Grenadilla

This entry is part 6 of 93 in the series Morning Porch Poems: Summer 2011

Perhaps because I know how salt
is paired with flame and flame’s a welt

that licks the skin with thorn and bone,
I’ve always loved what knows to fold

the piquant tendril in the sweet—
ginger with anise, torn basil with lemon,

the iron bite of bitter gourds lingering
long after summer berries have left

their juice and stain on fingers, lips.
Reptile-skinned melons blush orange

like daylilies at their core, and the moon’s
poor copper in exchange. Once, I spooned

a tincture of jasmine flowers and my mouth
transformed into an old cathedral

against whose rose-veined marble walls
sheets of candle smoke lifted, swirled.

Once, I slipped thin slices of the carambola
on my love’s tongue, so he could understand

how some stars burn greener in their
passing. Shake the purple rind of the grenadilla,

the yellow globe of the maracuyá— the audible pulse,
the ticking seeds: exquisite sweet, waiting to explode.

 

In response to an entry from the Morning Porch.

Boneyard Dogs

This entry is part 4 of 20 in the series Highgate Cemetery Poems

Her faithful pet

for RR

How does one lay out a dog for burial?
Do it wrong and its ghost will circle
endlessly, unable to lie down.

*

Live dogs aren’t permitted in the cemetery.
We look for their stone snouts among the angels.

*

Has anyone considered that dogs may not want us
with them in heaven?
That we would frighten the wolves?

*

A cemetery is the last refuge of invisible friends.
Here’s someone with a map to celebrity gravesites.

*

Trees at Highgate need not fear the lifted hind leg.
They go wild, permitted
every extravagance except death.

*

I write these notes six weeks later
in a silence greater than any in all London,
sitting in the darkness,
trusting my faithful pen to find the way.

Listings

This entry is part 5 of 93 in the series Morning Porch Poems: Summer 2011

We drive through neighborhoods to look
at houses leafed in dusk-light, noting which
have corbeled windows and which

have shutters turning to the river,
where the sky has tinted the waters mauve
and wading birds touch the current

lighter than a skimming lure.
Is there a walk edged with green,
leading to a door of beveled glass?

Is there a span of yard
where old leaves on the evening
primroses graze the fluttery

new leaves on the witch hazel?
No one lists these other views:
the curl of chrome around

the refrigerator handle, the tiny
speckled orbs of orange scattered
across kitchen tile. I look

for your image reflected from
the shiny green side of a toaster,
listen for the future echo of footsteps

dancing up from the wooden floor.

 

In response to an entry from the Morning Porch.

Prognosis

This entry is part 4 of 93 in the series Morning Porch Poems: Summer 2011

As if we knew enough to name
with certainty what creeps
dark-eyed under the canopy;
as if the sky were not
already overcast and cooled
by night’s long rains.
As if the arms of trees
did not hold cryptic
messages, letters
that lovers once carved
in bark for one another.
And so the scar:
shadowy fingernail,
sickle shape radiating from
the center of the breastbone,
as though a hummingbird
smote the spot and worked
in frenzy to perfect that one
eyelet: little god, hovering above
an altar of imperfections.

 

In response to an entry from the Morning Porch.

How to be a poet

This entry is part 39 of 39 in the series Manual

Write from a place of deep fear, which the authors of the Old Testament rightly considered the beginning of wisdom. Turn your poems into cunning traps and instruments of fraud. Writer’s block is primordial and best left uncarved; create only in its shadow.

Prize your digressions. Revise nothing, and put all your poems into books that self-destruct after a single reading. Wallow in idleness. Treat inspiration as a sworn enemy.

Practice abstinence; it’s the only way to know what love and hunger are really all about. Find something absurd to believe in and cling to it as passionately as Pound clung to fascism or Neruda to Stalinism. Watch a lot of television.

“First thought, best thought”: get it down and go do something useful, like cleaning the toilet. In lieu of reading, listen to audiobooks. Write about what you don’t know and didn’t think you cared about. Stay in your cave until you start seeing beasts on the walls.

Cultivate suspicion and distrust toward the universe — after all, it is out to kill you. If you must be sociable, avoid poets, for they are boring at best and petty at worst. Hang out with artists and musicians instead.

And for god’s sake, learn HTML.

Landscape, with Ruby-Throated Hummingbird

This entry is part 3 of 93 in the series Morning Porch Poems: Summer 2011

Sliver of ruby in the emerald grass,
flash of sun— You’ve promised me

the rain’s curtain of beads won’t drown
the flickering wish uttered by the hibiscus;

you’ve sworn the bees in the hive won’t fold
their lemon-colored cards deckle-edged

with sugar. I believe you as I believe
the wind ruffling the orderly hedges,

turning the hapless pair of green
plastic garden pails on their sides.

You teach my heart to set itself
afloat on the skin of the sea,

tiny urn bearing its few remaining
cubes of sweetness. If I am calm,

it’s only because your name thrums
a feathered bruise just under my lips.

 

In response to an entry from the Morning Porch.

New videopoetry album

I realized this morning that my most recent videopoem was my 100th upload to Vimeo, so in celebration I created a new album for my videopoems there. It contains 45 videos so far, including those I’ve made for poems by others (Nic S., Dick Jones, Peter Stevens, Federico Garcia Lorca, Pedro Salinas, Czeslaw Milosz, Cesar Vallejo and Juan Ramon Jimenez). The Flash player at the head of this post (probably not visible to RSS or email subscribers) displays everything in the album in reverse chronological order. Once you start viewing videos, it will continue playing them in order unless you click on something, which allows you to resume browsing. (If it starts giving error messages, refresh the page.) I’ve also stuck this player at the top of the Videopoetry category page here, since I do store almost all my videopoems on Vimeo.

Vimeo calls this a Hubnut widget, and says it offers “a TV-style viewing experience.” I guess being able to change videos with one click of the mouse is kind of like changing channels with a remote, assuming there’s someplace with 45 channels devoted to poetry.

Speaking of channels, I do still also maintain the amazing Undiscovery Channel for wildlife videos, though many of my best are actually hosted at YouTube. (Since until recently I didn’t have a paid account at Vimeo, it was faster to get videos processed at YouTube, and like most bloggers I’m often in a hurry to post. I still think YouTube is a great free service and an indispensible website, albeit increasingly junked-up with ads.)

As time permits I’ll be making and uploading higher-definition versions of some of my older videos, and maybe even fixing some problems with soundtracks, sub-par readings and the like. One of Vimeo’s chief virtues is that it allows one to swap in a new file for an old one while keeping the same URL and embed code, and without losing accumulated statistics, comments and likes. And see, this is why I prefer the freemium model for web services: once I’ve committed to paying $60 a year for something, it makes me want to get my money’s worth and stop being so goddamned slap-dash about everything.

Familiar

This entry is part 2 of 93 in the series Morning Porch Poems: Summer 2011

Like a letter someone writes in the early hours,
as rain turns all the windows to skin.

Like the ink that streaks across the vellum
surface, ending in a flourish or a dash.

Like the light that filters upward from the ground
as mid-day heat; or condenses in beads of sweat.

Like a blur, like a wing, like a shard;
like a face passing behind the shutters.

Like the sky that’s often mistaken for weather;
and the world beneath it going where it goes.

 

In response to an entry from the Morning Porch.

Import/Export

This entry is part 4 of 20 in the series Highgate Cemetery Poems

Decapitated head

Six fresh oranges
in the short grass
on the grave of the founder
of an import/export company,
born in Aleppo.
A toddler strains against
his mother’s grip: Ball!
How to explain
the Silk
Road, the souk,
the once-unassailable
hospitality of merchants?
How to explain torture,
a feast of agonies called
the magic carpet?
A cricket plays his hit single.
Ball. Ball.
Such longing!
In Syria, they say
a narrow spot can contain
a thousand friends.

Clive Hicks-Jenkins retrospective exhibition: official opening now on video

I’ve shared videos of the May 6 poetry reading for The Book of Ystwyth, but the main event was the opening of Clive’s 60th birthday career retrospective exhibition at the National Library of Wales the following afternoon. And fortunately I didn’t have to worry about videoing that one; they had a professional filmmaker there to do it for them. This is the result.


Watch on YouTube.

Following Andrew Green’s introduction, Clive’s own remarks focus on the central role of place, love and community in his work:

Being a painter isn’t just about standing in the studio and making still lives and landscapes and narrative paintings. It’s about the people you surround yourself with, people who cluster around you, the people you love.

Would that all gifted artists and writers took their social obligations so seriously.

The exhibition continues through August 20th. If you’re anywhere in the U.K., don’t miss it! It’s a huge exhibition and well worth the time and effort to go see it, I think. Browse the works on Clive’s website and his blog posts about the exhibition for a preview.