The willow of your child-
hood: did you confuse it with
the weeping bottlebrush,
its masses of drooping red
inflorescence, its clustered
filaments flushed with the orange
of pollen? There too, the subject
is that old war between beauty
and domesticity, a nation
of girls taught to leave
no signature on furniture but for
the sheen of wax applied with a bit
of rag. And that adjective,
that bit about weeping: not
the good, cleansing tears leading
to weightless joy; not even
the rhinestone variety of afternoon
soap operas, but real weeping.
Which means childhood was never
a tranquil pond fringed with red
or mauve or yellow, only ring upon
ring of soft green tethers.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.