At night, I wait for the moment when I can imagine
silence as a kind of womb-- where I might float
like a jellyfish whose digits have not yet
poked through, a tangle of complicated wires
in a plastic pouch. How can I go back to that place
where everything is still waiting to develop? That
little pulse no larger than a bud before it becomes
a furnace, an engine, a jar for holding tears.
That vessel not yet covered with boils or chafed
to indistinction, not yet lipped by every creature
looking to augment its stores of salt. I've
surpassed almost every boundary for what old-
time prophets would call tribulation, yet only my
voice is the one still crying out of the wilderness.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.