Up, and with Sir J. Minnes to the Duke of Albemarle, where we did much business, and I with good content to myself; among other things we did examine Nixon and Stanesby, about their late running from two Dutchmen; for which they are committed to a vessel to carry them to the fleete to be tried. A most fowle unhandsome thing as ever was heard, for plain cowardice on Nixon’s part. Thence with the Duke of Albemarle in his coach to my Lord Treasurer, and there was before the King (who ever now calls me by my name) and Lord Chancellor, and many other great Lords, discoursing about insuring of some of the King’s goods, wherein the King accepted of my motion that we should; and so away, well pleased.
To the office, and dined, and then to the office again, and abroad to speak with Sir G. Carteret; but, Lord! to see how fraile a man I am, subject to my vanities, that can hardly forbear, though pressed with never so much business, my pursuing of pleasure, but home I got, and there very busy very late. Among other things consulting with Mr. Andrews about our Tangier business, wherein we are like to meet with some trouble, and my Lord Bellasses’s endeavour to supplant us, which vexes my mind; but, however, our undertaking is so honourable that we shall stand a tug for it I think. So home to supper and to bed.
I am an owl
(who calls my name)
I am a bear
(so much pursuing
of a tangier supper)
Erasure poem derived from The Diary of Samuel Pepys, Thursday 18 May 1665.
Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).