Snowbird

bird tracks

It’s beginning to look and feel like January at last. We’re getting snow in small increments, here — ideal for preserving the tracks of small birds and mammals. The above tracks were probably made by a slate-colored junco, AKA snowbird. Juncos forage extensively on the ground, looking for seeds and insects, and in breeding season they nest on or very near the ground as well. The Wikipedia claims that juncos will sometimes eat their own droppings, then eat the droppings that result from that, and so on — an ouroborus-like exercise in self-consumption. It’s the rare being that can eliminate elimination altogether, like the mites that live in your eyelashes. Demodex mites lack an excretory orifice of any kind. They spend most of their lives head-down inside hair follicles, like shy woodland creatures living in hollow trees. Sometimes they emerge at night and walk around on your skin while you’re asleep.

frozen pond (small)
Click on photo for larger view

Much as I like looking for tracks, what I’m really attracted to is untracked snow, which offers a vision of the world free of mark or blemish. Maybe that’s what motivates the coprophagous slate-colored junco, too: an aesthetic preference for a clean slate. Or at least a clean plate.

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Thanks to Ambivablog for originally bringing demodex mites to my attention.

Deadheads and Suckers

harmonica

The following song is the last thing I recorded before the harmonica went bad. All it takes is for one note to go flat or sharp and the damn thing’s useless. This makes an even ten in my collection of dead harmonicas.

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A few housekeeping notes: I’ve chosen what I consider my best photos of 2006 and included the link in the “Best of Via Negativa” section of the sidebar. Note that you can also view these as a slideshow.

Along the same lines, I found a dandy widget that lets me place a Flickr slideshow right on the bottom of the sidebar (homepage only). Dial-up folks, please let me know if this makes the download time too long, and I’ll take it off.

Another change I just made was to restrict the sidebar display of Smorgasblog to the home page. For the curious, this involved simply copying the PHP code used to restrict the links (“Other Places”) to the main page, and using it to bracket the Smorgasblog entries — which I still code by hand.

Snowball’s Chance revisited

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Go here if you want to read along, though I don’t think you’ll need to. There are no clever special effects on this one, just my normal speaking voice at an average tempo.

This is a thoroughly re-written prose poem or lyrical essay that I first posted here over a year ago. I hope long-time readers don’t mind these recycled posts. After three years of blogging, one begins to feel a need to start rescuing some of the better near-misses and making something a bit more durable out of them. And in any case, it’s always fun to revisit earlier pieces and reimagine the things they describe. Editing isn’t merely a matter of changing and erasing, it seems to me. By fully reinhabiting a piece, one can add the sort of depth and richness that come from mixing multiple tracks in a musical recording. Sounding it out loud, of course, can be a real help in the editing process whether or not one chooses to interpret this analogy literally.

Folked up

I wish more folk music sounded like this. I don’t understand why so many fans of traditional Celtic and Anglo-American music, at least here in the states, insist on acoustic instruments.

1. Cordelia’s Dad. They’re still together, and have just recorded what they describe as their first true rock album. But the video gives some indication of the energy and depth of their earlier work.

2. Bad Livers. Syncopated newgrass from Texas. Despite the poor lighting, this is a highly entertaining cut. Note the electric tuba.

3. Flogging Molly. Heirs to the Pogues. Very Irish, very rockin’.

4. (Update) I couldn’t find a listenable video of them on YouTube, but Nyah Fearties should definitely be on this list as well. Follow the link to listen to some cuts from “the loudest and fastest band ever to use acoustic instruments.”

Forester-think: a brief primer

porcupine in hemlock

BIOLOGICAL MATURITY: In stand management, the age at which trees or stands have peaked in growth rate and are determined to be merchantable.

shadbush

FOREST INVENTORY: A survey of a forest area to determine such data as area condition, timber volume and species, for specific purposes such as planning, purchases, evaluation, management or harvesting.

black walnut fence

LAND RECLAMATION: Bringing the land, damaged from natural or human causes, back into use for growing trees or agricultural crops.

puffballs on stump

OLD-GROWTH: Trees that have been growing for such a long time that net growth or value is often declining.

bur oak face

OVERMATURE: The stage at which trees exhibit a decline in growth rate, vigor, and soundness as a result of old age.

box turtle 1

REGENERATION CUT: A timber harvest designed to promote natural establishment of trees.

old-growth tulip poplars

SALVAGE CUT: The harvesting of dead or damaged trees or of trees in danger of being killed by insects, disease, flooding, or other factors in order to capture their economic value before they decay.

scarab beetle larva

STOCKING: The number and density of trees in a forest stand. Stands are often classified as understocked, well-stocked or overstocked.

pinesaps (pollinated)

STUMPAGE: Value of timber as it stands uncut in the woods.
Standing timber itself.

black and white warbler

TIMBER STAND IMPROVEMENT (TSI) – Improving the quality of a forest stand by removing or deadening undesirable species to achieve desired stocking and species composition. TSI practices include applying herbicides, burning, girdling, or cutting.

yellow birch roots 1

WORKING FOREST: Land used primarily for forestry purposes, but also available for recreation, usually where both managed land and land not presently being managed is present.

Cicindela ancocisconensis, the Appalachian tiger beetle

WOLF TREE: A tree with large branches and a spreading crown occupying more space in the forest than its economic value justifies. Wolf trees may have wildlife or esthetic value.

orbits
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Be sure to click on the photos for identification and additional information.

Nurse

From my pocket notebook. One morning last week.

I dream of snakes swimming through the air, flinging themselves at me like starving kittens, clinging to my chest & biting my male nipples with fangs too weak to pierce the skin. I wake to fine flakes, widely spaced, sinking like diatoms to the murky bottom of the sky. Three squirrels are following a fourth through the trees at the woods’ edge, a slow-motion chase up & down trunks & across swaying nets of black birch twigs. Female gray squirrels come into heat for eight hours every January. The chase is not to the swift, but to the persistent. Whenever she stops, the closest male inches forward with his snout low against the branch, trembling. I sit watching with my coffee, glad not to be a squirrel. I’m wearing a brand-new turtleneck shirt — black like all the others — & twist & twitch in its unfamilar embrace. The ground slowly acquires a nurse’s uniform.

Outside at home

He compares notes with the Sun,
his head bobbing and bobbing:
a duck proof-reading water.

Promenade, a poem by British writer Ian House, kicks off the new “Come Outside” edition of qarrtsiluni, which will add a post every day this week. And our guest editor, Fiona Robyn, tells us to expect more goodies in the weeks to come, so stay tuned! If you’d like to submit your own work, the general guidelines are here and the theme description is here.

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The Greek root words oikos logos, literally “the study of household” were first combined by Mr. Recapitulation himself, Ernst Haeckel back in 1866. Haeckel was referring to the interactions within the house of nature, and we have used the word ecology (translated from the German Oekologie or í–kologie) to describe complex systems of life both extant and extinct.

Oekologie, the new blog carnival on ecology and environmental science, has its first edition up. It’s a promising start, with links to a large handful of thought-provoking pieces.

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Living under a rock, you learn
to listen. It’s not all thuds
& rustles & the odd shriek.

Yeah, I know — bad form to quote myself.

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More thoughts on recording my poems here.

Producing poems for the pod people

I’ve been recording audio versions of my poems over at shadow cabinet. These are all going onto a dedicated channel at Odeo, which includes an RSS feed that you can subscribe to if you want.

Some of the recordings are more basic than others, but all of them required some practice and multiple takes. Here’s one of the most experimental so far, a piece that began as an illustrated post at Via Negativa, Psalm for the Rapture. (This is a new and improved version from the one I posted this afternoon, for the five of you who already downloaded that.)

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I’ve started a seperate channel for the music I’ve been posting here: milk of amnesia (feed). I don’t know whether this actually qualifies as podcasting, since these are all such short cuts. The goal for the poems, at least, is to end up with files that are still small enough for someone with a dial-up connection to listen to, if they have the patience.

Shady Grove

moonset

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This is one of my favorite modal tunes — in part because it’s one of the few I know the words to. These aren’t the commonest lyrics, but they’re the ones I learned, probably from one of my brother’s banjo tablature books.

One charming verse I don’t sing here goes,

When I was a little boy, I wanted a barlow knife.
Now I want my Shady Grove, to have her for a wife.

As for the lyrics I do sing, “Harlan” is Harlan County, Kentucky, home of some of the bloodiest mine wars back in the day:

They say in Harlan County,
There are no neutrals there.
You’ll either be a union man
Or a thug for J. H. Blair.
(“Which Side Are You On?”)

And now it’s a national sacrifice area. And when I say “sacrifice,” think “Aztec open-heart surgery.” A land is being eviscerated to enable our comfortable lifestyles.

Which does relate, however obscurely, to this song. I’m not sure how or why a woman might come to be called Shady Grove, but there’s something very appealing to me about this identification of woods with lover.
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For email subscribers who may not be seeing the player — which uses Flash Shockwave — here’s the direct link.

Drops of black profoundness

I first encountered Dsida Jeno’s “Poem of Darkness” on my friend rr’s blog frizzyLogic. Like rr — who, at our bloggers’ confab in Montreal last spring, turned out to have some rather strong notions about what constitutes a proper cup of coffee — I love the central image of the poem:

But tell me: have you ever let
a snow-white sugar-cube soak up
dark liquid, dipped in the bitter night
of coffee in its cup?
Or watched how the dense liquid,
so surely, so insidiously,
will seep up through the white cube’s
pure, crystalline body?
Just so the night seeps into you,
slowly rising, the smells
of night and of the grave all through
your veins, fibres, cells,
until one dank brown evening,
so steeped in it, you melt and sink –
to sweeten, for some unknown god,
his dark and bitter drink.

This morning, quite by chance, I’ve discovered three more creative efforts inspired by coffee. Let me present them in the reverse order of their discovery.

First, a bit of music. What ganja is to reggae and alcohol to the blues, coffee is to speed- or death metal (sometimes also called, tellingly, black metal). Here’s a part-American, part-Scandanavian band existing somewhere on the cusp between fact and fiction called Dethclok, with their tender tribute to Columbian Supremo:

According to the Wikipedia, durning Dethclok’s performance of this song at a charity show, as a gimmick, “several searing hot coffee and cream pitchers [were] … poured on the crowd, melting their skin off.”

Well, frankly, that’s what you get if you don’t drink shade-grown, organic, fair trade coffee. Coffee doesn’t have to kill.

In fact, it turns out there’s now an entire blog — and a pretty good one — devoted to Coffee and Conservation. The author describes him/herself as a Michigan ornithologist and coffee drinker. The most useful feature of the blog for casual consumers is its reviews of individual shade-grown coffees, many of them also organic and fair trade certified. And from the latest post I learned this rather startling news:

[A recent scientific paper] details 103 species in the genus Coffea: 41 species in Africa, 59 in Madagascar, and three in the Mascarene Islands; no naturally-occurring Coffea species are found outside of these three areas, and no species is shared between the three areas.

While most of the paper is of interest only to botanists, one aspect is quite striking. Over 70% of coffee species can be categorized as threatened using World Conservation Union (IUCN) Red List definitions:

  • 14 species (13.6%) are Critically Endangered,
  • 35 species (33.9%) are Endangered, and
  • 23 species (24.2%) are Vulnerable.
  • An additional 13 species (13.7%) are Near Threatened.

This has me bouncing off the walls with alarm. It’s not just jaguars and mot-mots that are in trouble when cloud forest habitat is destroyed to make way for (among other things) coffee plantations. Throughout Africa and Madagascar, wild coffee itself is at risk. I guess this must be what Dethclok had in mind with the final line of their ditty: “Coffee kills coffee.” SAVE THE COFFEE!

Whew. Must calm down. Maybe it’s time to re-read a poem by Tomas Tranströmer, translated by the Scottish poet Robin Fulton. I got a copy of The Great Enigma: New Collected Poems for Christmas, and am working my way slowly through it, reading from back to front in small, daily doses immediately following my morning cup o’ joe. This poem originally appeared in 1962 in a book called (in English) The Half-Finished Heaven.

Espresso

The black coffee they serve outdoors
among tables and chairs gaudy as insects.

Precious distillations
filled with the same strength as Yes and No.

It’s carried out from the gloomy kitchen
and looks into the sun without blinking.

In the daylight a dot of beneficent black
that quickly flows into a pale customer.

It’s like the drops of black profoundness
sometimes gathered up by the soul,

giving a salutary push: Go!
Inspiration to open your eyes.