Tag Archives: Clive Hicks-Jenkins

Woodrat Podcast 43: Marly Youmans in Wales

Marly Youmans with an ancient yew on the grounds of Powis Castle

admiring yew #35 on the grounds of Powis Castle

Even though my friend the poet and novelist Marly Youmans lives just five hours away from me in upstate New York, we went all the way to Wales to record this podcast. How’s that for dedication? We start out at a tea house on the grounds of Powis Castle, where we’re joined by another novelist and blogger, Clare Dudman. Then we go to Ty Isaf, the stately Clive Hicks-Jenkins residence near Aberystwyth, where we talk about such topics as the ghosts of Cooperstown, New York; whether children are an inspiration or a hindrance for a busy writer; women leaving the world for the woods; and how writing in rhyme resembles surfing. We are serenaded by rooks.

Marly’s latest book of poems is The Throne of Psyche and her latest novel is Val/Orson. She blogs at The Palace at 2:00 a.m. and tweets about raspberries and radishes.

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Theme music: “Le grand sequoia,” by Innvivo (Creative Commons Attribution-Noncommercial-Share Alike licence).

Posted in Poets and poetry, Woodrat Podcast | Tagged , , , , | 16 Comments

Clive Hicks-Jenkins retrospective exhibition: official opening now on video

I’ve shared videos of the May 6 poetry reading for The Book of Ystwyth, but the main event was the opening of Clive’s 60th birthday career retrospective exhibition at the National Library of Wales the following afternoon. And fortunately I didn’t have to worry about videoing that one; they had a professional filmmaker there to do it for them. This is the result.


Watch on YouTube.

Following Andrew Green’s introduction, Clive’s own remarks focus on the central role of place, love and community in his work:

Being a painter isn’t just about standing in the studio and making still lives and landscapes and narrative paintings. It’s about the people you surround yourself with, people who cluster around you, the people you love.

Would that all gifted artists and writers took their social obligations so seriously.

The exhibition continues through August 20th. If you’re anywhere in the U.K., don’t miss it! It’s a huge exhibition and well worth the time and effort to go see it, I think. Browse the works on Clive’s website and his blog posts about the exhibition for a preview.

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The Grave Dug by Beasts (videopoem)

This entry is part 11 of 11 in the series The Temptations of Solitude


Watch at Vimeo.

Some footage of an anemone from the algae exhibit at the Royal Botanical Gardens, Kew, seemed like a good fit for the first of my poems in response to Clive Hicks-Jenkins’ “Temptations of Solitude” paintings. It is of course a tricky thing to come up with film images to go with a poem that itself was a response to another, completely different image — but for that very reason, a fun challenge.

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Woodrat TV: The Book of Ystwyth poetry reading


The Book of Ystwyth: six poets on the art of Clive Hicks-Jenkins (part 1).


The Book of Ystwyth: six poets on the art of Clive Hicks-Jenkins (part 2).


The Book of Ystwyth: six poets on the art of Clive Hicks-Jenkins (part 3).


The Book of Ystwyth: six poets on the art of Clive Hicks-Jenkins (part 4).

In lieu of a podcast this week, here in video form is the full, hour-long poetry reading I flew to Wales to take part in last month. This was a group reading in support of The Book of Ystwyth: six poets on the art of Clive Hicks-Jenkins, whose launch coincided with a 60th birthday retrospective exhibition of, and monograph on, the contemporary Welsh artist Clive Hicks-Jenkins (who I interviewed in the two most recent episodes of the Woodrat podcast). All six of us — three Yanks and three Brits — had written poems in response to his paintings, and The Book of Ystwyth includes a generous selection, illustrated with full-color details of the paintings in question.

In the reading, ably MC’d by Damian Walford Davies, as you’ll see, each poet appears twice, once on either side of a break (which occurs in part 3), so that the first poet is also the last, the second is the penultimate, etc. Here’s a key to who appears in which video:

Catriona Urquhart (read by Clive Hicks-Jenkins and Ian Hamilton): parts 1 and 4
Andrea Selch: 1 and 4
Callum James: 2 and 4
Marly Youmans: 2 and 3
Damian Walford Davies (as reader): 2 and 3
Me: 3

Anita Mills was the camerawoman. I take the blame for the sound and all the editing. The bookstore’s set-up had the podium in shadow, which meant that the camera often focused on better-lit bookshelves behind our heads. In the process of lightening and increasing contrast on the videos, the color turned spotty, whence my decision to make it black and white. I assure viewers who have never been to Wales that it is a fully modern country now, and almost everything is in color all the time.

The Book of YstwythAs for the book: quite apart from its contents, which are of course scintillating, it’s a beautifully designed object with high-quality paper and image reproduction, retailing at a very affordable $15.95/£9.99. It was published in the U.K. by Grey Mare Press in association with Llyfrgell Genedlaethol Cymru/The National Library of Wales, and in the U.S. by Carolina Wren Press. Click on either link to order.

Posted in Art, Books and Music, Poets and poetry, Video | Tagged , , , , , , , , | 15 Comments

Woodrat Podcast 41: A walk with Clive Hicks-Jenkins (Part 2)

Clive Hicks-Jenkins in context

(l-r) Clive points out hart's-tongue fern; Jack on bridge over Ystwyth; sand martin nests in the riverbank; Basil the Shetland pony; Clive in front of his painting "Green George"

The conclusion of our May 5 walk around Clive’s neighborhood in rural Wales, near Aberystwyth. (It should stand on its own, but do listen to Part 1 if you haven’t already.) I’m grateful to Clive for taking the time to show me around in the midst of frantic preparations for the launch of his retrospective exhibition just two days later (for more about which, see the series of posts on his Artlog). We’re also lucky he’s such a great communicator, because as the naive quality of my couple of questions about his painting demonstrate, my general knowledge of art is woefully inadequate. Nevertheless, somehow this walking conversation with Clive has turned into one of my most satisfying podcasts to date, I think. Give a listen.

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Theme music: “Le grand sequoia,” by Innvivo (Creative Commons Attribution-Noncommercial-Share Alike licence).

Posted in Art, Travel, Woodrat Podcast | Tagged , | 16 Comments

Visiting Ty Isaf

Ty Isaf front view

Ty Isaf is not merely a postal address and a property of moderate grandeur and repute; it is also a work in progress, a collaboration between Clive Hicks-Jenkins, Peter Wakelin, their team of highly skilled workmen, and the various wild and domesticated beings they share the property with, including a small colony of pipistrelle bats in the attic and a noisy rookery in the treetops adjacent to the house.
Continue reading

Posted in Greatest Hits, Photos, Travel | Tagged | 13 Comments

Woodrat Podcast 40: A walk with Clive Hicks-Jenkins (Part 1)

Clive Hicks-Jenkins

(l-r) view of Llanilar, Clive and Jack at table, three Welsh cows

Join me for a walk with the Welsh artist Clive Hicks-Jenkins and his dog Jack. Clive and his partner Peter Wakelin live a few miles from Aberystwyth in a beautiful old place called Ty Isaf, which I’d been reading about on his Artlog for a couple years now, and was lucky enough to visit — and even stay three nights in — earlier this month.

I thought it would be fun to record a tour of Clive’s neighborhood for the podcast, allowing us to hear how a major artist relates to, and finds inspiration in, the land and people around him. For those unfamiliar with his work, it’s worth mentioning that specific places have always featured prominently in his paintings. Even elements which I had assumed to be fanciful, such as castles beside the sea, turn out to have been common features of the local and regional landscape. (For more on the sense of place in Clive’s work, see the essay by Andrew Green, “The Place of Place,” in the new monograph simply entitled Clive Hicks-Jenkins, from the British art publisher Lund Humphries in cooperation with Grey Mare Press.)

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Be sure to check back next weekend for the conclusion of our walking conversation, in which I prompt Clive to talk about his journey from the theater world to art, what he looks for in painting, and more.

Theme music: “Le grand sequoia,” by Innvivo (Creative Commons Attribution-Noncommercial-Share Alike licence).

Posted in Art, Travel, Woodrat Podcast | Tagged , | 12 Comments

Study for St. Kevin and the Blackbird

in response to a drawing by Clive Hicks-Jenkins

The blackbird has built a caravan park
on a roundabout where five roads
join a hot pale highway.
What led her to choose the straight & narrow
over a hedge’s Medieval maze of streets?
She eyes the lights, which only blink,
& cocks her head at the pulse
of unseen traffic.

Posted in Art, Poems & poem-like things | Tagged | 2 Comments

The Book of Ystwyth

This entry is part 1 of 11 in the series The Temptations of Solitude

The Book of Ystwyth: Six poets on the art of Clive Hicks-Jenkins, which includes all of the poems from my Temptations of Solitude series, is now out. It’s a stunningly beautiful book; you’ll definitely get your money’s worth. Carolina Wren Press does have some review copies available, I’m told, so if you have a well-trafficked blog or magazine, please consider writing it up.

The book was launched on Friday night with one of the best group readings I’ve ever been privileged to take part in, relaxed and well organized, with no bad readers and an overflowing and attentive audience. One of the six poets, the fantastically gifted (and much too modest) Callum James, blogged about the reading as well as yesterday’s launch of the exhibition, which was and is mind-blowing, for anyone who can get to the National Library at Aberystwyth by August.

I expect I’ll have more to say about all this after my return to Plummer’s Hollow and my own computer. I’ve been bothering all manner of people, including Clive, with my audio recorder, gathering material for the Woodrat podcast, and we have video of the reading, so I’ll have my work cut out for me. But for now, I intend to vacate for another week. Wales is spectacular; were it not for the shortage of forests, I think I could live here.

Posted in Books and Music, Poets and poetry | Tagged , | 6 Comments

House Sparrow

in response to a painting by Clive Hicks-Jenkins, Paper Garden

They said you were blue
so I got you a card.
It sings when you open it.
The clouds move, & the usual
stars & crickets: a card
like a garden, missing only
the mated pair of primates
flinging their feces at some snake.
I’ve just flown out from the tree
beside the tree beside the tree
& there you are, your eye on
my hugger-mugger life.
I have to say
you’re beginning to creep me out.
Where did that enormous
coffee mug come from
& why is it wearing a leopard’s spots?
And God, much as I appreciate
you holding my world in
your mitt, I have to ask:
whose damn blue egg is that?

Posted in Art, Poems & poem-like things | Tagged | 17 Comments
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