Beneath the surface

leaf in water 3
Yesterday, I kept looking at leaves in shallow water (slideshow). I was entranced by the play of sunlight on patterns in the surface. Floating leaves reminded me of sealed-up windows; sunken leaves were like sealed-up doors.

ghost windows

It was a quick trip to town that had gotten me thinking that way.

red wall

In standard Western dualistic thinking, it’s commonplace to scorn the surface in favor of what lies beneath. Deep is good; shallow is bad. “Beauty is only skin deep,” we say, which of course is utter nonsense. But supposing that superficial prettiness were the whole of beauty — wouldn’t that constitute a pretty strong argument for superficiality?

lichen on birch stump 2

“Only a facade,” we say, as if there’s such a thing as a true face underneath all the masks. And as if one doesn’t have a perfect right to choose which face one wants to show the world, and to keep the rest private.

beech face

If seeing were the whole of knowing, we would have nothing but surfaces to go on. Fortunately, though, there’s also hearing. When something emits a sound, relative pitch and quality of tone suggest things about its internal structure that the unaided eye could discover only through dissection. Hearing respects the wholeness and integrity of the other in a way that looking never can.

black locust face

It’s in our nature to see faces everywhere, and to impute personality even to the most impersonal forces of nature. The encounter with the face of another may be, as Levinas suggests, the very origin of ethical behavior. But there is also something that resists our looking, along with any and all attempts to domesticate it. We know it by the music that appears when, to our limited way of thinking, a mere cacophony should prevail. Go crouch beside the stream sometime and you’ll see what I mean.

Advice for prospective troglodytes

Living under
a rock, you learn
to listen.
It’s not all thuds
& rustles & the odd
shriek. Things
grind, other
things grow,
& the difference
can be subtler
than you imagine.
A slow wheel
can sound
a lot like a snake.
You learn to tell
a clock from
a bomb, if only
for analog. Living
under a rock, you
won’t have heard
anything from
the digital revolution.
But voices sound
so much better
for traveling down
through the body
& coming out
the delicate
bones in
the feet.
Words
sound like
the thoughts
that bore them,
grave & resonant.
Living under a rock,
the news
may seem
one-sided, with
an over-emphasis
on body counts,
but the ground
can only catch
whatever falls.
You hear little from
the affairs
of distant stars,
& from the wind’s public
whipping of the trees,
you pick up
nothing but
the applause.
But at least
with the proper
sort of rock, rolling
will never be an issue.
The neighbors
won’t complain.
Moss gathers
like a second,
softer head.

Capsule

It’s hard to remember a time when I haven’t been somewhere else, barely conscious of my immediate surroundings. With high-speed internet, high-definition TV, video games, iPod, cellphone, all the buzzing distractions of the latest flame war or celebrity gossip, sometimes I can go for half a minute without even remembering to draw a breath. If someone else were in the room with me, they’d probably notice the sudden, sharp intake of breath and assume it indicated surprise, or some other strong reaction. But the great thing about being entertained 24/7 is the way real surprises are kept to an absolute minimum. Surprises interfere with comfort.

But one day, I couldn’t ignore it any longer: something fungal and pustulent had flourished in my neglect. It was like something from a B-grade horror flick. At first it grew in a corner of the living room, and I thought I could simply ignore it and continue to focus on the screen, any screen. But then it drifted forward on an army of pseudopodia and colonized a small backpack I carried with me everywhere I went, because it had handy compartments for laptop, water bottle, cellphone, PDA, digicam and umbrella, not to mention a hidden pocket with three, 20-year-old tabs of LSD that I kept on hand as a hedge against apocalypse.

What the hell was it? I didn’t care; I just wanted rid of it. It swelled into a purplish brown pod or capsule some eighteen inches in diameter, and I began to get a little apprehensive. I went down to the fire station and got someone to blast it with a hose, which peeled off the outer, spongy layer and revealed something even more repulsive underneath — a kind of amorphous, yellow goo. I had seen this kind of thing before, I realized, but I couldn’t remember where. Perhaps in a blog?

I abandoned the pack, but the thing took human form and began to trail me. It turned into a quiet little girl with a runny nose and a head permanently bowed, as if mortified by shame. Quiet people scare me — it knew this. Quite people, and girls. But I began to feel responsible for her, and re-shouldered the pack with her in it. Fortunately, she hardly weighed a thing, being at some level still just a hollow capsule.

It was spring, and the trees in the park were just beginning to burst their buds. I went and looked at the fountain, which had been turned on for the first time that morning, and found that I liked the sound of the water better than any of the tunes in my iPod.

Passers-by began to notice the creature in the bag: Your daughter? they’d ask, and I answered Yes, because it was easier than telling the truth. My loathing had subsided, but not the feeling of dread. Finally, though, I stopped being a coward and spoke to her.

I had sat down on a park bench with the pack and its strange passenger resting beside me. I think you can go now, I said. She raised her head and I looked straight in her face. I saw she was a full-grown woman now, and not at all bad-looking. Her eyes focused on something beyond me, and she smiled the vaguest of smiles. Then she stood up, slung my pack over her shoulders, and joined the stream of pedestrian traffic. I lost sight of her in less than a half a minute. I took a deep breath. It was almost noon.

Treelicious

chickadeeThe main thing about trees, I’ve noticed, is that they are big. Not to mention hard. So if you plan on adding trees to your regular diet, you’d be well advised to chew slowly and take many small bites.

There’s a lot to chew on at the new Festival of the Trees #5 — the blog carnival for all things treeish. True to form, British blogger, photographer and journalist Rachel Rawlins has put together a very aesthetically pleasing post. Her own contribution (apart from the compilation itself) is the festival’s very first example of tree audio! I hope others will be inspired to record tree sounds for next month’s festival — or simply get out in the woods wherever you live and try and take it all in.

After the cold

spectacled owl on eggsIt was a strange virus, not only in its intensity, but in its effects, as well. One writer at the New York Observer referred to it as the emo flu, because of the unaccountable feelings that lingered for a week or more after all other symptoms went away.

It was the strangest [flu] I’ve ever gotten, and I’m not alone in thinking it was weird. Indeed, I feel compelled to alert the world, or at least this city, about the extraordinarily subtle and insidious sequelae of this contagion going around.

When I call it the “emo flu,” it’s not a metaphor. I don’t know if it’s medically an influenza virus, but whatever the nature of this melancholy microbe, it’s worth a warning.

It begins with familiar-seeming mild flu-like symptoms (mild in my case, more severe in others), but then tails off into a long, etiolated fugue state in which something more than flu-like lethargy, lassitude and inanition paralyzes you. It’s not just a neutral world weariness, it’s Weltschmerz–world-historical sadness: Some mournful, emotional, deeply despairing, unremittingly sad and despondent sense of life seizes you and won’t let go for at least a week afterward.

That’s not been my experience at all. For me, the only noticeable depression was right at the beginning, which is hardly unusual — in fact, I can often tell when I’m about to get sick by such departures from my otherwise generally cheerful mood (though granted, given my general worldview, mine is the kind of cheer associated with whistling past graveyards). I was impressed by the tenacity of the virus, its ability to plug or irritate sinuses, ears and throat at the same time. What I have now, though, a week and a half after I blew my nose for the last time, is far from depression. It’s more like a heightened state of well being, accompanying a profound reconfiguration of my habits and interests.

It began innocuously enough. With everything blocked up, sleeping was difficult, so I began to keep odd hours, sleeping from midnight to three, reading until seven, then going back to sleep until ten or eleven. Whereas before I had been an early-to-bed, early-to-rise kind of guy, within a few days after contracting the virus, I had become a total night owl.

Nothing out of the ordinary in that, surely. But I also began to notice that strong light was painful to me. I had always turned on an incandescent lamp on my writing table after it got dark, in order to avoid eyestrain from the computer monitor, but now I found I preferred to read in the dark. Fortunately, a lot of my favorite blogs use templates — skins, as the cool kids call them — with black or dark gray backgrounds, and I found these much easier on my eyes. I created a new category within my Bloglines subscriptions just for dark-skinned blogs. I also reset the background color of my word processing program to midnight blue with white text; it looked just like the WordPerfect default screen from twenty years ago.

My house has always had a certain cave-like ambience, which I’ve enhanced by planting trees in front of several of the windows. Now I found myself installing shades and curtains in addition — a needless luxury if you live as far out in the woods as I do, at the dead end of a mile-and-a-half-long, gated driveway. The problem is, ever since coming down with the “emo flu,” I’ve developed an extreme sensitivity to sunlight. If I spend more than fifteen minutes in it, I actually begin to feel nauseous and have to scurry back inside if I want to avoid throwing up.

I’ve never been a fan of sunglasses; I don’t even really own a pair, and for a couple days I managed to get by with squinting and pulling my hat down as low as I could on the rare occasions when I had to leave the house during the day. Then I remembered that there was a pair of sunglasses in the corner of a small, shrine-like arrangement of odds and ends that I keep in a disemboweled cabinet television set in my living room. A guest left them behind ten years ago, a couple weeks before his death from a heroin overdose. I remember how skeletal he had looked on that cold, January day, and how he had retreated to an upstairs room to sleep until the sun went down, while another friend and I huddled around the wood stove.

I retrieved Ben’s sunglasses from the television shrine and began wearing them, but I find it only affords a limited amount of relief. The best thing is simply to stay indoors with the shades drawn until after dark, if at all possible. It helps that we’re now over a month past the autumn solstice, and the hours of daylight are outnumbered by the hours of darkness.

The good news, though, is that aside from this realignment in my sleep cycle, I feel better than ever. As evening comes on, I find myself filling with the same kind of creative energy that I used to feel first thing in the morning. Often, I get too excited to sit still and work, and I go off on long jogs through the woods. Fortunately, there are over ten miles of trails on the property, and the hunters and I keep them mostly clear of fallen logs and branches, though my night vision is so good, it hardly matters. Vitamin A, you know.

I’ll tell you, there’s nothing like returning to normal — it makes one appreciate all the things we otherwise take for granted. For the first few days after getting over a cold, one takes special delight simply in being able to smell and taste and hear things clearly again. This time — due, I’m sure, to the unusual severity of the cold — that illusion of heightened perception has persisted for close to two weeks. My newly nocturnal habits doubtless play a role: without bright lights and colors to distract me, after the noise from the valley has subsided, it’s amazing, some of the things I’ve been able to detect. Last night, for example, I heard a porcupine waddling through the leaves from a hundred yards away. I had a sudden vision of rushing up to it with a stick, flipping it over, and killing it with a fast bite to the jugular, though I have no idea why I’d want to do that. Three nights ago, the heavy footfalls of a gravid female black bear were not quite the first thing to alert me to her presence. I had caught a whiff of something sharp and dangerous and stopped dead in my tracks. I felt a degree of fear and a desire to flee that I’ve never felt around black bears before. When she whuffled in my direction, I nearly shat myself.

It’s funny how the virus seemed to contain the seeds of its own destruction. I feel so much healthier and more alive now, I’ll be surprised if I contract another cold for a very long time. Before, I was in serious danger of becoming a mouse potato, but now, there’s almost nothing I’d rather do than go outside, with no other goal than to slake my thirst for contact! Contact! as Thoreau put it.

I mean that quite literally. For example, despite the lowering temperatures, I often find myself leaving shoes and socks behind. My feet are toughening by the day — or rather, by the night. I’m seriously considering dispensing with other articles of clothing, too. I mean, why not? When you run, you hardly feel the cold. It’s not like there are neighbors to complain, and besides, it’s dark out. I’ve never been interested in nudism before, in part because I am hairy in parts of my body where most folks seem to find hairiness a positive affront. But now I’m beginning to think of a thick pelt as a good thing, particularly with winter coming on. It may be just my imagination, but it even seems as if it’s been getting a little thicker in recent weeks. There’s been a lot less hair in the bathtub drain, though, so probably what’s happening is that I’m just not shedding as quickly as I had been before.

It’s hard to say. Another luxury of living alone is that I don’t have to spend much time in front of the bathroom mirror. Even when I brush my teeth, I barely give my reflection a passing glance, though I probably should. Lately my teeth have begun feeling different, somehow, and they seem to require a lot more brushing to get rid of the stench from an ordinary meal. I may even take up flossing. It seems like such a civilized thing to do.

self-portrait as lunatic

Poetry and laughter

One of the most peculiar aspects of [spasmodic dysphonia] is that victims are typically unable to have conversations in their normal voice. Yet they can speak under different circumstances, such as just after sneezing or laughing, or in an exaggerated falsetto or baritone, or while reciting poetry…

–Rachel Konrad, “Hampered by rare syndrome, Dilbert cartoonist talks again” (Associated Press, Oct. 27, 2006)

I have always felt that much of the best poetry is funny. Who can read Hopkins’s “The Windhover,” for instance, and not feel welling up inside a kind of giddiness indistinguishable from the impulse to laugh? I suppose there has got to be some line where one might say about a poem, “That’s too much nonsense,” but I think it is a line worth tempting. I am sure that there is a giggly aquifer under poetry.

Right now I am thinking of something unlikely that I saw a few days ago, the morning after my town had experienced a major winter flood. In the middle of a residential street, a cast iron manhole cover was dancing in its iron collar, driven up three or four inches by such an excess of underground water that it balanced above the street, tipping and bobbing like a flower, producing an occasional bell-like chime as it touched against the metal ring. This has much to say about poetry.

For I do not want to suggest in any way that this aquifer under poetry is something silly or undangerous; it is great and a causer of every sort of damage. And I do not want to say either that the poem that prompts me to laughter is silly or light; no, it can be as heavy as a manhole cover, but it is forced up. You can see it would take an exquisite set of circumstances to ever get this right.

–Kay Ryan, “A Consideration of Poetry” (Poetry, May 2006)

Lynx rufus

Woken by thirst & a hot gaze
from the mouth of the shelter: sun,
or mother dangling some new,
wet chew-toy for her grown kitten?
The dream visions slink
back behind the rocks, where
it’s always night. Yellow eye,
help me look for a drink under
these shelves of angled light.
Water has no scent of its own.
After dark, it’s simple to track it
by its purr: every large ravine
has a throat, a pulsing vein.
Its surface trembles, the loveliest of pelts.
But sometimes too there’s water
on top of the mountain,
above the head of the ravine.
Silent, & therefore
something to be wary of. Moving
only when the wind disturbs it.
Impossible to ambush.
Daylight buzzing in my whiskers,
I gust through the newly molted leaves
looking for that fierce glint.
__________

Written in response to the comments about anthropomorphism in my previous post.

Revised 10/31, partly in response to further comments from readers. Thanks, y’all.

Looking for water

leaf pool

The afternoon sun catches the bobcat full in the face where he rests under a boulder near the top of the talus slope, waiting for night. It wakes him from a pleasant dream of raiding a mouse’s nest and crunching down an endless supply of succulent squirming hairless mouse babies. He blinks, and tries shifting around to get away from the sunlight, but the small shelter, which stinks of porcupine, barely accommodates him as it is.

The sun makes him thirsty. He remembers the last time he came this way, finding a series of small pools right over the crest of the ridge from here, near the edge of an old field. It’s worth a try.

He emerges cautiously onto the rocks, his pupils narrowing into needles against the glare. Fortunately, he’s only two short leaps from shade and the shelter of the trees.

The air is still. It feels strange to be walking around in daylight, with his mind still half in dream. The sounds of his own footsteps in the leaf litter don’t seem nearly loud enough, and there’s a disconcerting sense of sameness to the various odors that reach his nostrils, as if everything’s been tainted with some kind of poison from the sun.

He clears the fringe of laurel and walks through the open woods along the flat top of the ridge. When he reaches the spot where he remembered finding the pools, there’s nothing but mud. He sniffs, and draws back. The only moisture here is from the hind-ends of horny white-tailed deer, who never seem to mind pissing where they drink and shitting where they eat.

The bobcat continues north along the ridge, remembering a brushy ravine that leads down to the creek. He never sees the pair of deer hunters, a married couple, dressed in blaze orange and sitting against a tree about fifty feet away. Colorblind like all bobcats, he will never see the yellow and orange and red of the autumn leaves, not even when he returns a week later and finds some rainwater to drink in two of the pools that had been dry on his earlier visit.

By that time, the hunters will have told and retold their story of the bobcat to almost everyone they know, and it will have taken on a certain mythic dimension, despite the fact that they are scrupulously honest about the details, the animal’s small size, its apparent lack of caution. It starts becoming possible to imagine what the world must look like to a bobcat — how it can be so wary, such a good hunter, and yet so oblivious.

It is, after all a cat, and we know cats. Everyone knows about cats and water, how particular they are about pulling their whiskers back and only breaking the surface with their tongue. Drinking from the creek is one thing, but still water must make a wild cat especially cautious. Can’t you just see him, catching sight of this other cat in the water and jumping back, then maybe sneaking up on it and touching it with his paw?

Well, I’m sure it won’t be the first time he’s ever drunk from a pool during the daytime. But yeah, I’ll bet he still does a double-take.

The omniscient narrator finds himself unwilling to speculate further. It’s all too easy for those of us who see in color to think we know exactly what we’re looking at.

Acclimatized

This straw isn’t bad, really, said the scarecrow. I like straw.

At least I’m eliciting strong emotions, said the alarm clock.

I’m taking this opportunity to get in touch with my roots, said the wind-thrown tree.

There’s no greater joy than the feeling of being useful, said the automatic rifle.

Wow, what an intense rush, said the lobster. You hardly notice the heat.

I’m ready for some time apart, said the quarry stone.

One leaf

log and maple

I’d be very pleased with myself if I’d thought to place that single maple leaf on the log under the crook of the red maple sapling, but in fact I was oblivious. I had eyes only for the sapling’s dramatic struggle to escape the crushing embrace of the dead. This is, after all, the season for high drama; who can be expected to focus on a single leaf? It only revealed itself as the true subject of this photo in retrospect, as I was reviewing the pictures in the LCD screen on the back of the camera.

This past weekend was the peak of fall color here on the mountain. Because the majority of canopy-height trees are oaks, every year it’s hit or miss whether we’ll have a good display — some years they go straight from green to brown, with no intermediary stops at rust red (red oak), scarlet (scarlet oak), or orange-yellow (chestnut oak). This year has been excellent for color, but lousy for photography. The weather this weekend lurched from rain to sun to snow and back again. During one period of intermittent sunshine, I hurried up to the top of the field for some wide-angle shots, but none of them turned out very well. (I posted the two best results on Flickr.)

three maple leaves

The maples are more dependable. Although in general I’d advise ecotourists in Pennsylvania not to waste too much time in the “big woods” of the north-central counties, where the forests are young and ecologically impoverished by decades of severe overbrowsing by white-tailed deer, in early October the fall foliage display is much less likely to disappoint wherever maples and birches are the dominant deciduous trees. But we have plenty of red and sugar maples and black birches here, too, especially along the forest edges. One of the best places for leaf-peepers to go around here is the stretch of Interstate 99 between Altoona and Bald Eagle. I don’t suppose I need to dwell upon the irony in that.

blueberry foliage

But a healthy Appalachian oak forest is far more than just the canopy. Park your car or bicycle and go for a walk in the woods almost anywhere in central Pennsylvania right now, and your gaze might gather warmth from the orange flames of sassafras, the red coals of shadbush or maple-leafed viburnum, or the crayon-yellow, starfish-shaped blossoms of witch hazel, which perversely chooses the middle of autumn to bloom. In wetter areas, the spicebushes are stippled with blood-red berries, and higher up the mountainsides, lowbush blueberry leaves — as in the photo above — turn a wonderful wine-red. Even the invasive multiflora rose and barberry bushes are worth a second glance, since, in addition to their own crimson fruits, many of them wear a colorful patchwork coat of fallen tree leaves. If you spook a deer, or if you run into a hunter dragging his quarry out of the woods, chances are its coat will have finished changing from the reddish brown of summer to winter gray. In another week, most of the forest will have followed suit, and the drama will be over for another year. The oaks will all go brown, and wait for the November winds to strip them bare.

Tim's eight-point

Don’t forget to send any and all tree-related links to Rachel of frizzyLogic, who will be hosting the next Festival of the Trees on November 1. Address your emails to: festival (dot) trees (at) gmail (dot) com, and send them no later than October 30.