Open wide, says the dentist’s assistant
to the Buddha; I’m going to stretch your mouth
a little bit more, ok? She blinks at the overhead
light; the xylocaine with the bitter bubblegum
taste and scent has taken effect, and the dentist
plunges the tip of the needle into her lower gum
and jawline, pulling at her cheek for effect.
When the drill begins to widen the broken
enamel of her tooth to prepare for its filling,
she closes her eyes and tries to pretend
she is on a lounge chair poolside, and
the noise and discomfort are merely effects
of a nearby construction project. She’s marveled
at small glimpses caught in the mouth mirror,
her jagged teeth miniature rows of mountains
receding in a ridged landscape. She remembers
a black-and-white film she watched long ago:
“The Passion of Joan of Arc,” how she found it
impossible to tell whether it was rapture
or suffering that crossed the stark face
of the girl martyr played by Maria Falconetti;
how the tipped-back head, wide eyes, and parted
lips might signify both agony and the most
exquisite pleasure. And she can see it’s true
from the faces of people buckled into their seats
as the roller coaster picks up speed before
the plunge, from the way the lovers writhing
in the sheets approach their climax: how thin
is the line that separates one state from
another, how quickly pain might transition
to the joy of release then back again.
Poet Luisa A. Igloria (website) is Co-Winner of the 2019 Crab Orchard Open Competition in Poetry for Maps for Migrants and Ghosts (Southern Illinois University Press, September 2020). She was appointed Poet Laureate of the Commonwealth of Virginia for 2020-22, and in 2021 received 1 of 23 Poet Laureate Fellowships from the Academy of American Poets and the Mellon Foundation. She is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015; she also teaches classes at The Muse Writers’ Center in Norfolk. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.