Framed

headlines 2

A freshly laundered pillowcase makes headlines. I wake to the bad press.

Without glasses I feel vulnerable but look a little scary. Which makes sense: so often it is the most frightened people who say and do the most frightening things, especially when you get them into large groups: lynching, caucusing, you name it.

Glasses allow me to keep my distance from the world. A couple weeks before Christmas, the frame snapped on my old pair and I had to get new ones. I went to one of these places that offer two for the price of one: great, I thought, I can go twice as long before I have to get another eye exam, by which time I will probably need bifocals. But that’s another story.

A friend with more fashion sense than me showed up to help me pick the two pairs: one a light wire frame similar to what I had before, and the other a hipper style: thick, dark green plastic rectangles around each eye that say I AM WEARING GLASSES. My friend assures me they make me look like an urban architect, but I’ve decided they make me look like someone I’d like to punch in the face. They are, however, made of 100% recycled plastic, so they are figuratively as well as literally green.

So great, I can make a political statement with my choice of eyewear. But the other frames — the ones that do their best to be invisible — make a kind of statement as well. You can bend them completely in half and they won’t break! That’s the kind of politics that actually gets you places in this country. Eventually, of course, they will break, but then I’ll just don the other pair, which by then should be completely out of fashion. Which means I won’t have to spend long hours in front of the mirror practicing an air of urbanity and trying to avoid punching myself in the face.

The optometrist told me I have the eyes of a teenager, whatever that means. I guess it means there’s no medical marijuana in my future.

Hey! I should’ve held out for frames made entirely of hemp.

Posted in Humor, Memoir | 8 Comments

Oír

This entry is part 17 of 51 in the series Morning Porch Poems: Winter 2011-12

The woman in the cafe wearing red lipstick that matches her red boatneck sweater under a grey raincoat says, The poet is someone who is more a voice overheard, not speaking directly. Not spoken to, of, for. If I hold my head like this, if I hold my head perfectly still, if I hold my head aslant. There is a whiff of a voice that curls from the next table like a wisp of cigarette smoke, though smoking has been banned from restaurants and other such public places. Slide a white porcelain cup filled with hot coffee across the oily film of the counter. Run a fingernail across the velvet-covered upholstery and everything is still there: summer’s burnt caramel and diesel, morning’s toast; sriracha, lemon drop, partly sucked licorice whip. Above the curtains I can watch the sun move through a sky shorn of wildness, which is what some might mean when they say untrammeled. She is right, then. About lyric being a form of lilting paraphrase. Shorthand written in pencil, never ink. Code produced by the faithful stenographer. Careful. A stroke in the wrong place makes unintended meaning. But more, also. If it is spare, it prepares for tenderness. At least, the promise of a listening.

Luisa A. Igloria
01 07 2012

In response to an entry from the Morning Porch.

Posted in Guest writers, Poems & poem-like things | Tagged | 1 Comment

Dark Body

This entry is part 16 of 51 in the series Morning Porch Poems: Winter 2011-12

Dark-promised, soot-colored, life-size statue of the Nuestro Padre Nazareno— Clear sky, bright sun that stripes his rickety carriage, borne on the shoulders of hundreds of men. Carpenter, boat-builder, cop and cobbler; plumber, electrician out of work, not yet sober tuba-drinker; husband, overseas worker, skirt-chaser, wife-beater. They’ve all come to touch this visage of coal, this visage of charred ship lumber. Fire translates into scars on the body’s timber. Any piece of clothing will do to daub its flesh-like surfaces: torn t-shirt, scrap of cotton, burlap sack, polyester, old gym towel. They pull on ropes, conveying this likeness cloaked in saffron and red velvet. In the choked streets, see how urgent the desire to touch, be touched, be filled with fleeting grace. Some have fainted. Some have lost a finger, crushed a rib, a clavicle. For miracle, what does it matter that one might be trampled?

Luisa A. Igloria
01 06 2012

In response to an entry from the Morning Porch.

Posted in Guest writers, Philosophy/Religion, Poems & poem-like things | Tagged | Comments Off

Words on the Street

Homeless guy with sign: "unoccupied"

*

One of my New Year’s resolutions for Via Negativa was to bring back Words on the Street as a regular feature (I’ll try for weekly), in part as a way of commenting on, or at least acknowledging, the current global economic crisis (which I don’t expect to end in my lifetime, only worsen). Also, in recent years I fear Via Negativa has skewed a bit too far yin-ward on the yin-yang continuum. More satire might help restore the balance.

Incidentally, for some good, incisive yet non-preachy “poetry and prose for hard times,” check out the new online journal Cur.ren.cy (and consider submitting).

Posted in Words on the Street | Tagged | 4 Comments

Little Chapter

This entry is part 15 of 51 in the series Morning Porch Poems: Winter 2011-12

Dawn is a blanket of quiet: a few hours yet before the man rises to take up his work. He will ride his bike down the trail in the cold, his feet shod in sandals. For now there is mystery in the heart of this silence, and silence in the frozen fields where all the birds who are one bird sow and harvest grain in one night while he sleeps the sleep of one near despair. You know that story— where task after impossible task is given, where the stakes are raised a little higher each time: count each pearl of sugar before it dissolves in the rain; turn one lock of hair into a spangle of gold. As if to see if (or how) one might rise to the occasion. Their wings make no sound; not even streaked with snow, their color matches the indigo leaves through which they manifest. What wages will he give them? All the birds who are one bird want to be found. He will follow them to their roost high up in the tree. This is the part of the story where a price will be collected. Where something will change.

Luisa A. Igloria
01 05 2012

In response to an entry from the Morning Porch.

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Raw

removing the hide

This morning I helped our neighbors, Troy and Paula Scott, haul some cow and roadkilled deer carcasses to two locations on the mountain for a golden eagle camera trap, part of an ongoing project headed up by ornithologists Todd Katzner and Trish Miller to track the movement patterns of eastern golden eagles. Paula is the point-person for the project here in Plummer’s Hollow since she has the most expertise with trail cams, as my mom detailed in a recent column. There are various other locations around the state, but I believe ours may be the only one to include cow as well as deer carcasses. Continue reading

Posted in Plummer's Hollow | 8 Comments

Song for Closing or Opening

This entry is part 14 of 51 in the series Morning Porch Poems: Winter 2011-12

Always, there are things afoot in the brush of a dream. If I turn in my sleep, it is because I am made fitful and rousable by the crackling of twigs. The moon lies too on its side; only one cheek sticks out of the inky coverlet. Its sheen is pockmarked calcium: the long flank of a bone, the inside of a scalloped shell, the surface of a dart board on one wall of a bar where no one mouths words like transcendent or renown. Sometimes I forget what I came here for. But there are things that must be observed, like ceremony. Amulets to be positioned, so they face a certain direction. A way to walk, finding compromise despite the elusiveness of balance. Bitter cold swirls down into little cups, all in jewel colors. Serve up one more before the establishment closes. Play one more song as I struggle into my coat and trudge the long way home.

Luisa A. Igloria
01 04 2012

In response to an entry from the Morning Porch.

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Odes to Tools as “living poetry”

This entry is part 34 of 34 in the series Odes to Tools

Odes to Tools in southern California

Odes to Tools in southern California (photo by Nicelle Davis)

I was surprised and honored tonight to learn that poet Nicelle Davis has been distributing poems from my chapbook, Odes to Tools, as the first exercise in her new Living Poetry Project. The project’s goal: “to physically take poetry everywhere I go and share it.” She says some very flattering things about my book, but what’s even better, she went to the trouble to distribute its contents to people who might appreciate it. This is of course the very sort of thing I hoped might happen when I decided to license the poems as Attribution-Share Alike under the Creative Commons, rather than just applying a standard copyright. But it’s still very humbling to have people like one’s poems well enough to aid in their dissemination.

To bring Odes To Tools with me in my hometown, I decided to hand write Bonta’s poems onto Thank You Cards. I gave these “love letters to tools” to people who work with them everyday.

I met many kind, generous, and funny people while sharing Odes To Tools with my community. For this (and many other reasons), I’m grateful to Dave Bonta. His book has helped me connect with the physical, intellectual, and emotional aspects of my home—it has helped bring poetry closer to those who construct the home I love.

The gratitude is mutual. Thanks, Nicelle!

(Be sure to read the full post — it includes many more photos.)

Posted in Poets and poetry | 8 Comments

My mother turns 78 and texts

This entry is part 13 of 51 in the series Morning Porch Poems: Winter 2011-12

her first cellphone chain letter: This
January is very special! There are 5
Sundays and 5 Mondays in 1 single

month— this happens every 823 years!
According to Chinese feng shui, you must
send this message to 9 good women you love,

and money will appear! Those who stop
won’t get anything. Good luck, now
you’re on the list and something

will make u happy. I got her multi-
part text shortly before New Year’s eve,
along with a p.s. about remembering

to eat tomatoes and broccoli and not
stress out too much, to help my liver
heal— And now I realize I’ve let 3

full days pass without doing anything
about these instructions. On one hand,
she’s always been the optimistic

though slightly superstitious sort;
and on the other, she’s never been
one to shy away from buckle-down-

hard-work. She had carpenters tear up
the floorboards in our living room,
because the grain of the wood flowed

in a vertical direction, certainly
taking all good fortune out the door.
More than a couple of times, when I

was a child, I watched from bed
as she sat night after night with pins
in her mouth and a tangle of stitches

before her, seed pearls, satin, and rick-
rack, sewing a trousseau and outfits
for an entire bridal entourage.

She texts me often nowadays, saying she
goes to church and prays she’ll find a buyer
for our old home, so she can come and live

with me. She remembers her grand-
daughter here, from the last time she
came for a visit and my child was still

in pre-school; how she arrived at the tail
end of summer and marveled as leaves changed
to rich bronze colors of ball gowns

in fall; how disappointed she was her visa
extension request was denied before there
was even enough snow to cover the grass.

Luisa A. Igloria
01 03 2012

In response to an entry from the Morning Porch.

Posted in Guest writers, Poems & poem-like things | Tagged | 9 Comments

Desideratum

This entry is part 6 of 12 in the series Conversari

1.
Not heat but warmth — what doesn’t burn, what can safely be clutched to the breast. No ring of fire, frantic with popping & hissing & quick to burn out, but something charcoal-slow & full of mysteries: a cup of tea, a mug of black coffee. A love that rewards long looking: sunglasses aren’t required to cut the glare.

2.
In the middle of my life I don’t dream of sun-drenched olive groves but that dark & pathless wood whose charm was sadly lost on Mr. Alighieri, where if you stand still & listen, you can hear like a distant waterfall the wild bees murmuring overhead. Up there the heat & the unseen flowers. Down here, I wake to a mouse tugging on the warm thatch atop my head, reminding me we are never truly alone.

*

See the photographic response by Rachel Rawlins: “For you.”

Posted in Poems & poem-like things | 9 Comments
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