Each thing called up dissolves

“Agony is only a story I tell myself.” – seon joon

Be still I tell my heart when it startles almost out of its dress or when it jumps at the sound of thunder—

Be still for that loud report like a gun from an upstairs bedroom is only a heavy framed mirror falling from its flimsy wall hook and breaking on the floor—

Be still for that commotion in the schoolyard is an old-fashioned chase for no other reason but that school is out, not a fight being broken up by cops—

Be still as the little plane stuffed with travelers’ belongings idles on the icy tarmac as bits of frost flower at the window’s edge and the captain’s voice comes over the speakers announcing a third, maybe not final, delay—

Be still as the small machines blink to life on the night table with a message from halfway or more around the world, which can only mean either very good news or very bad news—

Be still in the middle of the airport terminal, Concourse C, ticketing, though your eyes are puffy with tears from hugging a friend you have not seen in 22 years and you know your flight to Boston is the last one out for the day because of a winter storm, but it doesn’t matter now because she is telling you that during her last visit to your hometown, she had a crypt made for her use “in the near future,” next to the one holding the ashes of her son—

Be still, be still, because this is merely another veil like the unseasonal snow falling softly outside, stenciling the trees whose branches were just beginning to send out little buds of green, beautiful points of ice shriveling the pink tissue of early crepe myrtles—

And be still when you recognize a famous poet in the crowded elevator, and you note the frailness of her bones through the unnatural pallor of her skin, and how when the doors open on her floor she sighs to her husband, I don’t know what I want to do—

 

In response to thus: Each thing called up dissolves.

Fat Tuesday

erasure of a page from Samuel Pepys' diary

After talking about going to sea,
after drinking with a butcher and a violin,
after bacon, capons and fritters,
after singing and drinking,
after a dance or two with my lord,
soberly and without fear
I lay awake.


Erasure poem derived from The Diary of Samuel Pepys, Tuesday 6 March 1659/60.

Dear language, most thick

This entry is part 55 of 54 in the series Morning Porch Poems: Spring 2012

at the base of the throat upon my
first rising; that foams, goad

and decoy to the blood’s
otherwise routine wandering—
Waking chimes, alarms

of bells are not as surprising
as what you will or won’t take
under advisement—

it is the small
and poorly represented
whose depositions you take,

whose counsel you prepare;
it is the jasmine shedding
its withered blossoms

that gives most scent,
all those night-blooming flowers
hiding their faces from sight.

 

In response to an entry from the Morning Porch.

The Hysterectomy

Drab wings touch down to look for sugar water,
to tap the empty feeder
where beneath dry moss and broken twigs some hint
of sweetness lingers,
like a doubt— That summer I was six,
walking with my mother
back from market, when
she doubled over—
Down her leg, on the sidewalk,
streaks darker
than crimson issuing from that place
I knew was secret: papered
like a hive, sticky with cells
bursting their alarms
as she waved and waved to flag
a jeepney down. Later
in the hospital, she smiled,
wan in the sheets, asked for water—
I remember my father and I walked
down to the corner store,
but there was only tepid 7-Up or Coke
which we brought back and offered.

 

In response to an entry from the Morning Porch.

Mortuary

Would you choose one made of pine
and lined with resin? Would it be

acacia or whistling thorn, the honey oak,
the silver birch? Wind streamed through

these branches once, and swifts.
This one, or that, could be the craft

you’ll board, aimed past the chasm;
the last bed and dream you’ll row in.

 

In response to Via Negativa: Wind.