Insinuation of impostor against their bonafides.
Insinuation of time as imponderable longing for salt
and rice and fish, and many other things I can’t dream,
and so can’t name. The idea of gods always wanting
a taste: first or last. In tide pools, every octopus
is related to the squid. I could live as well in rocks
and caves. Wherever I find myself, I learn to become
my own infinite ecosystem. When they call me dog, I bare
my fangs. I nose at the sky, where I am the brightest star.
When I am stripped from the stalk before I’ve even had
a chance to flower, like buds of the Flinders rose I
allow to be embalmed in brine. Always, it comes down
to the question of how to live in time, how to have it
acknowledge the gold-brown body you press into its hull.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.