Limbs against the snow, outlined with more snow. Treetops no longer canopies but the bare nets of need. Their no-longer-rare caresses and collisions in the winter wind. The moans of the ice-bound. How tormented they’d be if they hadn’t retreated to the underworld, that silken matrix of rootlets and hyphae, to trade fermented memories of sunlight for the bones of a mouse.
a slow leak of breath
seedhead bending into
its own pit
We who cannot hibernate, isolated in our boxes of wood or brick, fight the cold any way we can. A poet posts a selfie taken by snowlight. A long-Covid survivor befriends the horse stabled beneath her apartment. The snow plowman dreams of combine harvesters bringing in the crop: a wintry mix. One of his chickens goes gaga over her egg.
the fetal curl
of rhododendron leaves
What fever do I still need to break? I take a dose of Vitamin D with my morning outrage. Whose salt-block ignorance or black-ice tongue are we taking offense at today?
a snowflake’s asterisk
in my windpipe
It’s snowing right over there, on the other side of the valley, in soft syllables of Plattdeutsch. Fresh coyote tracks cross my own and I follow them back to a den under an outcrop of Tuscarora quartzite. I walk on, until the last bit of daylight has drained from the sky.
through the night forest
from the oil furnace
from the wind
The longer I delay finishing these things, the longer they get. The delay in this case was due not to procrastination, but indecision about whether to make a haibun or a linked verse sequence with the footage and haiku I had, plus some difficulty in finding the right soundtrack. I’m not completely satisfied with the somewhat canned-sounding piece of music I ended up using here; I just needed to finish up so I could move on.
When I started making haiga with still photos at the beginning of the year, I wondered how it might impact my video-making. What I’m discovering is that, while it does scratch kind of the same itch, it’s given additional impetus to my haiku writing, so that I end up with more than enough material for both projects. The trick is remembering to shoot both video and still photos — if I’m looking for one, I’m not necessarily looking for the other.