “If you want to see the birds, plant black walnuts!” she enthuses. And digging for the nuts keeps the squirrels away from the birdfeeders in the winter, too, to some extent. Unlike many birders, we don’t have to spend our winters at war with the squirrels.

*

There’s almost always a squirrel or two residing in our barn, which also has a few black walnut trees adjoining it. If you know where to look, you can find middens of empty walnuts that have been eviscerated by strong rodent teeth scooping out each hemisphere. These make excellent but thoroughly unpredictable projectiles, owing to their odd shapes. When we were kids, we used to turn the upstairs of the barn into a battlefield. Low walls separated the two hay mows from the central threshing floor, and we crouched behind them and hurled the squirrel-chewed walnuts back and forth at each other until most of our ammunition was spent. Then it was time to dash out onto the threshing floor and gather up as many fallen walnuts as we could before the fusillade became too heavy, using trash can lids as shields. The walnuts weren’t quite big enough to leave bruises, but they definitely stung.

Eventually the supply would run out entirely as walnuts disappeared into a thousand odd corners. Decades later we’re still finding them nestled behind stacks of old doors or at the bottom of dusty milk jars. I pick them up and remember for a few moments the violence my brothers and I used to perpetrate on each other, even without television or video games to show us how. I remember the constant apprehension we felt, growing up during the Cold War, that someday soon this round world would be blown open by a nuclear confrontation. Even then we understood that were no far corners to hide in; for better or worse, we were all in this together.

*

If it weren’t for Burma, I might not be here. My parents were both students at Bucknell University in Lewisburg, Pennsylvania, and they first met at Burma-Bucknell Weekend in 1960. Bucknell had been founded as a Baptist university in the 1850s, and owing I believe to missionary contacts, was the first American university to accept Burmese students, within a year or two of its founding. In the century that followed, it remained the preeminent destination for Burmese students studying abroad, including, when my parents were there, a handful of saffron-robed Buddhist monks. Burma-Bucknell Weekend was an annual event attended by Burmese exchange students from all over the eastern U.S., and was also one of the biggest events of Bucknell’s social calendar. American students volunteered to act as guides for visiting Burmese, and that’s how my parents met: they were the last two volunteers left waiting for their charges. One of them struck up a conversation, and they’ve been talking ever since.

By 1961, they were — in the parlance of the day — going steady. Once again they had both volunteered for Burma-Bucknell Weekend, and were in the banquet hall when the Burmese ambassador to the U.S. suddenly turned pale, got up and left. Someone stood up and announced that a military coup had been attempted. The Burmese reacted with shock and horror, and the banquet quickly dissolved into knots of agitated discussion. Worried about their families, I suppose, most of the Burmese students returned to their home institutions in the following days. A few months later, another coup occurred, and Burma has been under military rule ever since. “We’ve always assumed that most of the students we knew were killed,” my mother says. Burma-Bucknell Weekend was no more.

*

So many buried disasters
built squarely,
their cities were walls
underfoot or climbing.

My feeling for you
goes out and returns,
even the shot from a rifle
falls in an arc at last.

So many boxes; the windows
don’t break soon enough,
and the doors never fail to shut.

(from The Owl in the Mask of the Dreamer: Collected Poems by John Haines)