Making a Living

river in November light between bare woods and mountain
Fragile spark, flame you cup to keep
from sputtering. Mind it doesn’t die out,
this fire handed down from one to another
down the centuries. An edict, a wish, a talisman.
A dream, messages inked on your bones by forebears
who knew to find the hinge where the tip of a spear
could find its target. Bloody skirmish on the shore
(it wouldn’t be the last), after a portal opened
and three-masted ships with broadsides and
falconets brought their hunger from across
the ocean. Bite of peppercorn and cardamom,
burnish of clove and cassia bark. The letter
from the ancestors is brief: Don’t let the heat
turn remnant. Shelter its energy in stone.

*

Making a Living

river in November light between bare woods and mountain

Living is the oldest war in the world. Out walking,
and twilight leans in. Streetlights blink as if everything

needs to grow accustomed to the dark. Hands
in your pockets against the cold— when did you

learn to curl them close into themselves, in secret?
People gather in lit-up spaces filled with song

and noise. You push the door open, slide
into a seat. Here too, while joining in,

you’ve learned to rearrange those parts of yourself
at once rawer and softer, the ones you learned to

shelter from even joy. While glad for welcome, you
never entirely lift your hand from the dial, always

taking measure. The list of the wind, any draft
that could snuff out the fragile spark you carry.

*

Making a Living

river in November light between bare woods and mountain

You walk into this life each morning
as if it was the first day over again and you,
one of the new arrivals to this world. Brush
your teeth, straighten your collar in the mirror,
practice the length or shortness of vowels
your tongue still trips over sometimes. Quickly
self-correct in front of a roomful of eyes. It’s still
winter but bodies with skin the same color as yours
are yanked into the streets in their underwear or
dragged through the broken windows of their cars.
Long a, short a. Not pliss, please. Inhale, exhale.
A custom is a habit. A customs is an inspection.
You breathe the indifferent air, you know you must.
Keep walking. Living is the oldest war in the world.

*

Connect the Dots

river in November light between bare woods and mountain
High up on my left thigh, a brown mole,
its tint muted by time. I used to wonder
if this could be listed as one of my
"identifying features"— what's meant
when describing the shape of your nose,
how your brows arch or careen to the left
while the other lies inert as a tent
that could never be raised. Most
of the time I forget it's even there.
Not something to register, stepping out
of the shower and toweling off. My mother
had moles across her back— a page out of
connect-the-dots coloring books like the ones
she bought so I could amuse myself and never
be bored. Connect the dots, from one to ten
to fifty to almost a hundred, the age she
would have been had she not passed away
at ninety. After I gave birth to my first
child, she handed me a warmed-up cup
of coconut oil to stroke across my
belly. For the stretch marks, she said.
For helping speed up the skin's snapping
back to the state it was before it
was marked by life, if I was lucky.

Little Essay on Disorder

river in November light between bare woods and mountain
The bottom drawer holding sweaters and 
scarves: you can't make it stick, except
with a wad of cardboard. The refrigerator
leans slightly to the right, resting against
a wooden block you inserted between its shoulder
and the wall. The jagged line across the counter
panels, invisible until you look under the top:
like the view of a crooked gap in the teeth
of someone when they finally smile with their
whole mouth. There's so much inventory you
can list of the mismatched, the propped-
up, the almost falling down. Your dream,
when you dreamed of a house, was of floors
that flowed smooth as the afternoon light
falling on them through windows. Rooms
you could almost hear breathing, before
the years filled them with clothes and
furniture, small appliances that chimed
or sang the start of the day or the end
of a washing cycle. You want to apologize
to keys and quilts, bottles of cleaner
under the sink, the orange in the fruit
bowl and the banana that turned mushy—
at least explain how all you wanted was
an orderly life, the magic of simplicity
and alignment. But they remind you again
that this is what it is. And if you are
tender to yourself, you'll hear and
maybe even smell the rain falling on
asphalt, unroll the waxed and wrinkled
map of this life which shows you there
are still wildnesses left unexplored.

In Praise of the Blue Death-Feigning Beetle

river in November light between bare woods and mountain
It isn't only nonhuman creatures who live
on sweetness that turns to rot,

on flesh before it shrinks to carrion
then bone. Sometimes, we have

no choice. We solder what scraps
we find, fashion these into armor,

knowing how the body underneath is
a lesson in smallness and easy

bruising. The moon spills silver.
Even the desert holds its breath

when dark shadows pass overhead, ready
to swoop down for the kill: the signal

to fold in on ourselves. Consider the iron-
clad beetle, plated with warts.

It rolls over in the face of danger,
turns into the very idea of death.

It clicks so still, the world mistakes
its blue for gone. I want to learn

this trick, train my body to disappear
in plain view until the coast

is clear. To come back alive, still
stubborn, unruined, not yet done.

Star Café

river in November light between bare woods and mountain
I remember Star Café on Session Road, the place
my father and his friends gathered for a brew.
For me, a cold bottle of chocolate milk; a plate

of fries, homework spread out on the oily table.
Waiters balanced plates of noodles, walking through
iconic Star Café on Session Road. Now, no trace

of this haunt that held memories with such grace.
And fewer, now, the pines that fog can sidle through.
Cold beads on a glass of chocolate milk— that glaze

bends my focus to that faraway childhood place.
Remember egg pie, quail eggs in oyster sauce? Who
still remembers Star Café on Session Road, a place

where time moved on yet anchored itself in place,
in memory? Hands moved pieces over chessboards. Who
knew how much I'd miss Star Cafe, this ordinary place
whose doors swung open to a cold glass, a warm plate.

Poem with a Line from Nay Saysourinho

river in November light between bare woods and mountain
We don't have to lie when we're incredible.
Believe the way you walk into the room, then.
Take possession of the air. The AC's the lie—
carefully controlled temperature that lies
between don't melt or scorch. The chandelier
tinkles faintly. Greenery's espaliered against
the wall. But you can rearrange any disbelief
so it shreds like cheap plastic. Saliently
discomfited that you show up in this milieu
(where youth and beauty believe the lie about
their superiority), the jurors lie: they "always
had you in their sights." In lieu of praise,
a token. In lieu of acceptance, the chance
to be redeemed by those holier than you.

Sonnenizio with a line from Anne Sexton

river in November light between bare woods and mountain

Just once I knew what life was for.
The hoarders though, once they got
their hands on it, said once is not
enough. Ones, tens, twenties, currency
in whatever form whet one's appetite
for more and more. For a taste, just once
what would you give or give up? Once, we
lined up for ashes, the ones drawn in
the shape of a cross: reminder that wants
are different from needs, that once this
life is done, one's status and wealth are
of no consequence. Once upon a time, I
wanted just as much and hard as any.
Once, I thought I knew what life was for.

Migrant Route

river in November light between bare woods and mountain

He said his aunt went missing
last week; she'd managed to slip
out of the house when her husband
was at work, and wandered the streets
of their North Carolina town until she
was found nearly at dusk. She went
past houses with fences, houses with
boxwood hedges, the hardware store
and the shoe repair shop at the corner;
the elementary school playground with
swings and bright climbing equipment,
the trains carrying coal rumbling
along the tracks at the edge of town.
Farther and farther, not knowing south
or east or west. Her thin housecoat
must have fluttered in the still-cold
February air, its flaps like endpapers
of a well-thumbed atlas, each map in it
pointing to the only destination she knew.
When the police found her and gently asked
where she was going, why of course didn't
they know, she was walking home to Guyana?
Isn't it something— how even when the mind
is drifting deeper into a fog, the heart
remembers a place as surely as the day
it first pushed off from that warmer shore.