Tag: Luisa A. Igloria

May all beings be free from suffering and the causes of suffering.
~ from The Four Immeasurables

And in that tale, like bits of broken teeth,
like gems or brittle tears, a thousand grains

are spilled upon dark ground. Because the soul
looked full upon love’s face, it now must count

and gather, harvest shredded wool among the bramble,
stitch its craft of mortal longings to the impossible.

The stars, as always, withhold commentary.
Only the blossoms along the fence offer

sweet worth, stubborn hope; the thorns,
their pointed epistle: I wound to heal.

In response to thus: Night prayer.

below the horizon— Driving back
once more in the haze of evening,

it seems so simple— The engine
of intention presses forward
into the dark, the road unfurls

like breath. A line of white
reflects the right-hand border.
Steady at the wheel, all curves

taken in increments. At higher
speeds, the windshield stipples
with dusty ochre and green.

In response to small stone (132).

“… who needs a needle
to thread the seamless labyrinth
of the rose?” ~ D. Bonta

Because they bent
too far across the walk

and scratched your cheek
or arms whenever you passed,

I tied the roses back
with twine; and yet

their flushed and creamy
scent is warmer still,

more than the radial glow
of motion sensor lights.

In response to Via Negativa: Thorn.

The hinge between them is slight: a moderate pull with the wrists,
and the chopsticks come apart. Pale, unlacquered: permeable.

She is lonely in that house: cabinets stuffed with old lace and chiffon,
flagstones of cracked shale. Eyelets, keyholes: equally permeable.

Mornings, I’d wake there to things that to me resembled light: clinked spoons,
smell of browned onions in the pan; bread rolls dipped in coffee, permeable.

I remember the sound of her old Singer sewing machine, the cushion,
the orange chalk, the pins. The needle makes surfaces more permeable.

Some things grow even more tenuous with time. The tin roof, never patched,
now leaks rain water into plastic pails. How does one seal what’s permeable?

How to fulfill duty in the midst of difficulty? In the end it seems I always
fall short; regretful I’ve failed, my best intentions pockmarked, permeable.

In response to small stone (129).

Froth like salt encrusting the edges of the claw-footed bathtub, tendrils of hair on the margins of the beige tile floor— Remember, years ago in that first apartment, coming back from a trip to find a section of pipe sticking out of the wall? The neighbors said they heard the water rushing, saw the tell-tale gush spilling out the crack beneath the front door. Thank goodness there was no carpet— only stains on the wood down the length of the hallway floor. That winter, the child made repeated trips to the third floor balcony, trying to understand Galileo’s experiment with falling bodies. Feather and stone, feather and stone. Then a little swirl of turquoise trapped inside a glass marble, accelerating through the frosty air alongside the neon-yellow tennis ball. The hand-held timer clicked as they hit the ground. When I enter a room I can usually tell who has been there before: unwashed cups in the sink, damp towels on the hook; fingernail clippings more slender than grains of rice, scattered around the trash basket. The musty smell of bodies that might have lain too long in the dark.

In response to Via Negativa: Toenail paring.

Out with my daughter: in a blur of window shopping, we see autumn’s gold; persimmons,
muscats, rust browns— soon mirrored outside, for already the season is shifting.

Summer’s warm skins are sloughing off. Whose chill blade comes nearer? Just as one
issue’s resolved, another appears. Reason can hardly keep up with such shifting.

Listen to this work in two parts— opening with a melodic center, followed by fourteen
famous variations. Each section addresses the theme, even while visibly modulating.

Who has fingers of tensile strength, a heart fierce as a beast’s, the touch of sentiment
light as wings? Expressive declensions demand sacrifice: go deeper than technical shifting.

Five overripe figs remain in the cooler— their purply-green skins like tight sweaters
unraveling. Split one along a seam: sweet lesion slicked by the tongue’s shifting.

The heavy film of dust on each window sill accuses me of neglect: the days have been
languid— we’ve worshipped them like heathens. Chill mornings foretell a shifting.

Come love— Wind stirs the leaves and rain starts its preludes. The world tonight is prismed
with water. A raging flood is not like a Venetian canal, with slender boats gently tilting.

In response to small stone (127).

Tell me I’m lucid, says Josephine on the phone. Tell me my mind hasn’t gone. Tell me my speech is clear and that I make sense to you. I picture her on her hospital bed, trying to squeeze a rubber ball with her limp left hand. In sixth grade, during lunch or recess, we used to sit, books in hand, on a grassy knoll at the edge of the school grounds— away from the surveillance of nuns. To our left, a two-storey house with peeling paint, where music and art were taught— And in one room there, a gas oven and large work table where a sister worked with one helper to bake the Sacramental bread, the altar bread, the body of Christ, the host. Sometimes, when they felt generous, they gave us the lattices left behind after they punched circles smaller than cookies on thin sheets of dough; we ate them— unblessed— with our Coke. Just beyond, a row of latrines by the barbed wire fence. We held our breath coming over the path, past the overgrowth twined with morning-glories. There are shooting pains in my fingers, she says; and pins and needles down my side, all along my left foot. I tell her this should be a good sign: There is feeling left; and, Do you remember how we said we wanted to go to Bath? Think of how jolly that will be. Outside, the rain that has fallen all night now glistens on the grass.

In response to Morning Porch and small stone (126).