Blueberry picking at Bear Meadows bog: a public service message


Watch on VimeoWatch on YouTube.

I took a break from berry picking yesterday to record this important message for anyone considering making the trip to Bear Meadows to pick highbush blueberries. (I didn’t have a tripod with me; I just strapped the camera to a sturdy blueberry bush.) The patch is completely over-rated. In addition to all the dangers I enumerate in the video, it’s also quite easy to get lost if you try to take the scenic route back through the state forest, as my mother and I discovered yesterday. One wrong turn and we became hopelessly disoriented, despite the fact that I’ve visited this part of the forest many, many times, on car and on foot. The state forest roads all look pretty much alike. Conclusion: please stay at home and watch cat videos on the internet. Thank you.

Becoming Appalachian

first published (in slightly edited form and without illustrations)
in
Appalachian Journal Vol. 38: 2-3 (Winter/Spring 2011)

© by Chris Bolgiano

The Fall, 2010 issue of Appalachian Journal, which focused on regional identity, hit me where it hurts: in my self-proclaimed, hardly-won, and wholly un-censused identity as Appalachian. Because nowhere in seventy pages of scholarly surveys, speculations, and definitions could I find myself.

Chris Bolgiano's view from the deck
Looking at Little North Mountain from the author’s deck in autumn.

Researchers reach out to fourth generation descendants born in industrial cities far from the mountains and deem them Appalachian, and I totally get that. I’ve come to understand, and not just from Loyal Jones, that you can get an Appalachian into Heaven but she’ll still insist on going home to the mountains every other weekend.

I understand, because even though I wasn’t born here, I couldn’t live anywhere else but here on Cross Mountain, with Little North Mountain in front of me. And the trailer court down the road. Continue reading “Becoming Appalachian”

Stepping into the heat


Watch on Vimeo.

A small, volunteer sunflower growing alongside the footpath between my house and my folks’ house has attracted a huge following, from mordelid beetles to flea beetles to some kind of plant bug that lurk on the back side. Add to that the small wasps and bees coming in for shorter visits, and it’s quite a happening little scene.

That’s what tempted me to stand out in the sun for ten minutes yesterday evening videoing it. But when I brought up the clips on my desktop monitor, it was the sun-struck footage rather than the footage focused more on the insects that seemed the most striking. I hadn’t had anything specific in mind when I shot it, but I picked up my copy of Nic S.‘s book Forever Will End On Thursday and quickly found a nearly perfect fit: the poem “homesteader,” which begins:

I step into the heat
as into a dress

the sun fits me, it is
my size

and the heat is
face-shaped…

Every time I make a videopoem, even one as simple as this, I feel I learn something new. This time, I discovered that the natural sound from the video itself made a perfectly satisfactory soundtrack, as long as I was careful, in my couple of splices, not to cut off the field sparrow in mid-song. I’m also refining my technique for massaging the poetry reading. In general, I find it necessary to lengthen the spaces between phrases when adapting a sound recording for use in a videopoem, in order to counteract the distraction-effect of the video images and give the words time to sink in. Nic’s readings lend themselves especially well to this kind of spacing, since her readings are already slower and more clearly articulated than most other people’s. On the other hand, there’s nothing that says a viewer or listener has to catch every word on the first listen. We certainly don’t have that expectation with music!

This is my third video so far for a poem by Nic S.. In case you missed them, the other two were “on being constantly civil towards death” and “the wanderers’ blessing.” Two other videos used Nic’s readings (originally recorded for Whale Sound): “hollow” (text by Peter Stephens — possibly my best videopoem to date) and “A Bigfoot Poem,” Nic’s rendering of one of my own pieces.

Heat Indices

This entry is part 13 of 20 in the series Highgate Cemetery Poems

Sad broken angel

Bombs go off right across the world
from where I live, among a people who
look like me. This is news because
they are not at war — or at least,
not very much — & because they look
just like me. Meanwhile in America
we are blowing up mountains
& burning their black hearts to keep cool.
Meanwhile in America we are setting off
three & a half million pounds of explosives
every day in this undeclared war
against ourselves. This is not news because
it happens every day & is therefore
nothing new; because there is no easy-
to-tar enemy except perhaps for
the black-hearted mountains;
& because the people who die from it
die slowly & unspectacularly,
& are too often guilty of being poor.
Meanwhile in America it is hot
& getting hotter, & this is news
because it keeps us indoors, glued
to the news or at least to the sweat-
sticky couch. Meanwhile in America
the news anchors make a show
of indignation at the sun, righteous
& well-coiffed as fallen angels, &
never speculate about why we might
really be so hot, never mention
that we are blowing up mountains
& burning their black hearts to keep cool.

*

Note: I don’t mean to minimize the horror of the events in Norway, which now seem actually to be more about the massacre on the island than the initial bomb blasts. Every violent death, especially the death of a child, is a tragedy regardless of where in the world it happens — even schoolchildren in Appalachia who get brain tumors from having the misfortune of living too close to coal processing plants.

John Davis visits Plummer’s Hollow as part of TrekEast

Cross-posted to the Plummer’s Hollow website.

John Davis photographing downy rattlesnake plantain in our 3-acre deer exclosure

UPDATE (6/22): Listen to Emily Reddy’s interview with John in Plummer’s Hollow for a news story on our local NPR station, WPSU.

(For the record, Bruce Bonta is Marcia Bonta’s husband, not her son! I’m the son.)

*

We’ve been honored to host John Davis from the Wildlands Network for two nights in Plummer’s Hollow as part of his epic, 6,000-mile muscle-powered journey to raise awareness of wildlands connectivity in the eastern U.S. and Canada. He started in Key Largo in February and hopes to make it to the Gaspe Peninsula by October, traveling by boat, hiking, and biking, visiting as many wildlands in the East as possible. You can follow along via the TrekEast blog on the Wildlands Network website and/or follow @TrekEast on Twitter for more up-to-the-minute photos and brief audio blogposts.

John pitched camp in the woods up beyond the garage, and uploaded three different audio posts last night and this morning, before getting underway around 7:00.

Woodrat (2:48)

Energy Assault (3:04)

Nature and Energy (3:21)

John Davis' campsite in Plummer's HollowJohn was one of the founders of Wild Earth magazine and the Wildlands Project, as it was then called, which together played a pivotal role in shaping our own thinking as eco-centric forest stewards, helping us see how our property fit into the larger conservation picture, and making us strong advocates for ecosystem recovery and large carnivore restoration, among other things. So we were pleased to be able to meet John and show him around the property, and compare notes about the environmental movement over the past 25 years. Also, as a long-time blogger and multimedia guy, I must say I’m very impressed by the electronic communications system John and his support staff have set up. He’s an excellent extemporaneous speaker, as the audio posts demonstrate, and also a gifted listener, so if you get a chance to go see him as TrekEast continues, don’t miss it. (His next appearance is this very evening in State College — see the Centre Daily Times for details.)

John Davis - heading out

Superb frozen drink machine (unsolicited email)

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Curating the Dead

This entry is part 10 of 20 in the series Highgate Cemetery Poems

Broken-nosed cherub

They were the grinning stars
of our childhood museum,
looming above the conches
& fossil ferns, the brain coral
& the blue & green glass bottles
that once held medicine.
We’d found them in the woods
not far from the houses,
their other bones littered about,
but it was only them we carried
home, those skulls: two cows & a mule.
Our elderly neighbor remembered
the mule’s name: Charlie.
Some of the teeth were loose
& soon went missing,
like strip-mined mountains.

We didn’t think about their deaths
or even what they’d been
before, as working livestock;
they were still live enough for us.
The zigzag sutures where
the parts of the skull fit together
made them self-evidently whole
& perfect, & the way the lower jaws
hinged behind the empty eyes
inspired awe. Every kid,
no matter how bored, would stop,
lift the mule’s top jaw
& make him talk.

Festival of the Trees 61: new discoveries

hugging an English oak, Hampstead Heath

Welcome to the fifth anniversary edition of the Festival of the Trees! Five years might seem like a long time on the internet, but for a tree, at least here in Pennsylvania, it’s barely enough time to get above deer-browse height. So we’re really still at the sapling stage. And although it’s nowhere near as hip as it was in 2006, long-form blogging is proving to be a durable medium for things like nature documentation, poetry, and photo-essay combinations — the stuff of which a good blog carnival edition is made.

Rather than attempt anything too clever this time around, I think I’ll just string together a bunch of cool quotes, photos and videos, which has been my pattern every since the very first edition. The suggested theme this time was “new discoveries,” which some contributors hewed to more closely than others. But all of the posts were new discoveries for me!

(A word about the format: I’ve included just one link for each item: the direct permalink to the post or article in question, on the theory that having an extra link for the blog or website as a whole is redundant and slightly confusing. But once you click through, please do take the time to explore each site further, if you can.)

Reading the past, preparing for the future

Let’s begin in Australia. Ecologist Ian Lunt shares some of his experiences in learning the read the forest for clues about its past, for example by using 19th-century surveyors’ markings on old eucalypts.

Recently I explored a back corner of Mt Pilot National Park. After pushing through thick forest, I discovered a fence post. It took me aback. Who’d plant a post in a dense forest on a steep rocky hill? I explored more, and found another, and another, in a ragged line heading dead north.

Ash at the UK-based treeblog also put his detective powers to work this month in “Forest forensics.”

This carnage occurred sometime between Sunday afternoon and Tuesday afternoon. […] By coincidence, all of this happened just a few metres away from where I was photographing fungal fruiting bodies on a cherry tree on Sunday afternoon — the subject of the previous post in fact!

At his weather station on South Fidalgo Island, Washington, Dave Wenning wonders, “Are the Madrona Trees Dying?

A question remains about the odd weather patterns we have been experiencing. If these persist over the next several years, how long will the Madronas be able to withstand the insults? When reviewing articles for this post, I was interested to note the mention of how much people adore these trees.

The effect of global climate change on trees — and the ability of forests to mitigate the effects of climate change — appears to have been the driving concern behind the Ministerial Conference on the Protection of Trees in Europe in Oslo this past month. And Pip Howard at European Trees says it was one of the most progressive environmental conferences he’s attended, with a legally binding agreement on forest protection across national boundaries almost sure to result. But he decries the absence of a public voice on the panel, and points out the necessity of improving communication between professional foresters and the general public if the latter is to have truly meaningful input: “There is no point giving the public their landscape to them unless they are able to judge between good or bad management and all too often bad management is confused with good and areas rich in biodiversity are considered poor.”

German writer and publisher Dorothee Lang summarizes a new UN report, State Of the World’s Forests 2011: “seen globally, the forests are shrinking, especially in South America. And some of the growth is due to large monocultures tree plantations.” But in northern Europe, at least, and Germany in particular, there’s room for cautious optimism. Since a low point around 1980, she says, “the pollution of the air and the rivers decreased noticeably. Endangered species are returning. And the forests are growing again.”

Putting a face on the forest

Silvia at Windywillow shares some European tree news of a decidedly more down-home flavor:

The big news this year in my garden is the blooming of my hawthorn tree. She is more than 10 years old, and has only had one flower cluster in her whole life. Until this spring, when she surprised me by bursting into bloom.

Best of all, though, was the photo of her crocheted tree hat.

Windywillow tree hat

News of an even wilder sort comes to us from Danish artist Anne Mølleskov, in the “Charlottenlund Skov (Charlottenlund Forest) near Copenhagen. Here I temporarily transformed the forest into a Face Forest by drawing faces on tree stumps with charcoal.” She adds:

The exhibition and the ephemeral nature of the works was partly inspired by the Russian/Korean author Anatolij Kim, who writes poetically in “Otec-Les”, (“Father-Forest”): “When a human being dies, it becomes a tree”, and “when a tree dies, it becomes a human being”.

We’ll return to that thought at the end of the festival. In the meantime, do click through and check out the photos of Anne’s Face Forest.

Georgia Silvera Seamans of the local ecologist blog sent along a couple of links. Back on May 26, she reviewed a new book called Seeds: One Man’s Serendipitous Journey to Find the Trees That Inspired Famous American Writers from Faulkner to Kerouac, Welty to Wharton, by Richard Horan. She praises the book for its breadth and wealth of detail, and concludes, “This book will make you want to: read the classics, if you have not, or read them again if you have; visit California; and spend more time in the southern U.S.” And just yesterday, Georgia blogged about several new ways in which municipalities and nonprofits are sharing information about urban trees, including a Chicago program that puts literal price tags on trees, calculating the economic value of their environmental services. It’s sad if that’s the only way to convince people of the value of trees, but whatever it takes, I guess.

Ontario naturalist Seabrooke Leckie’s sharp eye and well-stocked reference collection led her to learn a new species this month: the maple eyespot gall midge, Acericecis ocellaris. As she notes, “Leaf galls aren’t that unusual themselves, but this one was pretty interesting for the pattern – perfectly round, pale spots bordered in dark, vibrant pinks and purples.”

Earlier in the month, I produced a video for my site Moving Poems, using a reading by British poet and blogger Dick Jones of a poem called “The Green Man” that was featured in last month’s Festival of the Trees at Rubies in Crystal. Have a look:


The Green Man from Dave Bonta on Vimeo.

And speaking of Rubies in Crystal, Brenda’s own contribution this month was also a videopoem, her “Green Garden” Masque.

The mask’s fronds as if growing out of the forest floor in the Spring. Papier-mache, mulch: paper, or leaves. The face as landscape; the face carrying the landscape with it. Flower colours framing her face; the iridescence of insects, sheen of dragonfly.

Do click through to read all about the process of making it and the thought behind it, as well as to watch it in a larger format. Here’s a smaller-sized embed:


Watch at Rubies in Crystal.

Novelist and poet Marly Youmans posted a series of expressive photos she labeled “Dryadic: among beech and maple” from a conference she attended at West Chester University in eastern Pennsylvania. Here’s one she captioned “Lithe Willendorf Venus. Not stone but tree”:

Marly Youmans - tree at West Chester

Spotlight on India

The world’s largest English-speaking country has often been well represented in the Festival of the Trees, so I thought I’d spotlight the subcontinent for this 5th anniversary edition. A news story at Peaceful Societies: Alternatives to Violence and War reports that the Paliyan, a forest-dwelling people of southern India, are assisting in the rehabilitation of lost or orphaned babies of an endangered squirrel species.

[T]here are only about 500 grizzled giant squirrels left in India, plus a small population in Sri Lanka, due to the loss of their forest habitat. They are the size of small cats, weighing 1 to 1.8 kg (2.2 to 4 pounds) each. The Paliyan efforts for the animals are evidently part of the protection and recovery program of the Shenbagathoppu Grizzled Squirrel Wildlife Sanctuary, an important refuge for the large squirrels. It is also called the Srivilliputhur Grizzled Squirrel Wildlife Sanctuary.


Why the Buddha Sat Under the Bodhi Tree from Mike Finley on Vimeo.

The bo tree, also called peepal or sacred banyan, Ficus religiosa, is a type of strangler fig, a fun fact I discovered last month at the Kew Botanic Gardens in London. As the Wikipedia article on strangler figs puts it,

This growth habit is an adaptation for growing in dark forests where the competition for light is intense. These plants begin life as epiphytes, when their seeds, often bird-dispersed, germinate in crevices atop other trees. These seedlings grow their roots downward and envelop the host tree while also growing upward to reach into the sunlight zone above the canopy.

An original support tree can sometimes die, so that the Strangler Fig becomes a “columnar tree” with a hollow central core.

Certainly, I think many mystics would embrace this as a metaphor for the role of faith in the life of an individual (though the Buddhist scriptures also liken strangler figs to bad karma). Nor is Ficus religiosa the only strangler fig with religious significance in India. The closely related Ficus benghalensis is the banyan tree, and the national tree of India. It’s sacred to Krishna, who states in the Bhagavad Gita, “Of all trees I am the banyan tree.” Here’s my snapshot of a banyan in the Palm House at Kew:

banyan tree at Kew gardens

Uma Gowrishankar, a poet from Chennai in south India, sent along three poems about trees, including one about Ficus religiosa, “Mandala,” and in the accompanying text associates the stories about Krishna with this species rather than F. benghalensis. She may be right. I can’t imagine the authors of the Vedas, the Gita and the Puranas were too concerned about distinguishing between two such similar species (try pinning down the exact species referred to in the Bible sometime!). Uma’s other two poems were about the flowers of the neem tree and the Indian tulip.

Swirl of yellow petticoat,
crimson dreg of passion
at the bottom of the heart
for her man in the plains.

Another Indian blogger, Sahastrarashmi at The Green Ogre, has an eye-opening post about the Cannon Ball Tree (Couroupita guianensis), a native of the Caribbean and South America. “It seems to have been known in India for hundreds of years,” he says — “a mystery, since we do not know how and when it came to our shores.” The photos are lovely and intriguing: flowers and fruit grow directly out of protrusions on the trunk:

Cannon Ball Tree Flower

Despite its relatively brief tenancy in the subcontinent, this tree too has been freighted with religious significance:

The large petals, tapered at the apex with the prominent stigma at the center, have been imagined as a representation of multiple cobra hoods around a Shiv lingam. This has earned the tree several Shiva-associated appellations – Shiv Kamal, Kailaspati, Nagalingam, Nagalinga Pushpa, Mallikarjuna, etc. – and lots of survival aid in the form of propagation near Shiva temples. In the native Amazon (where it’s called Castanha de macaco, monkey nut) it is a favorite of shamans and is believed to provide protection against the ill-disposed spirits of the netherworld.

Do visit The Green Ogre for many more fascinating tidbits about this tree.

Trees as teachers

Back in the middle of June, a few days before the summer solstice, Suzanne at Spirit Whispers found wisdom in the way sycamore flowers and seeds develop:

The variation between trees along the same row can be huge, with some trees in flower before others have barely opened their leaves. Flowers & seeds develop at different rates across the sycamore community, spreading the risk of hitting adverse conditions that could hit fertilisation or the spread of seeds…. increasing the chance that some of them will mature under optimum conditions. Thus the species as a whole has a greater chance of new growth & continuity.

London blogger Jean Morris shares a series of photos taken “Under the trees.” Here’s one example:

Under the trees by Jean Morris

In her accompanying email, she put the photo series in context: “Always there, but newly magical every year: beneath the tall, old trees is a rippling, monochrome shadow-world distinct from the rest of the clashing, chaotic London street scene.”

Another Londoner, who blogs anonymously at twisted rib, reports on a new discovery about root grafting that suggests trees can practice something akin to altruism.

So a fat happy tree with access to lots of sunlight and water might (how? accidentally? in response to a chemical crie de coer?) end up with one of its roots joined to that of an undernourished example of its own kind, comparatively deprived of sunlight and water, and because of this join might slow down its own growth but provide sustenance to its graftee. That’s the new bit – the finding of evidence for individual cost to support another tree, as determined by measuring “radial girth”.

The technical term for the joining of stem, trunk or indeed root to share vascular tissue goes by the delightful name of “inosculation“. Yup, it’s like kissing but with lots more than just tongues.

This can even happen between trees of different species — and apparently carries with it a certain risk. Fascinating!

The flavor of the subtropics pervades a poem by Moira Gentry, simply titled “Tree,” in which a storm ravages a garden full of palms:

he told me how he’d gone out shaken into the savaged morning garden
all his trees down on the ground — lying stormflat under the tough old mangroves.
When I was sick, he told me, when the big storms come, about the palms

“Puerto Rican hat, Anguillan thatch, Cuban royal, Rio Grande, the palms,
honey — chonta, everglade, palmyra, clumping fishtail, I’ll never forget that day
christmas, zombie, Bismark, coconut, yellow butterfly back up over the mangroves —
honey, the palms — by noon they were all standing, every last one, I went in the house
and brought your grandmother out to see what had happened in the garden”

By sheer serendipity, whilst looking for a poetry video to post on Moving Poems this morning, I discovered a reading by Jane Hirshfield of her short poem “Tree” at the end of an interview (also brief), which features an eloquent statement about the role of poetry in contemporary society.


Direct link to video on YouTube.

Tree hunger

Kristin Berkey-Abbott, a poet and theologian from Florida, says that where she lives, “Mangoes Are the New Zucchini.”

Last week, my neighbor had signs on his van: “Yard sale and mangoes.” I went over to see their microwave, and my neighbor shook his head as he dumped another bucket of mangoes on the table. “This is how we spend our week-ends now. We’ve got three trees in the back.”

Summer in the northern hemisphere means mushroom picking season — and without the symbiotic relationships between trees and fungi, forests as we know them could barely exist. Oregon poet Sharon Cooper evokes those summer fungi in “Tiny Citadels.”

We hunger for trees in more ways than one. Nicolette Wong, a fiction writer from Hong Kong, sent along a flash fiction piece. I’m a little hazy on the difference between prose poetry and flash fiction, but the results are nearly always interesting, regardless of what the author calls it:

Cold front is you on the morning I cut through mist. Around the park where old men wave their wooden swords in unison, blunt-edged glory boiling in their veins. I tread a path of oval stones to haunt the trees, reading their names & spirits to make them my allies.

Kentucky-based poet Sherry Chandler continues her year-long meditation on a dogwood tree for The Tree Year, a worthy blogging initiative that we haven’t done enough to promote at the Festival of the Trees. In her 24th post in the series, she shares a photo of “sun dogs on the dogwood,” and concludes with a poem about another species, American sweetgum, by her friend Sally Rosen Kindred.

Here it stands, finally, in the chapter marked
Flowering Trees, and I’m afraid to read
the words, as if their spiny tongues could curl
to touch heartwood, that underbark where the sap
no longer goes.

Speaking of tree years, we got a contribution this month from A Year With the Trees blog, also based in the southern Appalachians. Rebecca shares a discovery about the redbud tree, Cercis canadensis, of which I was completely unaware: not only are the flowers beautiful, but the seed pods are edible — and nutritious:

Nutritional studies have found high concentrations of condensed tannins (proanthocyanidins) in new green Redbud seed pods. Green Redbud seed pods also revealed the presence of the essential fatty acids linoleic and alpha-linolenic acid. Oleic and palmitic acids were also present in the green seed pods.

They taste like sugar snap peas, she says.

Here at Via Negativa the other day, I compiled a short history of sassafras beer, prompted by my discovery of an old recipe in a book from 1888, which also included another brewing ingredient I’m anxious to experiment with: wild cherry bark.

Returning to Australia where we began, Aadhaar at Entropy and Light grapples with “This thing we have for trees“:

I’m organising my nascent funeral and natural interrment right now, and there’s that classical image to contend with in my mind – the planting of a tree to commemorate a loved one. I have seen tales where people have been buried foetal-like, with a fruiting tree planted atop, and later excavation has revealed a human-skeleton-shaped network of roots as the hungry tree recycles the body’s nutrients and carbon back into use, seamlessly, over time. Who wouldn’t love that?

What is the origin of our special relationship with trees, he wonders. This is a question tree bloggers have been pondering for at least the last five years, and as long as we continue, I doubt we’ll run out of creative answers. But I think Aadhaar’s conclusion is right on the money: “I would humbly submit that by sorting out our relationship with trees, we would go far with sorting out our relationship with our fellow man.”

*

That’s it for this month’s edition. It’s a holiday weekend in the U.S. and Canada, but I hope you’ll take the time to follow the links, read all the contributions, and leave comments when you can. As successful as the Festival of the Trees has become in terms of international participation and readership, I do think we could all stand to be a little more sociable, myself included. Thanks to everyone who sent in links, and I hope I’ll see you all still around for the Festival’s tenth anniversary in 2016! In the meantime, start thinking about “Lessons We Have Learned From Trees” — that will be the theme for next month’s edition at Beyond the Brambles. Email links to Kate (beyondthebrambles [at] gmail [dot] com), or submit through our online form, by 11:59 p.m. on July 30 to be included in Festival 62.

Festival of the Trees returns to Via Negativa on July 1

The world’s longest-running — and probably only — blog carnival devoted to all things arboreal, the Festival of the Trees, turns five next month. Its very first edition appeared on July 1, 2006 right here at Via Negativa, so it seemed fitting to bring it back for edition #61. The theme is open, but I’m especially interested in new discoveries about trees and forests, either of a scientific or personal nature.

If you’re unfamiliar with the concept of a blog carnival, think of it as a homeless links blog which crashes on a different blog-couch every month. Or as my FOTT co-conspirator Jade Blackwater puts it (see What’s a Blog Carnival?):

A blog carnival is a recurring, theme-driven publication which congregates content from many sources in one place online.

A single issue of a blog carnival reads just like a great big blog post filled with links to many other blog posts (or photo galleries, or videos, etc.) that talk about the same subject.

The purpose of a blog carnival is to engage with the world wide community to celebrate subjects of common interest (in our case, trees and forests).

So contributors post material on their own blogs or websites and send the links to the host of the upcoming edition. For FOTT #61, email your article permalinks to me: bontasaurus (at) yahoo (dot) com, and be sure to put “Festival of the Trees” in the subject line so I’ll know it’s not spam. The deadline is June 30.

We have much more information about the Festival at our coordinating site, but I think the easiest way to grasp the concept is to browse some of the past editions, started with the most recent edition at Rubies in Crystal. This was Brenda Clews’ first time hosting, and she did something very ambitious: ask participants “to record an engagement with a tree or trees, preferably in video, but any form. To talk to the trees and bring back what transpired.” The response was impressive, and included 12 videos. (Note that video embedding is really just a fancy form of linking, and is therefore encouraged in blog carnivals.) Check it out.

I didn’t get around to making a video in time for Brenda’s edition, I’m sorry to say, but I was so impressed by a poem she reprinted from Dick Jones’ blog, I decided to ask Dick if I could make a video for it. He not only agreed, but recorded a reading for me to incorporate. I’ll be sharing this on Moving Poems next week, but here it is for those who can’t wait. (Note that HD is off by default; click on “HD” in the lower right corner if your internet speed supports it.) To read the text of the poem, refer to Brenda’s post.


Watch at Vimeo.