We haven't set out food and drink
on the counter for a while: make-
shift altar but with no picture of
wizened ancestors, no joss sticks or
candles, no perfect globes of gleaming
fruit in a wicker basket. But even if
there's only a shot glass full of water,
a spoonful of rice and a postage stamp-
sized piece of cake, it's understood
that such an offering translates as feast
for all our dead. Years pass, and so
their number multiplies: grandparents,
parents, aunts, in-laws. And sometimes now
I wonder if they jostle for space around
the plate, if someone tells them to fall
in line. Whether they pick up morsels
delicately with their fingers, or wish
someone remembered to lay out silverware.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.