But the rise of social photography means that we are now seeing images all the time, millions of them, billions, many of which are manipulated with the same easy algorithms, the same tiresome vignetting, the same dank green wash. So the problem is not that images are being altered—I remember the thrill I felt the first few times I saw Hipstamatic images, and I shot a few myself buoyed by that thrill—it’s that they’re all being altered in the same way: high contrasts, dewy focus, over-saturation, a skewing of the RGB curve in fairly predictable ways. Correspondingly, the range of subjects is also peculiarly narrow: pets, pretty girlfriends, sunsets, lunch. In other words, the photographic function, which should properly be the domain of the eye and the mind, is being outsourced to the camera and to an algorithm.
Dave Bonta (bio) often suffers from imposter syndrome, but not in a bad way — more like some kind of flower-breathing dragon, pot-bellied and igneous. Be that as it may, all of his writing here is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 4.0 International License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).