World that trembles on the edge of
futures that might never be: beneath
the epithets we give, whose essence
is gone before we name the cataract
that whips water to foam as it falls
on rock? World pressed into litanies---
intangibles of nacre and hum, blur of midges'
eyelash wings; spiders' threads lighter than
syllables that vaporized almost as soon as
we tried to sew them to our wrists. Finally,
can we believe that everything we'd ever
need was right here in our midst; that vines
traveling across the flanks of buildings once
held small white trumpets announcing months,
years, the passage of time when we thought
it was still something we could count.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.