As if we knew enough to name
with certainty what creeps
dark-eyed under the canopy;
as if the sky were not
already overcast and cooled
by night’s long rains.
As if the arms of trees
did not hold cryptic
messages, letters
that lovers once carved
in bark for one another.
And so the scar:
shadowy fingernail,
sickle shape radiating from
the center of the breastbone,
as though a hummingbird
smote the spot and worked
in frenzy to perfect that one
eyelet: little god, hovering above
an altar of imperfections.
Write from a place of deep fear, which the authors of the Old Testament rightly considered the beginning of wisdom. Turn your poems into cunning traps and instruments of fraud. Writer’s block is primordial and best left uncarved; create only in its shadow.
Prize your digressions. Revise nothing, and put all your poems into books that self-destruct after a single reading. Wallow in idleness. Treat inspiration as a sworn enemy.
Practice abstinence; it’s the only way to know what love and hunger are really all about. Find something absurd to believe in and cling to it as passionately as Pound clung to fascism or Neruda to Stalinism. Watch a lot of television.
“First thought, best thought”: get it down and go do something useful, like cleaning the toilet. In lieu of reading, listen to audiobooks. Write about what you don’t know and didn’t think you cared about. Stay in your cave until you start seeing beasts on the walls.
Cultivate suspicion and distrust toward the universe — after all, it is out to kill you. If you must be sociable, avoid poets, for they are boring at best and petty at worst. Hang out with artists and musicians instead.
I realized this morning that my most recent videopoem was my 100th upload to Vimeo, so in celebration I created a new album for my videopoems there. It contains 45 videos so far, including those I’ve made for poems by others (Nic S., Dick Jones, Peter Stevens, Federico Garcia Lorca, Pedro Salinas, Czeslaw Milosz, Cesar Vallejo and Juan Ramon Jimenez). The Flash player at the head of this post (probably not visible to RSS or email subscribers) displays everything in the album in reverse chronological order. Once you start viewing videos, it will continue playing them in order unless you click on something, which allows you to resume browsing. (If it starts giving error messages, refresh the page.) I’ve also stuck this player at the top of the Videopoetry category page here, since I do store almost all my videopoems on Vimeo.
Vimeo calls this a Hubnut widget, and says it offers “a TV-style viewing experience.” I guess being able to change videos with one click of the mouse is kind of like changing channels with a remote, assuming there’s someplace with 45 channels devoted to poetry.
Speaking of channels, I do still also maintain the amazing Undiscovery Channel for wildlife videos, though many of my best are actually hosted at YouTube. (Since until recently I didn’t have a paid account at Vimeo, it was faster to get videos processed at YouTube, and like most bloggers I’m often in a hurry to post. I still think YouTube is a great free service and an indispensible website, albeit increasingly junked-up with ads.)
As time permits I’ll be making and uploading higher-definition versions of some of my older videos, and maybe even fixing some problems with soundtracks, sub-par readings and the like. One of Vimeo’s chief virtues is that it allows one to swap in a new file for an old one while keeping the same URL and embed code, and without losing accumulated statistics, comments and likes. And see, this is why I prefer the freemium model for web services: once I’ve committed to paying $60 a year for something, it makes me want to get my money’s worth and stop being so goddamned slap-dash about everything.
Six fresh oranges
in the short grass
on the grave of the founder
of an import/export company,
born in Aleppo.
A toddler strains against
his mother’s grip: Ball!
How to explain
the Silk
Road, the souk,
the once-unassailable
hospitality of merchants?
How to explain torture,
a feast of agonies called
the magic carpet?
A cricket plays his hit single. Ball. Ball.
Such longing!
In Syria, they say
a narrow spot can contain
a thousand friends.
I’ve shared videos of the May 6 poetry reading for The Book of Ystwyth, but the main event was the opening of Clive’s 60th birthday career retrospective exhibition at the National Library of Wales the following afternoon. And fortunately I didn’t have to worry about videoing that one; they had a professional filmmaker there to do it for them. This is the result.
Following Andrew Green’s introduction, Clive’s own remarks focus on the central role of place, love and community in his work:
Being a painter isn’t just about standing in the studio and making still lives and landscapes and narrative paintings. It’s about the people you surround yourself with, people who cluster around you, the people you love.
Would that all gifted artists and writers took their social obligations so seriously.