Coyote tree

fallen white oak

It was early spring. In the last light of evening, as the quacking calls of wood frogs were giving way to spring peepers, a coyote ghosted down off the ridge and followed the small creek that ran for a little way along the edge of the woods before disappearing into a sinkhole.

Something was different. He stopped and sniffed, trying to puzzle it out. He smelled fresh sawdust and gasoline, yes, but also the moist earthy spoor of rotten tree — a lot of that. As if some enormous coyote, its gut full of fur and seeds and scales and all manner of indigestible things, had stopped to leave a massive calling card.

fallen white oak trunk

The truth was almost as massive and hard to digest: the great white oak had toppled, splitting open near the ground. Many of its limbs were as big around as regular trees, and at its base it was half again as wide as a coyote is long. A small limb next to the humans’ trail had been cut — that’s where the sawdust smell had come from — but otherwise, for once, they seemed to be leaving it alone. One massive limb had jabbed into the earth at an angle and broken off, and now it made a very convenient — in fact, an irresistible — ramp up onto the fallen trunk.

fallen white oak crown

Quick as thought, Coyote was on top of the toppled giant. The smooth plates of its bark felt very agreeable, and as he nosed about, he saw and smelled not a tree but a maze of paths, all of them leading back to him. Mice, squirrels, weasels, chipmunks, fishers — nothing can resist the open highway of a log. If he waited here long enough, they would come to him.

coyote scat on white oak 1

But that’s cat thinking; Coyote doesn’t hunt like that. Any path that is too obvious can make him vulnerable to his ancient enemies the wolves, whose own lack of imagination had doomed them here in the East, and most other places besides. Coyote didn’t take over by being predictable. No, an obvious walkway like this is good for one thing and one thing only: saying hello to other coyotes. And so he did, and hopped down, trotting off without a backward glance.

coyote scat on white oak 2

A few weeks later, he happened by again, and remembered his missive. He climbed up onto the tree to take a look, and sure enough, there was a reply — a long one! He read it carefully. It said, I’m a nursing mother, I’m eating well, and I can kick your ass. He thought about it for half a minute, then left a short, neutral response — I’m still here — scurried down off the tree, and trotted rapidly back the way he came.

coyote scat on white oak 3

It was late autumn before he returned to that end of the valley again. The tree was still there, and though it had human odor all over it, at least three more coyotes had been there, too — the half-grown offspring of the mother who had left a message earlier, perhaps. There was a sort of uniform character to their odor, as if they’d all been dripped on by the same tree — which a family would be, of course. The oak itself had lost a great deal of its pungency, and his paws detected a bit more give in the bark. He squatted once again. Though in life this tree was what foresters call a wolf tree, with its huge spreading crown of crooked limbs keeping sun from getting to other, straighter, more marketable trees, in death it was definitely going to the coyotes.

For the April Fools edition of the Festival of the Trees, “humorous trees,” at Vanessa’s Trees and Shrubs Blog. See the complete details.

me with fallen oak

Skunk Cabbage

This entry is part 5 of 12 in the series Bestiary


Direct link to photoset. If watching the slideshow, be sure to expand to full screen.

Symplocarpus foetidus

Here’s to the skunk cabbage,
first plant to raise a toast to spring,

even if it sometimes has to melt a hole
right through the ice,

a plant that grows
its own hothouse

& keeps it at 22 degrees Celsius
for weeks on end.

Half monk, half cobra,
it shares its solitude

with the earliest flies & beetles,
whose springtime fancy

turns to putrefaction: gut piles,
winter-killed deer, & in the swamp

a leathery curl of old meat.
It gives off a heat & fragrance

the real thing can rarely match—
pornography for insects.

Only after pollination is consummated
does the skunk cabbage unfurl

its eponymous leaves—
huge sails with yellow stitching

& a green that stays fresh
long into the summer,

while dark berries
swell on the spadix

& the roots tighten their grip
on the pungent mud,

the whole plant inching
into the earth.

Spring and all

tree in one of the last snowdrifts

Were it not for the high winds in February, the snow would be gone now. Instead, foot-deep drifts still rot in the sun.

first coltsfoot

Otherwise, it’s turning out to be an early spring. Thirty feet from the nearest snowdrift, the first wildflower — a coltsfoot — was out this afternoon, its rays seemingly taking their cues from the sun’s glittering reflection in the adjacent ditch.

eastern comma butterfly

Up on the ridgetop, the first butterflies had emerged from wherever they spent the winter — presumably under loose flaps of bark, or in hollow logs — and were sunbathing in the middle of the old woods road. I had the rare pleasure of witnessing a fight between a Compton’s tortoiseshell an eastern comma and a mourning cloak, though I wasn’t quick enough to capture it on film. I’m not sure what they were fighting about. There seemed to be plenty of dead leaves and bare twigs to go around.

Mourning cloak

I thought of the other insect life that must be stirring all around us, the buds swelling, the seeds beginning to sprout. Tomorrow will bring more arrivals and emergences, I’m sure, and by the end of the week — if the weather predictions are correct — the first spring orgies should be breaking out among the local garter snakes and wood frogs. It all happens so fast. Part of me is still wishing I’d gotten one more sled run in.

Emergence

old man winter heading out

Spring is definitely underway now, even as Old Man Winter is still shuffling slowly toward the exit. I heard tundra swans almost as soon as I went out on the porch this morning, and when the swans stopped flying over around mid-morning, it was time for the “V”s of migrant Canada geese. I even saw a lone seagull.

I walked around the field, checking out the networks of vole burrows emerging from the melting snowpack. Down by the barn, the bluebirds were inspecting a battered old nesting box, and a few hours later, the first song sparrow returned. This was actually the first year in a couple of decades that song sparrows didn’t over-winter, and the mornings have seemed unnaturally silent as a result.

cut hair

When the temperature hit 60 degrees this afternoon, I felt a sudden compulsion to cut my hair. It had been a year and a half since my last self-administered haircut. It’s nice to be able to do it outside, without a shirt on, leaning over the porch rail.

haircut

I documented the results mainly with Facebook in mind, but since I don’t feel up to a real blog post tonight, I thought I might as well inflict it on y’all, too. (Yes, I wear deeply unfashionable glasses and clothes from Wal-Mart.) I was somewhat repulsed by the emergence of my bare scalp from underneath all that graying hair. There were some blood spots and other unsightly blotches of the sort that I tend to identify with — you know — old people. It looked raw, like a patch of ground just liberated from the snow.

Next Life

snow ripples 2

Every day it softens and settles; every night it sets. At a certain point in late morning, it no longer holds you up. In one week since this photo was taken, we have gone from late winter to early spring. Yesterday a bluebird began singing, and this morning at dawn the call of the Cooper’s hawk was echoing off the snowpack — as if such a skilled ventriloquist needs one more way to throw his voice.

I was out early enough to hear him only because a sea urchin woke me, spines poking my flesh as I wandered through a dream forest of kelp. For the past week I have been dithering over a poem about sea urchins, trying to capture that extreme otherness in words, and now this visit. I leaf through Rae Armantrout’s Next Life, which I am trying hard to like, and happen on a poem about those who believe they have been abducted by tentacled aliens, which she compares to Doubting Thomas and his probing of the wounds in the risen Christ. “It is from this wound/ that humans first emerged,” she says — the only lines in the poem that speak to me.

The blurb on the back from Publisher’s Weekly says, “this could be the year when more readers discover Armantrout.” Hmm. Well, readers who happen to be steeped in the self-reflexive thinking of American graduate-school programs in English, perhaps. For who else would relish poems about metaphor:

Metaphor

shifts a small weight
there and back.

My self-relection shames God
into watching

(“Remote”), sentences about sentences:

A man and a woman
finish sentences
and laugh.

Each sentence is both
an acquiescence
and a dismissal.

(“The Ether”), the use of quotation marks to signal irony:

It’s after us
and before us—always

trying to get “in.”

(“Continuity”) or a discourse on irony itself (“Empty”)? The book description informs us that “these poems push against the limit of knowledge, that event-horizon, and into the echoes and phantasms beyond, calling us to look toward the ‘next life’ and find it where we can.” No, they don’t. They merely bore me. The radical questioning of meaning is hardly new, and Armantrout’s poems show little evidence of familiarity with the significant philosophical works of the last hundred years.

I mean, there’s literally a poem here about — no, make that “about” — trying to write a poem, “Make It New.” Infinite recursion does not equal apophatic insight. “You’re left out,” concludes a poem called “Framing.” That’s fair to say.

I walk up into the woods to see if I can spot the Cooper’s hawk, but my eyes are drawn, as usual, to the ground. It’s still below freezing, and my boots barely crunch into the surface, but I stop to admire spiny oak leaves that have melted their way down into shallow graves. Again I think of sea urchins, painstakingly excavating nests in the seafloor’s solid rock: eyes in search of sockets. And that’s not just a metaphor. It turns out that the appendages between their spines are covered with light-sensitive molecules, and the spines help them focus on the same principle as squinting eyelids. They have no brains because they are all brain. They have no eyes because the entire surface of their body is wired for vision.

Listen, you can look forward to the next life if you want, or try to throw your voice beyond the event horizon of a black hole, but I’m telling you: there’s no way another life can be more marvellous than this one.

Beech grotesquerie

multiple selves

The smoothness of their bark makes beech trees, both American and European, among the sexiest and also the most grotesque of trees. Branch scars and other markings that would virtually disappear on trees with more bark-like bark are hard to miss on a beech.

neurotic beech

Some beech trees look downright neurotic. But who can blame them? The great beech forests of North America are gone, clearcut two centuries ago to make way for farms, to such an extant that most people who spend anytime outdoors assume that beeches actually prefer the mountainsides and ravines in which they’ve made their last stand. The passenger pigeon, which once visited beech forests the way hurricanes visit Florida, has been extinct for a hundred years. And now a non-native scale insect is helping beech bark disease decimate the remnant stands, though thankfully it hasn’t appeared in Plummer’s Hollow just yet.

beech holes

It was the trees’ abundant mast that accounted for their popularity with passenger pigeons, of course, and beechnuts still feed many species today. But the grotesqueness of beech trees has wildlife value, too: the frequent hollows in older trees can provide den sites for a wide variety of birds and mammals. Many trees rot out as they age, but beeches seem to get started on it early.

the ring tree

Nor does the grotesquerie end with weird, vaguely human scars and orifices. The self-grafting ability of beech limbs can produce some bizarre effects, as in the above specimen, which grows right next to the Plummer’s Hollow Road.

ring tree closeup

I am kind of at a loss to explain how this happened… or why it took me so many years to notice it. I don’t know how many more years we’ll have canopy-height beeches in the hollow — not too far north of here, all the big beeches are dead — so I figure I’d better start paying more attention to them now.

asterisk

Beech bark disease won’t wipe them out completely, but it will probably kill almost all the mature beeches and keep new root sprouts from getting very big, just as the chestnut blight has done for American chestnuts. The grotesquerie will be all but lost, and the tree from which the word “book” is derived may become little more than an asterisk and a footnote.

Watch the full slideshow (13 photos in all) or browse the set (easier for people with slow connections).

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Don’t forget to submit tree-related blog posts to the Festival of the Trees. The deadline for the next edition, at The Voltage Gate, is Friday, February 26. See the call for submissions for details on how to participate.

Walking on water


Video link.

Walking on water, I forgot about the fish
in their white gardens of coral.

Walking on the snow, I forgot about spring,
though others knew to dig for it.

My snowshoes kept me from sinking
& I glided over the drifts
almost as lightly as the shadows of the trees.

And watching those shadows,
I even managed to forget about the trees themselves.

This is what’s wrong with that dreamy kind of faith
that depends on miracles. We don’t need
one more way to keep our distance.

 

oak shadows

Shady Side

stream

The bottom of the hollow is a strange place: so steep that the trees grow tall and spindly, with few branches, and are spaced far apart. Two hundred years ago it would’ve been a much darker place, dense with hemlocks, but now it’s mostly deciduous and, in winter, as light-filled as a northeast-facing hollow can be. Plummer’s Hollow Run is of course as wide as it gets down here, and we have to be vigilant to keep it from undercutting our access road when it floods. Most of the winter, though, it’s dark and quiet.

wild hydrangea

The steep slopes provide some protection for vegetation that the deer would browse down to the ground anywhere else, such as wild hydrangea (above) and red elderberry. In May, they harbor our largest patches of purple trillium.

snow patterns 3

The wind is fierce along the railroad tracks at the bottom, and reaches up into this bottom portion of the hollow to make its mark on the snow, erasing and rearranging daily like a never-satisfied artist. Cold and wind have defined this landscape for the last two centuries. I think of the people who used to live in a small cluster of houses at the entrance to the hollow, on the shady side of the gap — a desolate and dirt-poor hamlet whose hey-day only lasted for a couple of decades before the railroad came through in 1850 and took out the heart of the settlement and its raison d’etre, an iron forge. (It was the forge that precipitated the original clearcutting of the hollow, since it ran on charcoal.)

snow patterns

People who grew up in the last of those houses are elderly now, and come to visit every now and then (though probably not in the winter). They walk up around the first bend, sign the guest register next to the Plummer’s Hollow welcome board, and return to gaze at the empty spaces where their homes once stood and listen to the thunder of the trains.