- after Paganini How to play so each measure progresses: I am learning the notes to a song called songlike or singing— a sky that begins with slow clouds, then layers and swells like a voice. The melody is simple, intent on building sweetness from sorrow to sorrow. Where it holds and stretches, the sky is a pause before some small change in time or weather— tremble of leaf shadows on a trellis, the texture of an owl's call to its unseen mate. As soon as I enter the song I understand it wants nothing but complete surrender: flame that brightens as it burns, fermata that holds as long as it can until it can't. The most pared-down passages are difficult to phrase; tenderness translates as the space between the blade and the bone.