The Hourglass

So much is slight,
and therefore that much
more significant: white
petals that detach
from the tree to number
the grass with asterisks,
thin points of a weathervane
that intersect with sky;
the shy words of a child
who longs to speak and so
has learned to crease paper
into birds; the man who
polishes a knob of driftwood
and teaches it to harbor
birds. A drift of fine
sand passing from one
glass dome to another:
without so much as rising
above a whisper, yoking
this fractured moment
to the next.

 

In response to an entry from the Morning Porch.

Series Navigation← In the Summer CapitalGlossolalia →

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

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