Ticktockery

Last night when I got up around 2:00 to go to the john, walking through my silent house I found myself thinking, I wish I had one of those clocks that goes tick tock and chimes (softly!) on the hour.

It would be practical. We get a lot of power outages here, on the order of half a dozen a year. Until this Christmas, when my father gave me a watch, the only way I could find out what time it was when the power returned would be to turn on the computer and go to the website of the National Atomic Clock (my computer’s own clock is unreliably slow).

Beyond that, there’s just something inherently cool about a machine that can run without batteries and without any external power supply beyond its weekly winding. Despite what I said yesterday about machines, I’m not immune to their attraction. In fact, there’s definitely something attractive, even charismatic about more self-contained and alternatively powered machines such as wind-up clocks and water wheels. They remind me of the cybernetic systems (as we choose to parse them) within Nature herself. As a poet, how could I help but be fascinated by the capacity of natural systems to self-regulate and self-perpetuate, known nowadays as autopoiesis?

Most pre-modern, oral cultures attributed life – spiritual existence, autopoiesis – to any charismatic object, but especially to anything that could generate sound. I believe that this reflects a deeply ingrained intuition, and may be responsible for our modern near-worship of the internal combustion engine. We are all, in a sense, cargo cultists. In fact, I’ve been thinking of getting out the epoxy and balsa wood and building me a little toy jeep to place in my shrine. I sure could use a set of wheels.

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Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).

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