"You can love them like a country."
~ Sean Thomas Dougherty
All they'll remember is that you left.
All they'll say is how could you.
You could write a whole logbook of reasons
and still come up short. And a myth
is a story that's been retold the way
one points at a port wine stain,
a giant mole, a birthmark— It never
completely fades; you learn to wear it
as if it could ward off the cold and the grief.
You suck on its stub like a cigarette picked off
the sidewalk, hoping one more curl of smoke
lives inside. You strip the leaves down
to the stalk to smell summer's light
on your hands before the wind strikes
a chord and lectures the birds on how
to say where, not whir; bread, not braid.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.