Song with no real words

It’s spring, but in other places it is
not-yet-spring. It’s dry, or wet

with monsoon, or it is why-is-there-still-
snow-on-the-ground. It’s strange and high,

that mechanical whine in the night, coming
from somewhere beyond the ceiling. It’s

Wednesday, and in another place already
Thursday; it is night, though here it is

still half-past noon; and look at the news-
paper! On the upper left, a woman in a pale

peach dress is smiling and waving her hand.
On the bottom right, there’s a picture

of cities burning: it’s spring, or whatever
season it is for laughter or slaughter, a

difference of one letter between one state
of being and another. It’s that time when cows

and sheep are calving, when blood is the marker
for a life breaking away, or maybe just breaking.

 

In response to Via Negativa: Gloaming.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

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