Midsummer

river in November light between bare woods and mountain
You know what it's like when you step into a room 
and every head swivels in your direction? How quickly

the comfort you've become used to as you move around
in your skin, in this world, can be unsettled. You follow

the GPS map, wondering why a wedding rehearsal dinner
would be held near a cemetery—but this is a small town

in the midwest, blond as the silk wrapped around the corn
growing thick and high in summer. After three wrong

turns, you pull into a driveway hoping to ask for directions.
There is a subgenre of horror whose elements include

an isolated rural setting, superstition and suspicion;
folk who band together against outsiders stumbling into

their community. This is the point where the odds are
even: either nothing could happen, or anything could happen.

You'd hear the wind blow through the fields, an animal bleating
in the trough; the click as a weapon is chambered and cocked.

Poetry Blog Digest 2024, Week 28

Poetry Blogging Network

A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive at Via Negativa or, if you’d like it in your inbox, subscribe on Substack (where the posts might be truncated by some email providers).

This week: the seeds of books, glamour and poverty, a gull funeral, the green of geckos, and more. Enjoy.

Continue reading “Poetry Blog Digest 2024, Week 28”

Officialdom

This entry is part 36 of 51 in the series Une Semaine de Bonté

Page 36 of Max Ernst’s Une Semaine de Bonté

you were the lions of empire
captured in local granite

you cling to your perches
as tightly as the shells

that gave birth to cicadas
those one-hit wonders

cultured in the dark
like wheels of cheese

you travel sitting down
or sleeping in compartments

raised on air quotes you lift
an eyebrow to the breeze

if a cocktail or paving stone
can become ordnance

the sky’s the limit to what
feathered lead might fall

a rampant weather fit
to exterminate vermin

Recoveries

river in November light between bare woods and mountain
On the roof of the shed, 
under a bough bending with leaves,
one of the neighborhood cats likes
to stretch out in the middle of the day.

*

Once when we came home,
we saw another nest flung from
the high pine—night herons
pummeled by wind.

.*

Even the ghosts of cicadas are tenacious—
the shells they left behind as they pushed
their new bodies out remain
hooked to leaves.

Specialist

This entry is part 35 of 51 in the series Une Semaine de Bonté

Page 35 of Max Ernst’s Une Semaine de Bonté

a caterpillar fallen from
its tree hurries past

the ground is a leaf
without end or underside

where to shelter from birds
and menacing clouds

you can hide on a plinth
if you’re still enough

convert all your unspent
currency to skulls

the ground is a mask
with too many eyeholes

how to disguise yourself
as a shadow or a hedge fund

if you’re made out of water
you can take any shape

says the fortune cookie
crushed by an impatient fist

Maps

river in November light between bare woods and mountain
8

You could say the sunflower
is one of my emblems—for how it tracks
a brighter beacon across the skies
through the day, for how it angles its head
toward some hidden aspiration.
There is another, smaller flower:
bright yellow and orange, but broom-
brittle. Women string them into garlands
and sell them as a kind of amulet
against time. Their name, the echo
of promises made by lovers. Or a life
sentence—how faithfulness ordained
can become the fate the flower
petals into, that roots it to the ground.

Executive

This entry is part 34 of 51 in the series Une Semaine de Bonté

Page 34 of Max Ernst’s Une Semaine de Bonté

behold the beast
its gape its gap
its utter lack of spark

this rabbit
what had it been doing
under my hat

step right up folks
the body politic won’t miss
its absentee head

for my next trick
I’ll deliver a baby
and whisper a number in its ear

Maps

river in November light between bare woods and mountain
7.

Though anything can happen, in my own
early days of motherhood I tried so hard

not to believe we weren't meant for more easeful
things. Who was always telling me to be more

careful, to keep something back; not to spend
the whole paycheck, not to put a whole sweet

in my mouth, not to draw open the blinds without
the signal for clear? I wasn’t the only one raised

with these instructions—Pin your hopes high
on the wall, but learn how to carve out a closer

space. Yet the gods, quick to perceive tendrils
of joy, knew I’d point out the hills when they were

clothed in lavish shades of green; and in the colder
months, studded with brave breastplates of sunflowers.

Planted

Sam Pepys and me

These four days we spent in putting things in order, letting of the crop upon the ground, agreeing with Stankes to have a care of our business in our absence, and we think ourselves in nothing happy but in lighting upon him to be our bayly; in riding to Offord and Sturtlow, and up and down all our lands, and in the evening walking, my father and I about the fields talking, and had advice from Mr. Moore from London, by my desire, that the three witnesses of the will being all legatees, will not do the will any wrong. To-night Serjeant Bernard, I hear, is come home into the country. To supper and to bed. My aunt continuing in her base, hypocritical tricks, which both Jane Perkin (of whom we make great use), and the maid do tell us every day of.

we put in the ground
our absence and our light

low lands continuing
as kin


Erasure poem derived from The Diary of Samuel Pepys, 16, 17, 18, 19 July 1661.

Maps

river in November light between bare woods and mountain
6.

One of the outside
motion-sensor lamps is bent
out of position, which means

it takes a while 
for its pair to flicker to life.

My tendency is always to want 
to find a way to replace what 
is broken, the same way I am 
anxious to lay a path
of light where I can. 

Is the moon not enough?
No, the moon is not 
enough.