Casualty

Up, and all the morning busy at the office with Sir W. Warren about a great contract for New England masts, where I was very hard with him, even to the making him angry, but I thought it fit to do it as well as just for my owne [and] the King’s behalf. At noon to the ‘Change a little, and so to dinner and then out by coach, setting my wife and mayde down, going to Stevens the silversmith to change some old silver lace and to go buy new silke lace for a petticoat.
I to White Hall and did much business at a Tangier Committee; where, among other things, speaking about propriety of the houses there, and how we ought to let the Portugeses I have right done them, as many of them as continue, or did sell the houses while they were in possession, and something further in their favour, the Duke in an anger I never observed in him before, did cry, says he, “All the world rides us, and I think we shall never ride anybody.”
Thence home, and, though late, yet Pedro being there, he sang a song and parted. I did give him 5s., but find it burdensome and so will break up the meeting. At night is brought home our poor Fancy, which to my great grief continues lame still, so that I wish she had not been brought ever home again, for it troubles me to see her.

the war was hard to fit
into a silk coat

how many possess a cry
and never a body

and find it burdensome
to continue to see


Erasure poem derived from The Diary of Samuel Pepys, Friday 12 August 1664.

Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).

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