Indelible

I wanted to write letters
on pieces of bark and burn them down to ash.

I wanted to scrape
the inside of each memory where it lies

closest to the membrane.
I wanted to send you a telegram in hieroglyphs

that the future is still inventing,
but whose encryption is locked

in a simple key: which is to say,
the mind tends to track shapes that may not bear

any likeness to their original outline.
Inky with light or cross hatched with shadow

is all that matters: whether the snow was falling
or if salt crystals etched the window glass.

 

In response to an entry from the Morning Porch.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

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