High graded

logged clearing

It’s funny how the logging of a slope can so alter one’s sense of space as to make an area one had previously thought of as steep seem almost flat. I am just fifty feet from our property line here, on the site of a trail I’ve followed many, many times along Sapsucker Ridge, but I feel lost — literally, as in “Where the hell is this?” The old trail is blocked by piles of slash — forester-speak for the discarded tops of felled trees — as is the new haul road. Saplings lie prostrate; it was evidently too much trouble to drive the skidder around them.

The diameter-limit cutting, also referred to as high grading, does leave at least some cover for the many understory plants and creatures that need it, but it ignores the need for trees with a mix of genetics to supply seeds for regeneration. Often the smaller trees left when a logger takes everything over ten inches in diameter at breast height aren’t any younger than the big trees, they just aren’t as healthy. Planning for the future is obviously not part of the picture here. These are logging practices straight out of the 19th century.

porcupine oak

The porcupine tree has just lost its nearest neighbors for — I’m guessing — the second time in its life; forest trees don’t get that wide a crown if they’ve spent their whole life in a crowd. Maybe I’ll start calling it the Job tree, instead — “I alone am left to tell thee.” Like Job, it’s been sorely afflicted, but the constant pruning of its twigs by porcupines living in its hollow heart has yet to kill it, and who knows — all this new light may help it survive another century. These ridgetop chestnut oaks are damn tough trees.

blade marks

The chainsaws leave marks as regular as the grooves of a harrow on a fresh-tilled field. To a forester, for whom every logging operation is a timber harvest, this must be a beautiful sight. And if the deer don’t become too ravenous at any point in the next four to five years (a big if), each of these chestnut oak stumps may acquire a ring of saplings. Quercus prinus excels at stump-sprouting.

So like the old man thrown into a cart for dead bodies in Monty Python’s Holy Grail, despite appearances this tree is not dead yet! Though forestry convention has us age trees by the oldest above-ground trunk, the root system here could be several centuries old.

autumnal pool

The physical and ecological effects of logging extend hundreds of feet into the adjacent forest. But of course neighboring landowners like us would have a very difficult time getting a judge to issue an injunction on that basis — we know this from bitter experience. The ridgetop was the only place level enough to put a logging road, but it was also the property line, so the ephemeral ponds at the top of the Plummer’s Hollow watershed, less than 50 feet on our side of the line, will be affected by runoff as well as increased levels of light and wind and exposure to invasive plants, among many other effects.

This had been the sole remaining section of woods surrounding ours not to have been logged in the last 40 years; a couple of neighboring properties have been logged twice in that period. Plummer’s Hollow has become an island of older forest habitat, simply because we have done our best to leave it alone. But we realize that’s a luxury some people can’t afford, and we can only speculate what kind of pressures must drive someone to have their cherished hunting ground lumbered right when the hardwood market is at its lowest point in decades.

They say a depressed economy is good for the environment, but here in Pennsylvania, with virtually unregulated hydraulic fracturing for natural gas in the Marcellus shale formation about to kick into high gear, I don’t think that will turn out to be true. Bad as this little logging job looks, our forest got off lucky.

For more on high grading, see also my earlier post on the subject from 2006.

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Don’t forget to post something about trees this month and send me the link so you can be included in the next edition of the Festival of the Trees. See my call for submissions on the coordinating blog for details.

Qarrtsiluni: better than your average snake oil

witch hazel 2

Some people still swear by witch hazel extract as a balm for cuts and bruises, acne and mosquito bites. But to me, the shrub’s greatest healing power lies in the visual relief and color its flowers provide — among the few splashes of color still remaining in the gray and brown woods of late autumn.

The next issue of qarrtsiluni, the literary magazine I help curate, will be all about health, broadly defined. I’ve been remiss in not linking to the call for submissions, which we published on November 1. The editors this time are Susan Elbe and Kelly Madigan Erlandson, and the deadline for submissions is November 30. Susan and Kelly have chosen a theme that should resonate far beyond the current health care debate in the United States:

We are interested in creative interpretations of health, which will of course include the health (or lack thereof) of the human body, but also of the mind and spirit, the environment, or the culture. How systems stay in balance, how one attains wellness, how we relate or respond to our own state of health and the health of others, and the extent of an individual’s physical, emotional, mental, and social ability to cope with his/her environment would all be fair game. Unusual health-related practices also intrigue us (serpents? psychic surgery?) as well as tales of spontaneous recovery. How much control do we have over our own health? Explore superstitions, regale us with symptoms, or simply make a well-written toast to our health — we’ll consider it. Keep in mind too that the etymological roots of health include “whole” and “hale,” but also “holy.”

Read the complete description if you’re interested in submitting.

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If the above is news to you, then you might’ve also missed the fact that we’re doing daily podcasts at qarrtsiluni now (subscribe in iTunes here, or listen via the audio players on the site). For many of the image posts this issue, Beth and I have been indulging ourselves a little and engaging in extended discussions, prompted by the images but often going off on tangents related to other aspects of the current theme, “words of power.” I think some of them have turned out pretty well. It’s fun.

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There was an interesting, brief interview with Pamela Johnson Parker, the winner of qarrtsiluni’s 2009 chapbook contest, today at Read Write Poem. Her answer to the last question, “Can Poetry Save the World?” was intriguing, I thought:

I can’t speak for the world, but it’s saved me. I had an illness this summer that affected my speech, coordination and memory. My neuropsychologist was amazed that I could immediately recall poems, whole stanzas of them. I made one of the quickest full recoveries he’s ever witnessed. I give credit to Shakespeare, Bishop, Keats, Frost, Browning, Cummings — and also to Mrs. P., the 7th-grade teacher who made me memorize poems as a penalty for talking in class.

So there you have it: poetry can heal. I prescribe one dose of qarrtsiluni a day.

Incandescent

cellar light

I will miss the incandescent light bulb, its hairless, faceless, chinless head as if from a gelded angel. I will miss that single, glowing synapse. That one bright idea appearing above our heads in the comics, quintessence of the thought balloon. I wouldn’t mind if light bulb jokes died along with it, but I’m sure they’ll persist in some form as long as the obtuseness of other people seems worth a laugh.

There’s no denying the compact fluorescent bulb’s comparative sobriety, though — it’s as blandly utilitarian as a radiator coil or a wastebasket. I’m sure there are those who will miss the radiator coil if electric cars take over, and wastebaskets probably already have their aficionados, but neither comes close to the incandescent light bulb’s fungal charisma. Flea market booths that today specialize in antique glass insulators will someday do a brisk business in burnt-out bulbs. Little girls will stop for a closer look: Daddy, what sort of doll did this come from?

And Daddy will say, its body was hidden from us, we didn’t think about it much. Its limbs were long seams of a greasy midnight that used to be trees, and had been buried halfway to forever in the hearts of mountains. And when we moved the mountains to disinter them, streams and rivers died, the lungs of miners turned black, deadly mercury spread across the earth. This was the dangerous kind of doll. We were happy not to have it around the house.

All this time

leaving trunk

I was three and a half when my mom went off to the hospital to give birth to my younger brother. Dad was left in charge. Five days later, my maternal grandmother arrived to help out, and was astonished to discover that I was wearing five pairs of underpants, one overtop the other. Every morning my dad had reminded me to put on clean underwear, and I had.

This story is sometimes still re-told at large family gatherings to general merriment. Yes, kids can be literal. This afternoon when I walked into my parents’ house, Mom said to her four-year-old granddaughter, “Here comes trouble!” “What do you mean?” Elanor said. “That’s not trouble! It’s just Uncle Dave.” Thanks. I think.

Two weeks ago, I caught a whiff of body odor from my underarms. As long as I change shirts regularly, I never get B.O. I decided it must be time to do laundry. The next morning, when I went to pull out the T-shirt from inside the usual layers of turtleneck, sweatshirt, and quilted flannel shirt (I keep a cool house), I discovered not one but two T-shirts, the newer one underneath the old. It gave me a funny kind of deja vu.

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I’ve written before about the dreams I used to have in which I’d walk over the ridge and discover another hollow, parallel to this one, often with very similar buildings and inhabitants, “where the orchard was never bulldozed out in the 1950s and the old farmhouse was spared its extreme makeover into a faux plantation home. Everything is twice as big and twice as far.” Last night I had a version of this dream, but the previously unknown, Land-of-Faerie Plummer’s Hollow I found myself staring down into this time was a hellscape of strip-mine terraces and settling ponds: Lost Mountain.

Or rather, it was Lost Mountain crossed with a very local instance of mountaintop removal northeast along this same ridge, where an area known as Skytop was carved out to make room for a controversial highway cut a few years back, and a smaller geographic analogue to Plummer’s Hollow was almost completely buried in what turned out to be toxic pyritic fill. I shudder every time we drive over it on our way to Penn State. It’s like we’re driving over our own grave.

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When I was a teenager, I used to day-dream about finding a small clearing in the woods where tree branches touched overhead, water dripped in a hidden spring, and you couldn’t hear a sound that wasn’t natural. Sometimes it had a small hut in the middle of it, but most of the time it didn’t. When I went to Japan in my sophomore year of college, I think I was still searching for that clearing — it had acquired Zen and Shinto overtones. I visited hundreds of rural shrines and temples that year, and would often take a bus or train to the end of the line and wander around in the hills. I was a bit of a romantic, it’s fair to say. Then I’d come back into the city and get back-slappingly drunk with friendly strangers. Somewhere along the line I stopped looking for that magic clearing and just stuck with the drinking.

Last week, for no particular reason, that old day-dream sprung to mind again. Maybe I’d still been inhabiting it all this time without realizing it. I took a walk up to the ridgetop, and instead of a second hollow, found myself looking into a sunlit clearing that stretched along the far side of our property line for half a mile where a small-scale logging operation has been underway since August. I’d been avoiding it for weeks. As my mother said resignedly the other day, at least we have a better view of the migrating hawks and eagles now. I stared across the valley at the Allegheny Front and saw another recently logged patch, marked with the raw Z of a steep haul road.

Today was crystal-clear, so I went back with my camera to take some pictures for documentary purposes. Every disturbed patch of forest recovers differently, based on chance factors as well as features intrinsic to the site, so I like to observe what I can. This was a diameter-limit cut, with everything under ten inches in diameter still standing except for the collateral damage of saplings run over by the skidder, so aesthetically it wasn’t as harsh as it could have been. But the freshly cut stumps were still hard to look at, especially those from trees I remembered well. I snapped more pictures of stumps than anything else. I studied the patterns left by the chainsaw’s teeth, the way they made a crosshatch with the concentric layers of what had once been xylem, the bark that would never be stretched over another new layer of life.

One pair of stumps from a double-trunked oak had small hollows at their center — a surprise to the loggers, I imagine. They must’ve found solid wood not too much farther up the tree, though, because I didn’t see any discarded logs lying about. I brought my face down close to avoid the glare on the top surface of the stumps, peered into the closest hollow and saw another face staring back. Hello sky. Hello water.

In the House of Night

In response to a three-dimensional etching by Aine Scannell.

In the house of night, a blue bear
pores over the screenplay for your dreams.
Somebody’s bad heart wrinkles
like a sack of cheese tied to the rafters.
I dreamed that I was lucid-dreaming,
and then I was.

In the house of night, neither ink
nor midnight oil ever run low.
Bed-time prayers flutter out
through a cross-shaped window,
anachronistic as bats on a winter day.
The mild poison from a house spider bite
spreads a dark delta down one thigh.

In the house of night, every time
a clock stops, some unloved language
or species dies in its sleep.
A nightjar blows its lid
& the bogeyman jumps, an obvious fraud,
under the parchment eaves.

White-nose syndrome


White-nose Syndrome from Gerrit Vyn on Vimeo.

A biologist friend sent me the link to this slide presentation on white-nose syndrome last night, but it took me until this afternoon to muster the strength to watch it. I think the fact that it’s still images — and very fine photos at that — actually makes it harder-hitting than if it were a true video. While I’ve never agreed with the old saying that a picture is worth a thousand words, pictures plus spoken words make for a very potent combination. It’s not the information per se, most of which I’d already known, but had been managing to keep on a somewhat abstract level.

Bats play a pivotal role in eastern forest ecosystems because they consume a very large quantity of insects. What effect will their disappearance have on forest trees — or on crops, for that matter? But more than that, it’s terrible to be losing these creatures which are wondrous and beautiful and important for their own sake. I hate to always talk about extirpation or extinction in terms of the effects on us and other species, as if that’s the main reason why it matters, though it’s an ecological truism that, as John Muir put it, “When we try to pick out anything by itself, we find it hitched to everything else in the universe.” And bats on summer evenings are woven inextricably into some of my fondest memories of childhood.

There’s no obvious, conclusive lesson here, not yet, though I’ve heard suggestions that the white nose fungus might be native to Europe, and might have been brought here accidentally by cavers. There doesn’t seem to be much we can do about it, though obviously biologists are rushing to learn all they can in hopes of preventing its spread, or at least helping to save remnant populations of the affected species. Congress recently approved $1.9 million to study white-nose syndrome, and you can keep up with other developments in this story at the U.S. Fish & Wildlife Service website. There’s a form there that you can use to report unusual bat behavior or deaths if you live in Pennsylvania, Delaware, New Hampshire or Vermont. You could also join Bat Conservation International, the world’s leading scientific advocacy organization for bats.

I am keeping my fingers crossed that the epidemic won’t effect some of the more solitary, forest-dwelling species, and will be limited to those who spend the winter in large hibernacula, but that’s probably wishful thinking. I’m not really sure why I’m sharing all this. You’re either going to shrug, if you’re not much of a nature lover, or, like me, become uselessly distraught. I don’t have the words to express how this makes me feel. After watching the above presentation, I proceeded to burn dinner — something I haven’t done in years, if ever — and break a favorite casserole lid. “This is not my day,” I said by way of lame explanation. But for the bats, this is evidently not their century.

Poetry-Blogging, a Primer

This entry is part 7 of 20 in the series Poetics and technology

 

When sharing poems on the internet,
it is important not to consider an audience
of square dancers and nudists but to focus instead
on less “mainstream” readers: the tracing-paper
addicts and chronic organ grinders.

The latter are especially unreasonable and will offer
poetry critique at inappropriate times, such as when
they want to feel better about their own shoddy
attempts at plastic surgery.

Password protection of poems offers a sense of security,
although a misguided emphasis on the sanctity
of toadstools and juke boxes prevents poets
from enjoying steady employment.

Everyone knows the point of sharing poems
on the internet is to keep them hidden away
like secret regrets. Yet we find that the more
we behave like flashers, the more we have to spend
on trench coats.

Likewise, our public invitations to square dances
and raves, though almost universally rejected,
are still our only chance at being rubbed all over
other people’s hair, causing it to stand on end.

This brings us to copyright issues. The ownership
of a poem, like the ownership of a washing machine
or cat, is pretty simple: Just slap an ID tag on it
and you’re good to go — or so we thought.

As it turns out, in the murky world of the internet,
your “cat,” however “cat-like” it may appear,
might yet turn out to be a washing machine.
How will you know what to do with it?

Do you open its mouth and fill it with Tide,
or do you take another route and stop washing
your clothes altogether? Soiled shirts
will definitely make you look like a poet.

The phenomenon of poetic recognition is crucial
to a sense of online community. Waking up one day
and realizing three or four people know your name
is akin spotting a UFO: You know it’s real, but you
can’t lay your hands on the evidence.

This is why poet-bloggers turn to their oracles,
Statcounter and Google Alert, neither of which
need be consulted more than 400 times a day.
Every page view produces a sensation similar
to sliding along a Slip-n-Slide covered in baby oil.

Toxicologists fret about enthusiastic bloggers’ tendency
to lick their monitors until the words smear. The aftermath
can be measured in parts per million: How many
poets’ nouns must bleed into the verbs of casual readers
before this behavior is seen as a public health risk?

—Nathan Moore and Dana Guthrie Martin

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Dana Guthrie Martin and Nathan Moore blog at My Gorgeous Somewhere and Exhaust Fumes and French Fries, and co-edited an issue of qarrtsiluni, Mutating the Signature.

Earlier in this series, British writer Dick Jones also tackled the subject of blogging and poetry, in case you missed it: “Poetry in the Ether.”

—Dave

Of trees and festivals

The last of the quaking aspen leaves have fallen in the night, I notice with a pang. Their naked trunks shine pale in the morning sun where they stand, the four of them, at the edge of the marshy corner of the field. It’s like losing a shortwave radio: how now will I eavesdrop on the murmur and agitation of the larger world? Then this morning I hear that the emerald ash borer is now just two counties away, and I am stricken again.

But what a fossil I am, speaking of shortwave radios in the age of the World-Wide Web! The latest edition of the Festival of the Trees at the Brazilian Blog do Árvores Vivas (Living Trees Blog) reminds us of the possiblities for communication across human language barriers — it’s a fully bilingual edition — as well as, potentially, between humans and trees, if we pay careful enough attention. Go visit.

Also, note that the next edition of the festival one month from now will appear right here at Via Negativa. Send tree-related links to bontasaurus [at] yahoo [dot] com with “Festival of the Trees” in the subject line — see here for how to participate.

We seem to have run out of willing hosts for future editions, however, and not too many people send in links anymore, either, so perhaps this will be the last edition. No sense in beating a dead horse (or a live one, for that matter, but I digress). The trouble with blog carnivals, it seems, is that everyone wants to be linked to, but few remember to return the favor, and as the carnival ages, it loses that shiny newness essential to arousing murmurs and agitation on the Web. First people stop linking to it, and then they stop participating altogether.

But maybe I’m wrong, and we’re just in a temporary lull. If you’d like to keep the Festival of the Trees going, please consider volunteering to host, or even easier — and just as important — spreading the word in the most obvious ways possible: by linking to it, blogging about it, Twittering about it, or posting the link to the latest edition on Facebook (things I don’t always remember to do myself). Nothing lasts forever, but if in fact you’d like this unique, tree- and forest-centered blog carnival to continue, you’ll have to start showing it some love. Do it for the trees! Because I am not the Lorax, I am the old Once-ler. And like the Once-ler, I say,

Unless someone like you cares a whole awful lot,
Nothing is going to get better. It’s not.

Undead


Direct link to video.

I got some half-decent footage of crows mobbing what turned out to be a red-tailed hawk this afternoon. I wasn’t quick enough to get the hawk, so it didn’t make for much of a nature video even by my low standards, so I decided I’d mess around with it and try to make a videopoem instead. Here’s the text:

If the dead can’t rest,
it’s because we won’t let them.
We storm,
we harry,
we decry,
we implore.
We make them star
in our horror shows
for that surge of adrenalin
that lets us know
we’re alive —
as if they our dear departed
were the ones out for blood.

Jamendo.com was down, so I went to the Internet Archive’s Open Source Audio collection instead and quickly found some suitable music. The main advantage of searching on Jamendo is that you can filter out Creative Commons licenses that specify “no derivatives.” But I think from now on I’ll probably try the Internet Archive first, because it seems to have much more of the kind of music I’m looking for.

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For what it’s worth, this is my 3,000th post at Via Negativa. Granted, 466 of those are just quote-and-link posts in the Smorgasblog category. And this figure does not include the 719 Morning Porch posts, which are in a separate blog. I mention them because, in my first several years of blogging, I almost certainly would’ve included them as part of the Via Negativa stream — and someday when I stop keeping the Morning Porch record, I will probably import all those posts into the VN archives.

As luck would have it, we just passed another milestone a week ago: the 12,000th approved comment, which was left by Dana Guthrie Martin. That excludes the several thousand comments that were lost when Via Negativa moved to WordPress on April Fool’s Day, 2006. And just to keep things in perspective: I’ve logged 1,118,233 spam comments during that same period.

Offering

Through gestures, the house painter indicates that the goddess appeared to him in a dream and asked for a sacrifice. He points to a small piece of flesh lying in front of her stone toe, a flattened pink slug trailing a red carpet: his tongue. That explains the blood all down his shirt and chin. He opens his mouth and blood pours out instead of speech. As the word spreads, other devotees rush into the temple to annoint him with garlands. There’s even a small procession, the newspaper reports, though it doesn’t give any details. The tongue still lies untouched before the goddess, whose name is Amba Mata. She is said to reward spontaneity and naturalness. Once each year, a group of 50-100 women gathers in her honor, dancing in circles for nine nights. They bend, they turn, they clap. Their husbands maintain a respectful distance.