Monthly Archives: February 2011

Landscape, with Mockingbird and Ripe Figs

This entry is part 61 of 94 in the series Morning Porch Poems: Winter 2010-11

Like a wren, like an oriole, like the quail—
there’s the mockingbird improvising in the grass.
Chittering call of a Cooper’s hawk, jay that calls
and calls until his double answers. Who
hears my voice crying out in the middle of the day,
who knows to tell the echo from its answer?
The Japanese beetles have gored open
the sides of figs velveting the tree.
You picked my hair clean of shadows.
You dropped little stones in the beaker
so the water rose and I could drink.
Sweet smell of clover, sweet-fingered fruit
ripening to rot upon the sill.
Above the sheets, a spider couples
with its prey. In their eyes’ prismed glass,
our limbs bond into brittle sugar.
That isn’t steam beneath the ceiling.
Outside, small birds continue feeding.
A strangled cry. Finally, the jay calls like a jay.

Luisa A. Igloria
02 12 2011

In response to today’s Morning Porch entry.

Posted in Greatest Hits, Guest writers, Poems & poem-like things | Tagged | Comments Off

How to write a book review

Read quickly. You’re not being paid enough to spend quality time with this book, and besides, you can usually tell within the first five pages whether the author has written the book you want to read, or something that merits only scorn. You can try opening it at random and reading ten different pages to get a flavor of it. Or make like Marshall McLuhan and read — or rather skim — just the odd-numbered pages.

If it’s a novel, you’re not supposed to give away the ending in any case. Reading all the way to the end is for suckers and college interns eager to suck up to the editor. The important thing is to demonstrate critical acumen in the review, which is best done by adopting a tone of lofty condescension, unless the author is a friend or someone who might conceivably be asked to review your own next book, in which case you are better off to hail the work as groundbreaking while at the same time naming other writers in the same genre to which is bears a close resemblance. These writers can be selected more or less random — the more off-the-wall the comparisons, the more you’ll come across as eclectic and perceptive (not to mention well-read).

Important note: don’t be too hasty in emailing this off to your editor. Fact-check to make sure you have the basic details right, such as the main character’s name and situation. If you screw that up, you risk blowing your cover and looking like a total dumb-ass.

Poetry is a trickier case, but one rarely encountered by the professional reviewer, since so few major publications want to risk driving away readers with reviews whose sole value is to garner a little extra high-brow credibility for the publication. If you are called upon to review a book of poetry, the safest approach again is to open the book in a number of places at random. Select four or five reasonably interesting quotes, decide what they likely mean in the context of the book as suggested by the blurbs and publisher’s description, then decide whether or not this is the sort of poetry you like and respond appropriately, either with fulsome praise or scathing condemnation. Since the American poetry scene is riven by factionalism, such extremes of rhetoric are the norm.

Poetry review editors also sometimes ask for three or four books to be included in the same review. On the surface, this might seem to make your job even harder, but not really. Now you only need to find one or two exemplary quotes per book, and their greater variety will push you to greater heights of creativity in your connective prose. If you’re really feeling puckish, and if the publication isn’t one that specializes in poetry, deduce a trend. Whatever you do, don’t engage with the subject matter of the poems, unless to belittle the poet (Sharon Olds’ obsession with sex, Mary Oliver’s rhapsodies about nature). You’re better than that. Remember, poetry is all about language, in the same way that painting is all about paint. Leave the achingly sincere analyses to the Christian Science Monitor and small-time bloggers.

Posted in Books and Music, Rants | 8 Comments

History in the Making (videopoem)


Watch on Vimeo.

(text)
what if the ground
were really like this
shifting every minute

what if it weren’t

what if the wind
were the world’s
truest lover
no place off limits
to its caress

it’s one thing to dance
in the streets but
what about dancing
in the prison of
your own heart

Posted in Greatest Hits, Videopoetry | 6 Comments

What She Wants

This entry is part 60 of 94 in the series Morning Porch Poems: Winter 2010-11

Nearly noon, but only a few
hours since I washed my face
upon rising. The day needs
to bloom harder, needs more
roundness— The swell of plucked
bandurria strings, the glisten
of corn chaff flying, soft
stripes of light dipped in saffron
wash; this thin milk passing for air
bursting instead with pollen,
as if some goddess had carelessly
flicked the dust off her sandals,
as if it were August, and all
she wants is the green-gold
mango hanging from the tree.

Luisa A. Igloria
02 11 2011

In response to today’s Morning Porch entry.

Posted in Guest writers, Poems & poem-like things | Tagged | Comments Off

After Luisa: two poem sequences

This entry is part 59 of 94 in the series Morning Porch Poems: Winter 2010-11

Yesterday and today, Dale Favier left poems in response to Luisa Igloria’s poems in the comments at the Morning Porch, and both times it prompted a further exchange between Luisa and me as time permitted. Here are the results.

Jessie’s wearing a knit belt,
a band of vivid pink.

She whistles the beginning of something
again and again.

I glance down at my coffee.
When I look back up

she’s pulled on a gray sweater
and gone to look at the sky.

—Dale Favier

*

(This made me smile in two ways at once. Well done!
—Dave Bonta)

*

Things That Make Me Smile
In Two Ways At Once

Flounced ruffles
Swagger-me boots
Lost and found capers
A long drink
of something mint
Dimpled time
A lie-in
Bright circlet
inside a small hour
Homing like
the hummingbird
That little dish
of nectar partly
hidden in
the leaves—

—Luisa A. Igloria

*

Jessie’s wearing boots of mint. She whistles the hummingbird out of the leaves in another story, one without curved bakery cases and metal tubes that hiss into small cups. In this dimpled time, nectar drips from gold cages, & a sad lawyer feeds himself to a lie-in. She hums & taps her toe. She homes in.

—D.B.

*

Bedtime Story

But what if she hasn’t learned how to whistle? Will the hummingbird come out of hiding, will it part the leaves for a pucker, for a yodel, or if she crooned? Will it flutter its wings more rapidly than eyelashes? Summer is a long way away. Summer is stripes of vermilion, the plumage of birds of paradise. She looks out where the wind has started sifting fine snow again. The birdbath is an upturned bundt pan ringed by tiny marzipan leaves. Knock on its sides and the echo circles the garden. When it’s cold, we want to suck everything down to the marrow, forgetting the fire in the feathers, the smolder in the song. The sad lawyer in the canopy bed stops alternately tossing in the sheets and sitting up to smooth them. She regales him with stories, pretending she is Sheherazade: short of the endings, before daylight, she braids their ends and coils them flat as coins. Laughing, she tells him he must find them himself. She hides them underneath the mattress, then wishes she were a florin, a ducat, a coronet dollar piece.

—L.A.I.

*

(three tanka)

That ache in the lungs
on a very cold dawn—
I almost enjoy it.
The blue near the horizon
is the earth’s own shadow.

Half-in, half-out,
a leaf flaps
from the frozen birdbath.
I pluck an unsightly hair
from the bridge of my nose.

In the post office window,
the clerk & I compared
ten dollar bills.
1001 spam emails
vanish with one click.

—D.B.

*

That ache in the lungs
on a very cold dawn,
that blue near the horizon—

Across the counterpane
I’ve chased my shadow
half-in, half-out of sleep—

I fill the chamber with ink
and the nib presses
against creamy paper—

Ink color named after a battle,
cornfields bordering
Antietam creek—

That ache in the wake
of language, words like pennants
marking what can’t ever be held—

As in a roomful of people
where I find I’m still always
speaking to you—

—L.A.I.

* * *

In the massage room is
a trickle-water fountain
which pricks the Reiki music
with little pings of drips.

That high harsh sound
of something tearing
is only my tinnitus.

I believe for a desolate moment
she is going to lay her head
down on my oiled chest.

—D.F.

*

A man built a city
in his basement out
of balsa wood, all so
the model people
riding round & round
on his train wouldn’t
get bored. Look!
There’s a fountain,
as artificial as in
real life! And trees
with an ageless foliage
that won’t show dust.
I crouch down & peer
under the table.
A rat trap has been
baited with what looks
like catfood. We have
just been introduced
to his wife’s collection
of orchids, & I am
still agog: all those
ornate enticements
for special lovers who
will never find them,
so far into the country
of winter in their hot
glass house.

—D.B.

*

So far into the country
of winter in their hot
glass house they find
the abandoned piano,
a yellowed score and jazz
notes drifting overhead.
She follows the scent
of ginger and he follows
her down the winding
corridor. The air is cool
in rooms carved from old
wood. He looks for twigs
to whittle, happiest finding
stray pieces that the wind’s
blown in, or that the surf
washes up on shore.
No matter, they can both
admire the heavy tapestry
embroidered with a garden–
all the vines and brambles,
clusters of fruit shot through
with gold thread; the lovers
outlined in white and sienna,
each with their haltered
animals: they bend toward a chink
in the wall that separates them,
press ear and mouth against
the place they might align with
the other; they hear the short
relay of filtered breath.

—L.A.I.

Posted in Greatest Hits, Guest writers, Poems & poem-like things | Tagged , , , | 5 Comments

Landscape, with Water Fountain, Small Clouds and Endless Lyric

This entry is part 58 of 94 in the series Morning Porch Poems: Winter 2010-11

In the foyer, I’ve installed
a tabletop fountain: four
gradated stone-like bowls
balanced lip to bottom, one
atop the other; water pouring
from a fluted edge down to
the basin, where a tiny engine
drives the stream up and up
again. Miniature homage to
perpetual motion, its murmur
audible until we pull the plug
before we go upstairs to bed
at night. And it will never
ice over, never fill with pond
scum, floating koi or iridescent
insect bodies, its purpose simply
to distill some part of what teems
without cease outdoors, without
relief but only momentary stay—
Today, bitter cold; high wind
at sunrise sends small clouds
in search of sun— perpetual errand,
as leaves keep trying to transmute
the thin, harsh sounds of tearing
before they flutter to the ground.

Luisa A. Igloria
02 10 2011

In response to today’s Morning Porch entry, via Blackberry. And now Dale Favier has posted a response to Luisa’s poem…

Posted in Guest writers, Poems & poem-like things | Tagged | Comments Off

Ephemera

This entry is part 57 of 94 in the series Morning Porch Poems: Winter 2010-11

Dawn: a thin band of vivid pink. I glance down at my coffee,
and when I look back it’s gone, the sky is gray.

In the crowded station, volatile citrus spray.
I look around but cannot find the orange rind.

New girl at the coffee shop— Between taking orders, her brown
barrette glints like a clipped accent from somewhere else.

Where did the four green slices of starfruit go?
The pineapples on the serving plate are silent.

Last night, in my living room, the poet who wrote of temples
and butterflies slid off his sandals and padded barefoot to the dinner table.

Luisa A. Igloria
02.09.2011

In response to today’s Morning Porch entry.

UPDATE: Some more poems happening in the comment thread over there.

Posted in Guest writers, Poems & poem-like things | Tagged | Comments Off

Mayapple

This entry is part 15 of 29 in the series Wildflower Poems

Mayapple by Jennifer Schlick

Mayapple by Jennifer Schlick (click to see larger)

Podophyllum peltatum

I’m trying to get lost
somewhere south along the mountain
when I break through a tangle
of fox grapes & stop short:

an insurgent sea of mayapples
bobs in the breeze, a minature forest.
I remember the stories I’ve heard
about human-shaped roots

& how they’ve yielded a new
weapon against cancer.
I think of them crowded together
in the stoney dark.

We who eulogize private virtue
& small acts of kindness,
have we forgotten the glory
of the grand gesture? I stand

as immobile as that line of tanks
at the Gate of Heavenly Peace,
unable to go farther without
crushing one or two.

Their parasols make a brave show,
but they keep their faces down
& their yellow focus on the fruit
they know will come, if only for a few—

fruit that may or may not be digestible,
flowers that may or may not self-pollinate,
depending on the encampment,
& insects that may or may not visit,

since the mayapples offer
neither nectar nor desirable pollen,
& seem to persist because a few bees bumble
& forget where they are.

Posted in Poems & poem-like things, Wildflowers | Tagged | 8 Comments

“Last night’s wet snow…”

This entry is part 56 of 94 in the series Morning Porch Poems: Winter 2010-11

Last night’s wet snow sticks here
or there, creating alpine trails
beneath the shadow of low walls,
leaving blank spaces where the wind
has drawn its hasty maps and then
like some cartographer unsure
of where the continents might lie,
erased them… In one of these
pockets drawn as wintry latitudes,
bergamot heads confer, a little
brotherhood of toques blanches.

Luisa A. Igloria
02.08.2011

In response to today’s Morning Porch entry.

Posted in Guest writers, Poems & poem-like things | Tagged | 3 Comments

Wild Geranium

This entry is part 14 of 29 in the series Wildflower Poems

Wild Geranium by Jennifer Schlick

Wild Geranium by Jennifer Schlick (click to see larger)

Geranium maculatum

Alum Bloom
you of the shocking
blue pollen
Chocolate Flower
root once used
as a styptic
Old Maid’s Nightcap
fruit like
the head of a bird
Cranesbill
bursting open
expelling the seeds
Crowfoot
each seed with a tail
that curls & straightens
Sailor’s Knot
pulling itself into
a likely crevasse
Rockweed
what fool
invented these names?
Shameface
a flush beloved
of the bees

Posted in Poems & poem-like things, Wildflowers | Tagged | Comments Off
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