Do you remember the stories about the girl given one impossible task after another? I do not mean the one where she goes to the middle of the field to confess the sorrows of her heart to an old stove, nor the one where she passes the city gates to greet the bloodied head of a horse whose sole rider she once was— though perhaps that is the same story? I do like the one that begins with the great despair of the uncountable: a heap of grain— or is it salt or sugar or pearls?— that she must reckon by nightfall. It ends as such stories do, with a certain hope held out to those like us: how the marginal creatures emerge from the interstices to take the mountain apart, crumb by patient crumb.


In response to an entry from the Morning Porch.

Series Navigation← In fallow seasonDream Metonymy →

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

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