is the hour that stretches, clock face that warps and bends over the table edge. It is the cliff over which I peer at the river that boils three hundred feet below, not knowing if the brown and green specks on its banks are bushes or huts or villages where families are making dinner over a fire or unpinning clothes from the line. Restlessly I shift from side to side, flipping the pillow over, kicking the coverlet away. From this distance, in the darker than sepia-tinted dark, I cannot tell if the muffled sounds I hear are from coal trains crossing over the ridge or from a nuclear plant exploding; or if a cloud the color of crows has begun to wrap bandages around the moon and now whole nations have begun to panic.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.