in her shoes at the local community college
for Women’s History Month. With the other men
who signed up for the event, he rummages through boxes
of women’s shoes looking for a pair that will fit.
You want socks with those, bro? asks the office
assistant, as he gingerly slips on a pair of open-toe
leopard print wedge platforms. He wiggles his foot around
a couple of times before he can slip it in; his bunion
always gives him trouble. They’re getting ready to walk
around the quad, past the student dorms and down
to the plaza in the middle of the mall, where a SAFE
counselor will hand out pamphlets with statistics
on how many women on college campuses get raped,
assaulted, victimized in domestic relationships.
The Buddha is disturbed by these stories. He cannot
fathom the hatred and the violence, the displaced
self-loathing that seeks its target in female
bodies, the suffering. He recalls the brothels
along the coast, the sad eyes of women in the windows;
the way, in his own hometown, there are still fathers
who think daughters don’t need to go to school,
households where girls are made to take their sleeping
pallet outside to the porch or behind the kitchen
when they have their period. He hitches his robe
a little higher around his ankles; he adjusts
his stride, determined not to wobble or fall.

Poet Luisa A. Igloria (website) is the 2023 Immigrant Writing Series prize winner for Caulbearer: Poems (due out from Black Lawrence Press in 2024), and Co-Winner of the 2019 Crab Orchard Open Competition in Poetry for Maps for Migrants and Ghosts (Southern Illinois University Press, September 2020). She was appointed Poet Laureate of the Commonwealth of Virginia for 2020-22, and in 2021 received 1 of 23 Poet Laureate Fellowships from the Academy of American Poets and the Mellon Foundation. She is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015; she also teaches classes at The Muse Writers’ Center in Norfolk. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.