Via bubbl.us, via Never Neutral.
Poem dissection, like frog dissection, isn’t as straightforward as it may at first appear. Take, for example, Matsuo Basho’s famous haiku about a frog. Are the relationships between the ideas in the poem generative, associative, or a mixture of both? Here are two possible ways to map them, which strike me as equally valid.
So obviously with longer poems, many of the routes become quite arbitrary indeed.
The best I can say about this exercise is that it helped me discover a relationship between two ideas in the poem that I hadn’t consciously recognized, the one between ‘it wants to go home with you’ and ‘there are no motels in this vacancy.’ Whether this will be of any real use to me if/when I get around to revising the poem, I don’t know, but in general I do find that, while the intuitive mind ought to be paramount during the original drafting, the analytical mind should take over during editing and revision. So as far as the author is concerned, this sort of exercise can’t hurt, even if it looks like a bloody mess to everyone else.