New wrinkles

Haiku comment week continues after a two-day pause. Actually, I might make have made this a permanent part of my blogging, and retire have retired the Smorgasblog. We’ll see.

My theory of why haiku in English work: it’s the three lines, and the fact that the middle one usually has one more stress than the other two. That, and the lack of direct metaphor — that reticence. The spaces at the end of each line prepare us for the space afterwards, which is needed to do the extra work that haiku require of a reader, if they’re any good (and some of mine aren’t, I realize).

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chatoyance

[photo]

Slipping through a crack
in the shed wall, the sun finds
the one round thing.

*

Light Verse for a Heavy Universe

What isn’t wrinkled? Plastic. Glass. Chrome.
Unless, through a microscope, you discover
the scandalous truth.

A verse must be light
to traverse the hidden depths
in every surface.

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the cassandra pages

Tonight, the priest on his right listened, raised his eyebrows, smiled, and didn’t say anything; B. smiled a bit more broadly, enjoying ruffling the feathers. The question is actually timely: while traditional Catholic and Anglican parishes all the province are emptying, groups of young people are forming their own house churches, sharing bread and fellowship, prayer, meditation, and community.

Steady presences:
a friend, a journal, the smile
of a silent priest.

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Blaugustine (Nov. 2)

The transition from canvas to camera to computer to website to internet doesn’t allow for accurate reproduction. Never mind, at least you can follow the changes. I don’t know if any more apples are going to appear.

Even the vase
on the windowsill wants
to be an apple.

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Riverside Rambles

Tucker and I walked over to Dogbane Corner, one of my favorite neglected patches of weedy vegetation. The dogbane pods have burst and I took these shots.

On the weedy lot
near the new jail, dogbane seeds
loosen in the wind.

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The House & other Arctic musings

What? One hundred and thirty-seven Nunavut bloggers?

Bloggers vanish
in the long Nunavut winter
as their fingers go numb.

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Marja-Leena Rathje

I also learned, to my great surprise, that ‘marraskuu’, the Finnish name for this month, means ‘month of the dead’. But wait, it may not be like Dí­a de los Muertos, or Day of the Dead as celebrated in Mexico. It’s thought to come from the earth being ‘martaana’ or in a state of death.

All Souls Day:
the dead hortensia speaks
in a thin whisper.

*

bird by bird

Red-legged partridges are not native to the Americas. This one obviously belongs to someone. We tried to catch it but it flew onto the roof. If it isn’t careful, it’s going to belong to the red-tailed hawk that’s been flying around all day, calling…

Christmas already?
A red-legged partridge on the roof,
a red-tailed hawk.

Insecta

ebony jewelwing female 2

Over at qarrtsiluni, the literary e-zine I help curate, we’ve just lauched a new issue: Insecta. The editors are Ivy Alvarez and Marly Youmans, both writers I got to know by reading their blogs. Their call for submissions welcomes both writing about insects and writing inspired by insects, so I hope the issue will blend straight-up nature writing with some wilder and woolier explorations: J. Henri Fabre meets Karel Capek.

The issue just completed, Making Sense, features some outstanding work. As the editors wrote in their summary,

We got… scales, petals, cloves. The wet insides of living creatures. Jackknives, fishhooks, claws. Days and nights, in one way or another aware and present. People large and immediate; people small in a wide, living space. A sense of beginning and ending and putting to bed…

Rob also wrote about the experience of editing an issue of qarrtsiluni in a recent blog post.

UPDATE: Speaking of insects, be sure to check out the latest issue of the invertebrate blog carnival, Circus of the Spineless, at The Other 95%.

All grass is flesh

I hearby declare October 28th through November 3rd Haiku Comment Week. Almost all of the comments that I leave at other blogs this week will take the form of haiku (which for me means approximately 17 syllables arranged in three lines and containing some element of surprise or grain of insight). I’ll collect them once a day and re-post them (slightly edited in some cases) here at Via Negativa, with links to the posts that prompted them, along with brief quotes.

Why haiku comments? I read a lot of blogs, but rarely take the time to leave substantial or interesting — or any — comments, in part because I tend to do my blog-reading at the end of the day, when my brain is tired, and in part because I’m a slow thinker in the best of circumstances. Also, I’ll admit I sometimes skim even the better blog posts rather than giving them the close attention they deserve. Americans in particular are schooled in unhealthy patterns of consumption, assuming that if a little of something is good, a lot of it must be even better, but in most cases that’s simply not true. I need to slow down. Composing haiku is a way to try and get myself to come up with thoughtful responses to posts I like.

I seem to have had grass on my mind today…

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Fragments from Floyd

How would you describe what a breath of late October air feels and smells like where you live?

Grass blades edged in frost
for the first time since April:
a sharpness in the nose.

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Dick Jones’ Patteran Pages

Landlocked,
she is a continent
without roads, without cities.

Maps are redundant:
all directions lead
to polar north.

Are there tides on the moon?
The Sea of Tranquility
looks darker tonight.

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Jackrabbi

Everyone knows that people write poems, but what’s a little less obvious is that poems write people too.

The keeper of spells
killed & buried in the bog
turns to bitter parchment.

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Roundrock Journal

With luck and a clear sky, Pablo will be out at Roundrock today, enjoying the seasonal color and the mild weather. Nothing much on the agenda, which makes for the best kind of visit.

I was asked if I had any news to report about the decay of the shopping bags. Alas, I haven’t been out to my woods since the day I placed them. Maybe I’ll be able to report now.

Nothing to do but sit
& watch empty shopping bags
break down in the sun.

*

In a Dark Time

Lael also seemed rather drawn to this statue, even arguing with another little girl who said it was HER family.

A girl climbs into
the sculpted circle & gazes
at the father’s zero face.

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Pocahontas County Fare

I was never sure whether “Kitchener” should be capitalized, or why the seamless grafting technique had that name, but yesterday, while looking for something else, I discovered the answers to both these questions.

The perfect suture
may wear a general’s name,
but was he the knitter?

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3rd House Journal

One day after work before we moved, I drove over and parked at the end of our street, got out and hiked up the embankment to see the reservoir — a grassy mound surrounded by a high railed fence. Where’s the water??

A tall fence surrounds
The underground reservoir.
Why not a moat?

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chatoyance

Where is the Pratyekabuddha?

Where did it get
such a perfect pair of lips?
The grass isn’t saying.

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One Word

…a bound to appreciate,
Rub his face in the sprouting wheat he’ll be
hawking up later…

The cat feasts on grass,
& just like a ruminant,
brings it all back up.

Reporting live from the nightmare

Joel at Pax Nortona has been blogging from the center of the inferno in southern California, with the kind of ecological and geographical astuteness that you won’t find in mainstream media coverage. Joel’s coverage began with ominous forebodings last Sunday. By the next day, he described a party-like atmosphere as neighbors gathered to watch the fire close in.

Clearly visible to us in the park was the big screen television of one of the houses perched on the hillside overlooking the Serrano Creek drainage of Whiting Ranch Wilderness. One fellow pointed his binoculars at the living room. “He’s watching football,” he announced.

I smorgasblogged Joel’s post from his cat’s point-of-view. Another anecdote about the neighbors caught my attention in one of yesterday’s posts:

The lack of information leads to speculation. We know that the fire was started by arsonists, but who? “Towelheads,” said one man with a white cairn terrier. “Yeah, must have been towelheads,” said another. “I’d bet it was.” My thinking is that if it was Al Qaeda, they would have claimed responsibility for it by now.

Things get pretty harrowing — and Joel has photos, too. Visit the main page to read most of the coverage (for archival purposes: click on the Disasters category).

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This week’s Science Times has a number of articles on new research into sleep and dreaming. The most interesting, I thought, was by Carl Zimmer: “In Study of Human Patterns, Scientists Look to Bird Brains.”

Bird sleep is so mysterious that scientists are considering several answers, all intriguing. The godwit may have managed to stay awake for the entire journey. Or it may have been able to sleep while flying. Or, as Dr. Benca and other scientists suspect, its brain may have been in a bizarre state of semilimbo that they do not understand.

And the Times‘ other outstanding science writer, Natalie Angier, contributed “In the Dreamscape of Nightmares, Clues to Why We Dream at All.”

Cultural specifics can also tweak universal themes. Dr. Bulkeley and his colleagues have found that nightmares about falling through the air are common among women in Arab nations, perhaps for metaphorical reasons. “There’s such a premium in these countries on women remaining chaste, and the dangers of becoming a ‘fallen woman’ are so intense,” he said, “that the naturally high baseline of falling dreams is amped up even more.”

[…]

“Bad dreams are functional, nightmares dysfunctional,” he said.

If you feel yourself falling, spread your arms out and learn how to fly.

Taglines

In a few words, explain what this blog is about.
–Wordpress Dashboard > Options > General > Tagline

These are my thoughts
Engaging in Conversation
A thing about other things
Just another WordPress.com weblog

Where the hell is Poeville?
Joann’s little corner =)
You know you want it.
A source of relevant information.

Crunchy on the inside.
Just ticking along
The long road to literary success
Just another WordPress.com weblog

Capturing the Film World One Frame at a Time
I don’t wanna miss a thing
About me and my thoughts
But texas loves me anyway

Welcome to my mid-life crisis
Where I Open My Brain And Pour It Out On A Metal Slab. Poke If You Must.
More people fail from a lack of encouragement than anything else!
Just another WordPress.com weblog

One man’s gripes against… well, everything…
Unlock the treasures within!
Tacos. Palabras. Espanol. English. Love. Life. Food. Movies. Poetry. Photos. Chicano. Alma.
Spiritual caffeine for advancing the Kingdom.

Life In The Age Of Promise
Pursuing datameaningfulness, online and off
Much study is a wariness of the flash.
Just another WordPress.com weblog
__________

All lines are actual blog taglines, found by surfing WordPress.com blogs. The refrain is the default tagline, which a surprising number of bloggers elect to keep.

September wrap-up

Other bloggers do monthly digest posts; I thought I’d try something similar here. Gather round!


The aquatic invertebrate pool at Penn State’s Great Insect Fair

First, let’s look back to September 2006. What were some of the stand-out posts last year at this time?

  • Coats
  • By the end of the night, a dozen foxes, several hundred ermines, and well over three thousand minks have passed through the arms of the coat-check man. His hands glow like a swimmer’s, fresh from navigating a cold river of furs. All over his body, the small hairs stand up from the static charge.

  • How the anthropologist learned to tell stories
  • The natives are getting restless at the poor quality of the anthropologist’s stories. In all his years of schooling, he never stopped to consider how difficult the informant’s job might be: anthropologist and informant were two very different things, he’d thought. But in Imbonggu society, one listens in order to learn how to embroider. And if he wants to hear their stories, he has to tell some of his own. That’s how it works.

  • Out back at the all-night diner
  • Chilly out.
    I’m getting goose pimples,
    says the baker. The rolls harden
    in their metal beds. Dawn settles
    over everything like fine flour.

  • If I were you
  • What if the soft cubicle walls reminded you of albumen, and the clicking of keyboards sounded like the tapping of beaks against shells, under the florescent lights of an enormous incubator?

  • The Sycamore
  • The young veteran — a double
    amputee — is still learning how
    to pilot a wheelchair. He stops
    a few feet from the concrete lip
    of the pond, gazing across at
    a sycamore shining in the sun.

I’ll leave it to you to repeat the exercise with 2005 and 2004, if you feel so inclined.

The past month at Via Negativa began with the International Rock-Flipping Day reports, which I managed to get four posts out of. I was surprised and gratified by the response to this impromptu event, which was sparked by a comment at a VN post in late August. I linked to all the other IRFD participants I could find at the end of my second post. I was also pleased to see some dissenting voices — bloggers who preferred to leave under-rock denizens undisturbed.

In a sign of growing senility, I had two posts with the same title less than ten days apart, Making Sense and Making Sense, both pimping for the new qarrtsiluni theme, Making Sense (for which submissions remain open until October 15, by the way). I also had two different posts whose titles ripped off Rambo: First Blood, which is especially strange since I’ve never actually seen the movie.

So it’s safe to say I plumbed the depths of uninspiration this month. I published probably the fewest total posts of any month since I started blogging. On the other hand, I did manage to find five new posts to add to the Best of 2007 page, so I guess the month wasn’t a total wash-up:

Via Negativa posts were graced with some fun comments this month. Blog virgin Simon described the path that brought him here and his reactions to the site. Printmakers Marja-Leena Rathje and Linda Dubin Garfield both responded positively to my post on Richard Serra. Butuki shared a more realistic interpretation of “going to ground,” while Rebecca Clayton put a new spin on the phrase “confusing fall warblers.” The Rockin’ post prompted several amusing responses, including a poem from Joan, “Petrophilia.” And comments and pingbacks continued to trickle in to my inexplicably popular August 29 post, Should poetry be open source?

I wrote two short posts for the Plummer’s Hollow blog this month, Barred owl and Monarchs on the move.

Smorgasblog had a pretty good month, though I fell an entire week behind at one point. I added six more blogs to the folder in my feed reader from which I draw the digest: Walking the Berkshires, G. Willow Wilson’s blog, molly arden says so, and the brand-new blogs Talisman, Clouded Drab and Eye in a Bell. This may sound like a lot, but an equal number of blogs folded or went quiet in the last couple of months, so the overall number of blog posts I read every day hasn’t changed much.

Making sense, robot-style

This is so cool, it deserves its own post rather than simply an update. I just realized that the Feedblitzed email version of my last post — and I presume all other Via Negativa posts from here on — contained an audio link at the end. Clicking it generated the following creepy yet delightful rendering, via Talkr.

[audio:http://www.talkr.com/audio/v/i/a/n/1557834.mp3]

Email subscribers will not see the above player, however. They can click on this link instead.

Caraway

skyline

I can’t seem to figure out what to do with my head. It is too small to carry the right sort of luggage and dangerously prone to spills and injuries. I was thinking I might rent it out for micro-idea transmission, but I’m not sure how well I’d like sitting on top of a metal tower during thunderstorms. Then there’s the whole issue of bird droppings. Perhaps I could put it in a breadbox to keep it fresh. But lately it has this alarming tendency to weep, which could promote spoilage. …

I wrote that after a trip to the Adirondacks back in 2004. Some people don’t like to travel due to the lack of comfort. For me, it’s the lack of sleep. A mere four or five days with less than five hours of good sleep per night are enough to turn me into a humorless emotional wreck. Then for days after I get home, I mope around wishing I had seen more and been more outgoing.

heads

Fortunately, this past weekend’s jaunt had been in the company of fellow bloggers, most of whom are also social misfits of one kind or another, and we tolerated each other’s lapses, if that’s what they were. Lorianne writes about the pleasures of ditching one’s friends to walk the streets alone, something I wish I’d found time to do myself. Rachel of Velveteen Rabbi, on the other hand, eulogizes the joys of communion. Leslee seemed most affected by the heat, but still managed to take a number of good photos of the area of Brooklyn where we all crashed. Other photosets from the trip include Lorianne’s photos of MoMA, Velveteen Rachel’s Brooklyn set, and Frizzy Rachel‘s NY September 07 set (which includes two photos of my head). And Dale has a poem up called Pilgrim in Brooklyn.

UPDATE: New posts about the New York blogger swarm are up at 3rd House Journal – part 1 and part 2 – and the cassandra pages.

always read the label

Halfway home on the train,
my tongue discovers something hard
between the molars, left over from
a rushed breakfast
at a diner in Brooklyn.
The molars break it open
& the tongue remembers: rye toast.
Our last meal together.
Caraway seed.

Ansel Adams and the Polaroid

Visiting an Ansel Adams exhibit, I am unable to fully focus on the largest prints, distracted by the reflections in the glass behind which they are imprisoned. Is this how the photographer intended his work to be seen, with the world of the gallery imposed like a double exposure over El Capitan or the New Mexico cemetery in the moonlight?

The exhibit explores the decades-long relationship between Adams and Edwin Land, the founder of the Polaroid Corporation, for whom Adams worked as a consultant. Fascinating material — especially the many snapshots Adams generated as he tested the various films and cameras. But given the fact that the exhibit was sponsored by Polaroid, and not knowing much about Adams other than what I can remember from an art history course I took 20 years ago, I am unable to exorcise the demon of distrust. How really central was Adams’ experience with Polaroid film to his overall career as an artist?

They quote a couple of sentences from Adams’ autobiography: “Many of my most successful photographs from the 1950’s onward have been made on Polaroid film. One look at the tonal quality of the print I have achieved should convince the uninitiated of the truly superior quality of Polaroid film.” The uninitiated, yes — that’s me. I am able to relate to the many test snapshots on exhibit far better than to the iconic Western landscapes, in part because their small size requires close viewing, where reflections on the glass are not nearly so distracting. And the subjects are casual and domestic: the corner of a porch. A woman standing on her front stoop.

And at any rate, as a very amateur digital photographer and blogger, I am most struck by how this artist renowned for his long exposures celebrated the instantaneousness of the Polaroid. “To have a print and a negative from the same exposure is a tremendous assist in the creative process,” Adams wrote in 1961. I had also always associated the Polaroid with low-quality color snapshots of family gatherings, but the docent tells us the film was in fact designed for nature photography. All of Adams’ Polaroids in the exhibition are in black-and-white.

The docent talks about Adams’ difficult relationship with color. He spent the last years of his life trying to master color photography, but finally gave up, she says. His whole approach to photography was shaped by his early training as a classical pianist; he was a composer, not a mere finder, of images, and he couldn’t handle a lack of total control over colors and values. Moreover, he found the medium’s promise of verisimilitude deceptive:

Color photography is a beguiling medium in that it offers some apparent simulation of reality, to which the majority of the public respond. Because of economic necessity, the development of color has been keyed to popular demand (much more than black—and—white photography), and the approach to professional work has focused on “realism ” of color and fail—safe technology.

The taste—makers in color photography are the manufacturers, advertisers in general and the public with their insatiable appetite for the ‘snappy snapshot.” I have come to the conclusion that the understanding and appreciation of color involves the illusion that the color photograph represents the colors of the world as we think we perceive them to be. The images are, at best, poor simulations, but the perceptive alchemy translates the two—dimensional picture into the common world of experience. Picture reality is a philosophical and psychological impossibility. Color pictures are so ubiquitous that the casual viewer comes to accept them as the true “reality”, the color process reveals for them the real world, which is not hard to understand because the “real world” is, for most people, an artifact of the industrial/material surround. The colors of the urban environment are for the most part far more garish and “unrelated” than we find in nature. The Creator did not go to art school and natural color, while more gentle and subtle, seldom has what we call aesthetic resonance.

Among the large prints in the exhibit, the one that most impresses me has an industrial subject, “Pipes and Gauges, West Virginia, 1939.” The composition of curved white pipes and small gauges, with its frank sexuality, is far warmer and earthier than any of the landscapes, “artifact of the industrial/material surround” though it might have been.