[In the gun, an excellent doctrine of St. Peter.
I spur myself to be afraid,
to hear little,
and understand without going to see.]
Erasure poem derived from The Diary of Samuel Pepys, Sunday 29 January 1659/60.

Purveyors of fine poetry since 2003.
[In the gun, an excellent doctrine of St. Peter.
I spur myself to be afraid,
to hear little,
and understand without going to see.]
Erasure poem derived from The Diary of Samuel Pepys, Sunday 29 January 1659/60.
[I left my business, sent for my best fur cap,
went to Heaven and dined on a breast of mutton.
Happiness carried me in his coach.]
Erasure poem derived from The Diary of Samuel Pepys, Saturday 28 January 1659/60.
is there will always be days
like waves that threaten to pull you
under, when for a while there is nothing
but their spreading mantle of salt
and mottled grey, nothing but the dark
throbbing of that undertow you might begin
to mistake for your own pulse—
And I wanted to say there is no shame
in having flailed and cried out
as if in defeat, as we will again
and yet again, as if into the very heart
of the whirlpool that would drain us,
into the bend of the wave that looks as if
it’s poised to swallow the chain of fishing boats—
And we are so tiny, so powerless to stop
the water surging over our heads; and it is
so hard to remember how the current
buoys up bodies that have ceased resisting
so they might keep the vital breath—
In response to an entry from the Morning Porch.
We saw a raven in the fork of a tree
spreading its wings: taut and dark
in the shadow of the belfry—
Even this far in the city, it is
a wild thing. It won’t come,
it won’t eat from your white hand—
In response to Via Negativa: Larks.
[I took to a high
place and stayed
till I was forced by
a hole in my coat
to come home.
I almost wrote.]
Erasure poem derived from The Diary of Samuel Pepys, Friday 27 January 1659/60.
[I paid to free from a dinner dish
two dozen larks, a great company,
and all were merry.
They drank a bottle of wine, fell down,
and ate from my hand.]
Erasure poem derived from The Diary of Samuel Pepys, Thursday 26 January 1659/60.
Not snow but frost, says my friend the photographer, looking at slides of cabbage farms in La Trinidad: row after row speckled white, and in the distance a cluster of tin-roofed houses, an idling jeepney. Farmers shake their heads over penciled sums in dog-eared notepads: not enough to bring to market. In the next frame, the shocking brightness of carrots thicker than your wrist, baskets of purple yam; in another, a grandfather sitting on his haunches in the doorway, smoking his eternal cigar.
In response to an entry from the Morning Porch.
My poetry is like
the ice cream my mom
would make from
a bowl of new-
fallen snow when
we were kids. Eat
quickly before it
melts! If you want
more, get your own
bowl & hold it
up to the sky.
[I went by water to my father’s country,
crew buttery as lard, paper ship
to transport me and my tired work.]
Erasure poem derived from The Diary of Samuel Pepys, Wednesday 25 January 1659/60.
The poet’s daughter wrote: Only now, years after my father’s death, do I think I understand a little of what he must have felt, unable to feed his heart, unable to write his poems, because he worked so long for the machine that fed us, clothed us, kept us under one roof.
Sometime before he passed away, he cautioned as he sat in weak sunlight in the garden, checkered afghan over his knees, jacaranda blossoms fallen across the driveway: Don’t let the world take away that which allows you to burn— no matter what.
Yours, mine, others’— What can I do with a poem, Carlos, what do I do with poems?
And yet, to certain audiences who cut their teeth on the workshop model practically from babyhood, I am a fraud, not a real contender, a lightweight, someone with aspirations to those revered and most holy of names: writer, poet; or am I dilettante, gatecrasher, someone not invited to the party?
Step into this line. Credentials, please? And who is your patron? your escort?
A colleague once said he did not think I should “advertise” the fact of my National Book Awards (4, given by the appropriate award-conferring body in a closely refereed process, in a country that used to be a colony of the United States) because No American writer has won but one National Book Award in his or her lifetime. (Subtext: how could any of these possibly be real?)
Say the word “poet” in ___, and in at least two linguistic cases, you will have been perceived to have said the word “butt.”
Choose the best poet accessory: (a) Flowy sweater; (b) Flowy vest; (c) John Fleuvog T-strap pumps; (d) Notebook; (e) Moleskine notebook.
Do you remember that year-end party? (a) Only two in that group of writers did not skinny dip in the hot tub; (b) Only one in that group of writers did not skinny dip in the hot tub; (c) The wife of one of the writers in that group found out about the hot tub and ordered him to pack up and come home; (d) Only one of the writers in that group is a real star; (e) All of the writers in that group are stars.
Stars are a higher category of being. Why should they be governed by rules coming from any useful idiot’s office?
My friend returned from the ___ weekend writing institute. Her class waited for famous writer ___ to return their critiques. Maybe she forgot? However, they did remember what the famous writer ___ said in the cafeteria during the farewell meal: “Good poets write; great poets steal.”
Choose the best answer: (a) Poets know no other work except sitting on their butts; (b) Your butt is calling; (c) Your butt is your calling; (d) None of the above; (e) All of the above.
Verse is cheap, lives are cheap, plastic is cheap, cardboard is cheap. (Have you seen the twee desk accessories in Ikea’s new spring catalog?)
Often, I am the one that gets thanked last, if at all.
The big themes are still “Recycle,” “Buy Local,” “Diversify.”
A UK “poet” made the news recently when it was discovered “the poem he wrote” that had been awarded a prize was plagiarized.
Hurry along out of here, now. The useful idiot has to draw up schedules for the next group.
Sometimes it’s easy to dismiss the clerical types, the ones that mind the boring archives or change the lightbulbs in the storage room.
Since when did we care about red carpets? Since when did we perfect the sound of catalogues and couplets rolling down the conveyor belt?
In response to Via Negativa: Inaugural poet as useful idiot.