You look so beautiful, at peace
and in your own spirit, says a friend
that the Buddha has not seen in a while.
She beams and hugs her back, while mentally
reminding herself to check in the mirror
for what might have spurred this compliment.
The Buddha has her hair loosely pinned up
because of the humidity; she’s in dark-
colored jeans, a t-shirt, and faded cardigan
even on a workday, just because comfort
now comes first. Every so often, on special
occasions, she’ll wear a dress and heels,
put on some makeup— foundation, eye
shadow, lipstick, mascara. Now that she’s
past 50, she finally knows what it means
to not give a damn: to be unbothered
by the decision to not go out drinking with
her students; to eat breakfast for dinner
and dessert for breakfast; to not be non-
plussed when a wind lofts her skirt above
her knees, when a rolling wave slaps down
the top of her strapless swimsuit at the public
beach. She simply tugs the offending garment
back in place, smiles, shrugs, carries on.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.