of its own fevered dream and almost
doesn't find its way back to the hive.
Who told it to gorge on flowers of
fermented lime, to drink past the limits
of necessity? Every bristle that brushed
against bursting tendrils, dark gold
and orange, comes back freighted
with so much more than it went out
to find. But there's still the problem
of getting past the sentinels
who wait to tear off its legs,
punishment for straying too far, perhaps
too long; for making the daily drone
a drudgery even more wedded to certain
death. In my own life, how many times
have I taken that kind of risk, the kind
that leads from these little cells sticky
with the rind of industry, where comb is one
letter away from tomb? I never wobbled
when I walked, though sometimes I turned
morose and cried or spoke of secrets.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is Co-Winner of the 2019 Crab Orchard Open Competition in Poetry for her manuscript Maps for Migrants and Ghosts, forthcoming from Southern Illinois University Press in fall 2020. She is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.