What time is

Sam Pepys and me

Up betimes and among my workmen, and among them all the morning till noon, and then to my Lord Crew’s, and there dined alone with him, and among other things he do advise me by all means to keep my Lord Sandwich from proceeding too far in the business of Tangier. First, for that he is confident the King will not be able to find money for the building the Mole; and next, for that it is to be done as we propose it by the reducing of the garrison; and then either my Lord must oppose the Duke of York, who will have the Irish regiment under the command of Fitzgerald continued, or else my Lord Peterborough, who is concerned to have the English continued, and he, it seems, is gone back again merely upon my Lord Sandwich’s encouragement.
Thence to Mr. Wotton, the shoemaker’s, and there bought a pair of boots, cost me 30s., and he told me how Bird hath lately broke his leg, while he was fencing in “Aglaura,” upon the stage, and that the new theatre of all will be ready against term.
So to my brother’s, and there discoursed with him and Mr. Cooke about their journey to Tom’s mistress again, and I did speak with Mr. Croxton about measuring of silk flags.
So by water home and to my workmen, and so at night till late at my office, inditing a letter from Tom to his mistress upon his sending her a watch for a token, and so home and to supper, and to my lodgings and to bed.
It is my content that by several hands to-day I hear that I have the name of good-natured man among the poor people that come to the office.

time is sand
to the mole

a command of the Lord
to makers

a bird in the hand
to the poor


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 24 September 1662.

A Crown of Dust

river in November light between bare woods and mountain
(a cento)



13

pure as a body saddled with sentience

Then came the mast of a tall ship
the air troubled above

even an underground sea can be a valley.

I gorge on fragments, always requiring something

The attar of grass, recently cut.
A yoke of beauty. A beak was missing The burden

The meat a memory. A feat of engineering.

Grey fog, blue sunlight, stones like big footprints

The sea hanging from our tongues. Extinct horses

under a chestnut where edible mushrooms
see the hand's unintended imprint on the shore

In this country, everyone fears midday.

and waiting.



Line sources:
Kristine Ong Muslim, Stefania Gomez, Leila Chatti, Anna
Glazova, Omotara James, Daniel Halpern, Michelle Phuong
Ho, Chen Chen, Grady Chambers, Jorge Galan, Henri Cole,
Joanna Goodman, Tada Chimako, Ayesha Asad

Contained

Sam Pepys and me

Up betimes and with my workmen, taking some pleasure to see my work come towards an end, though I am vexed every day enough with their delay.
We met and sat all the morning, dined at home alone, and with my workmen all the afternoon, and in the evening by water and land to Deptford to give order for things about my house, and came back again by coach with Sir G. Carteret and Sir W. Batten (who has been at a Pay to-day), and to my office and did some business, and so to supper and to my lodgings, and so to bed.
In our coming home Sir G. Carteret told me how in most cabaretts in France they have writ upon the walls in fair letters to be read, “Dieu te regarde,” as a good lesson to be in every man’s mind, and have also, as in Holland, their poor’s box; in both which places at the making all contracts and bargains they give so much, which they call God’s penny.

taking pleasure
to work every day

or alone in the evening
with our home cabarets

in every mind a box
they call God


Erasure poem derived from The Diary of Samuel Pepys, Tuesday 23 September 1662.

A Crown of Dust

river in November light between bare woods and mountain
(a cento)


12

The stones, twittering distantly, speak to me

but how do you describe a color
you've never been allowed to see?

If not utter stillness, at least dedication

This song is not for your fight but it is a song
from the dark, landing in the creek

Thank you, objects, for your autobiographies.

I understand. I do. I used to lie back
so much. Let us strike, again, the pose of plenty.

I could have listened forever. But before long the dreams

switched to airplane mode, the atmosphere returned
pure as a body saddled with sentience.


Line sources:
Sarah Giragosian, Joshua Jennifer Espinoza, Anna Lena
Phillips Bell, Dean Rader, James Crews, Susan Firer,
Lisa Fay Coutley, Rose McLarney, Lynne Knight, Matthew
Prior, Kristine Ong Muslim

Misty-eyed

Sam Pepys and me

Up betimes among my workmen, hastening to get things ready against my wife’s coming, and so with Sir J. M., Sir W. B., and Sir W. P., by coach to St. James’s, and there with the Duke. I did give him an account of all things past of late; but I stood in great pain, having a great fit of the colic, having catched cold yesterday by putting off my stockings to wipe my toes, but at last it lessened, and then I was pretty well again, but in pain all day more or less. Thence I parted from them and walked to Greatorex’s, and there with him did overlook many pretty things, new inventions, and have bespoke a weather glass of him. Thence to my Lord Crew’s, and dined with the servants, he having dined; and so, after dinner, up to him, and sat an hour talking with him of publique, and my Lord’s private businesses, with much content. So to my brother Tom’s, where Mr. Cooke expected me, and did go with me to see Mr. Young and Mr. Lull in Blackfryers, kindred of Tom’s mistress, where I was very well used, and do find things to go in the business to my good content. Thence to Mr. Townsend, and did there talk with Mr. Young himself also, and then home and to my study, and so to my lodgings and to bed.

on my ten thin
toes again

in pain to look
pretty in a glass

in the kind of mist
where I find myself


Erasure poem derived from The Diary of Samuel Pepys, Monday 22 September 1662.

Poetry Blog Digest 2025, Week 38

Poetry Blogging Network

A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive at Via Negativa or, if you’d like it in your inbox, subscribe on Substack (where the posts might be truncated by some email providers).

This week: how poems happen, early-autumn dreamtime, the gates of unuttered words, and much more. Enjoy.

Continue reading “Poetry Blog Digest 2025, Week 38”

A Crown of Dust

river in November light between bare woods and mountain
(a cento)

11

How a river disappears into the night and is never still.

I asked, have you ever been approximated, does it

matter,

"Here" is just a part of the soul your body shows to me.
and someone memorizing hard how to ask for it again.

You thought your hunger mattered

A fig eaten like a kiss in a stairwell. Your lips, potable wishes.
The quiet

to feel the flame of breath gutter but keep burning.

And what are your parties like without me?
But if you're waiting for me,

nine little black dresses and a birthmark
as if some vital clue needed to be found.

Let me love the cold rain's plinking.

The stones, twittering distantly, speak to me.


Line sources:
Chi Lechuan, Gillaume Apollinaire, Jennifer Nelson,
Lisa Russ Spaar, Ada Limon, Paul Tran, Kendra DeColo,
Traci Brimhall, Lee Upton, Annie Stenzel, Lynn
Schmeidler, Edward Denniston, Maggie Smith,
Sarah Giragosian

Pilgrim’s regress

Sam Pepys and me

(Lord’s day). Got up betimes and walked to St. James’s, and there to Mr. Coventry, and sat an hour with him, talking of business of the office with great pleasure, and I do perceive he do speak his whole mind to me. Thence to the Park, where by appointment I met my brother Tom and Mr. Cooke, and there spoke about Tom’s business, and to good satisfaction. The Queen coming by in her coach, going to her chappell at St. James’s (the first time it hath been ready for her), I crowded after her, and I got up to the room where her closet is; and there stood and saw the fine altar, ornaments, and the fryers in their habits, and the priests come in with their fine copes and many other very fine things. I heard their musique too; which may be good, but it did not appear so to me, neither as to their manner of singing, nor was it good concord to my ears, whatever the matter was. The Queene very devout: but what pleased me best was to see my dear Lady Castlemaine, who, tho’ a Protestant, did wait upon the Queen to chappell. By and by, after mass was done, a fryer with his cowl did rise up and preach a sermon in Portuguese; which I not understanding, did go away, and to the King’s chappell, but that was done; and so up to the Queen’s presence-chamber, where she and the King was expected to dine: but she staying at St. James’s, they were forced to remove the things to the King’s presence; and there he dined alone, and I with Mr. Fox very finely; but I see I must not make too much of that liberty for my honour sake only, not but that I am very well received.
After dinner to Tom’s, and so home, and after walking a good while in the garden I went to my uncle Wight’s, where I found my aunt in mourning and making sad stories for the loss of her dear sister Nicholls, of which I should have been very weary but that pretty Mrs. Margaret Wight came in and I was much pleased with her company, and so all supper did vex my aunt talking in commendation of the mass which I had been at to-day, but excused it afterwards that it was only to make mirth. And so after supper broke up and home, and after putting my notes in order against to-morrow I went to bed.

a mind is a crowded altar
with music as devout

as an owl
in the garden

mourning the loss
of all the notes


Erasure poem derived from The Diary of Samuel Pepys, Sunday 21 September 1662.

A Crown of Dust

river in November light between bare woods and mountain
(a cento)


10

Beneath me, a male world thrums with every strung kind.

One man asks me to the dance floor, one asks me

Amid the stubble and the stones,
among cinquefoil, as the toothed moon rises

Darkness spills across the sky like an oil plume.


You who I don't know I don't know how to talk to you

something encloses the impossible in a fable
and illuminates what's outside it

You don't see until you're cut.
Then you begin, slowly, to read the whole story.


A human is a meager thing
in such immensity, the way a little shoe is small on the stones

How a river disappears into the night

And is never still



Line sources:
Nicholas Wong, Rigoberto Gonzalez, Stanley
Kunitz, Louise Gluck, Craig Santos Perez,
Jean Valentine, Juliana Spahr, Mahmoud Darwish,
Cornelius Eady, Mary Oliver, Chi Lechuan,
Guillaume Apollinaire

Glass warfare

Sam Pepys and me

Up betimes and to my office, where I found my brother Tom, who tells me that his mistress’s mother has wrote a letter to Mr. Lull of her full satisfaction about Tom, of which I was glad, and do think the business will take. All this morning we sat at the office, Sir J. Minnes and I. And so dined at home, and among my workmen all the afternoon, and in the evening Tom brought Mr. Lull to me, a friend of his mistress, a serious man, with whom I spoke, and he gives me a good account of her and of their satisfaction in Tom, all which pleases me well. We walked a good while in the garden together, and did give him a glass of wine at my office, and so parted.
So to write letters by the post and news of this to my father concerning Tom, and so home to supper and to my lodgings and to bed.
To-night my barber sent me his man to trim me, who did live in King Street in Westminster lately, and tells me that three or four that I knew in that street, tradesmen, are lately fallen mad, and some of them dead, and the others continue mad. They live all within a door or two one of another.

office where
I found my faction

all the men of good glass
are fallen

dead within
one another


Erasure poem derived from The Diary of Samuel Pepys, Saturday 20 September 1662.