I began a short draft of this poem last night,
writing along with my graduate workshop in hybrid
forms to a freewrite prompt in response to our
reading of Claire Wahmanholm's Wilder.
Sheila, who brought us the prompt, said something
like: What would you miss if this whole apocalyptic
scenario came to pass? write a love poem to that.
The spirit of the prompt was to consider how,
in this world of steady disintegration
and ruin, there are still so many things
that we love in it.
This morning, I returned to what I wrote
last night and felt like I needed to write
one more part: the part that says stay,
hold on, not yet.
What have I learned, what am I still
learning? That fear is probably the biggest
obstacle to getting anything written. We all
cycle through moments of exhilaration and anxiety,
confidence and paralysis; too much of either
can turn into writer's block. Fear goes by
other names like impostor syndrome. And
perfectionism. That what it is I crave
that's met in part by coming to my daily
writing is the promise of untrammelled time
and space— which as all creatives know,
is the ideal condition for dreaming and making
art. For such as it is, it means that I want
to create even a small space in my day, every
day, to try to meet myself there; whatever
might come out of it is already surplus, a gift.
Mostly, I'm very grateful for this sustaining
practice; for this space that I've been able
to share thanks to Dave Bonta; and for all
of you out there who might chance upon
these poems and read them.
Also, today marks my ninth year of writing
(at least) a poem a day— which I guess calls for
some kind of celebration... So, how lucky
was it that three officers from the ODU Asian
Faculty Caucus stopped by my office just now
to present me with a bottle of champagne,
since apparently I am the first winner of
their champagne raffle???
Here is a photo of Dr. Harry Zhang (Asian Faculty
Caucus President, Professor in the School of
Community Health Sciences) handing me the bottle
of bubbly; we are flanked by Prof. Hua Liu (Geography)
and Prof. Weiyong Zhang (College of Business).
LOVE POEM TO SKINS
After the pulp discards
the seed, after the flesh
gives me its sweet, its
golden yellow— I am
an orb suffused by sun
in a grove among other skins
unplucked, as yet
Give me back
to myself, I say:
as my mouth encloses
what disrobed itself
for me, as the knife
is cleaned and put away.
And sew me a shift
out of tatter and rue,
pearled with seed,
thinned with future
use. You know how I
love a stitch
with the voice
of a hidden bird,
so don't ply your leaf-
blower yet; don't start
on how trees have torn
dresses to shreds.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is Co-Winner of the 2019 Crab Orchard Open Competition in Poetry for her manuscript Maps for Migrants and Ghosts, forthcoming from Southern Illinois University Press in fall 2020. She is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.