Landsman

erasure of a page from Samuel Pepys' diary

I bade adieu to a rose,
gave paper to a paper,
drank farewell and drank to one
that would have a place at sea—a seal
who had a great desire to go to sea—
and I went home and sat there
talking old, playing old
till it was time to go lay
in a fine urn.


Erasure poem derived from The Diary of Samuel Pepys, Saturday 17 March 1659/60.

Waterbound

erasure of a page from Samuel Pepys' diary

Troubled with abundance of sea,
land going to water,

I rent a raft and eat tongue,
a fat joy in the chapel Chance.

I study how this day dissolved
without fire, sad in mind.


Erasure poem derived from The Diary of Samuel Pepys, Friday 16 March 1659/60.

Need

“An altar to the mutability of need.” ~ seon joon

Little dream of flying that used to visit
my nights, why can’t I reconstruct you now?

Those sheets of white unrolling beneath
my suspended feet, their quiet a billow

audible somewhere in the mind— I bite
my tongue and the taste of blood and salt’s

a welt that is the shape of a world:
is someone thinking me, or dreaming me?

I keep every button that has lost its mate, save
pieces of twine, draw the shapes of rooms

on drafting paper— These kinds of need
urgent as the ache that wakes me in late hours:

memory and scent of a name, shape of a face
becoming language at the touch of fingers.

 

In response to thus: Letter from Boston.

Compline

“Will the bird rise flaming out of broken light?” ~ Karen An-hwei Lee

When your arms encircled my waist from behind,
I thought a bird had come to light on my shoulder—

and I could not speak immediately for feeling
how densely overgrown the floor of the forest had become,

how at odd times in the night a ringing begins
on the shore of one ear and echoes across to the other.

You walked across the barrier and met me at the gate,
and it took minutes for us to realize we were in tears.

Now, days after, I look around: everything the eye
picks out wants to be the color of a sunset, of clementines.

Imagine small words like fragments of bone:
ten of them strung together are called a mystery;

and I know I have no qualifications to speak of but sometimes
I dare to address the future in intimate terms.

 

In response to Via Negativa: Pepys Noir.

Cabbage Mind

erasure of a page from Samuel Pepys' diary

O infinity of papers, give a piece of me
to the surgeon, to soldiers, to the town
where I seem a dull heavy man.
I had a mind to some cabbage,
I sent for some and had it.
A strange thing how I am
already in the book
of rain and night.


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 14 March 1659/60.

Pepys Noir

erasure of a page from Samuel Pepys' diary

Rain.
I got up early.

I was deputy to trouble;
I could not talk.

A place other
than the void tonight?

I go out without
any qualification.

Doubt will be
the end of me.


Erasure poem derived from The Diary of Samuel Pepys, Tuesday 13 March 1659/60.

Watching TV in the ’70s

I can’t remember exactly when we got our first
television set, a black and white console
in a sliding cabinet on spindly legs designed
to blend in with the living room furniture—

It must have been sometime in ’75, in time
for the “Thrilla in Manila,” or the ’74
Ms. Universe pageant which Bob Barker hosted
and which a Spanish girl named Amparo won—

But I know we did not have it in ’66 when the Beatles
snubbed Imelda and were harassed by an angry mob
all the way to the airport. And in ’69 the neighbors
invited us over to watch the Apollo moon landing,

after which lunch was served, but I wanted to know
most of all where the bathroom was. We were among
the last on our street to get one, but the novelty
never quite wore off— Waiting for the jeepney

that would take me to school after breakfast,
I watched wire cleaner antennae rise up and down
from behind Ray Walston’s bumpy head in reruns
of “My Favorite Martian;” and when I returned

in the afternoon, there was “Darna,” “The Three
Stooges,” or pre-war Tagalog romances where
beautiful women with marcelled hair let men in suits
and two-tone shoes light their cigarettes— And we

had no idea the scene from “Singing in the Rain”
had black umbrellas and yellow raincoats,
but my father pronounced everything dashing
and debonair. And he most of all stayed up

to watch the “Tonight Show” with Johnny Carson; he sat
in his old bathrobe on an ottoman pulled up to the screen,
glued to “M.A.S.H.” or “I Love Lucy” or Bob Hope specials,
chuckling despite canned laughter and broadcast delays.

 

In response to Via Negativa: The Seafarer.