Fortune can be a fickle lover,
can be a beggar standing outside
the gate in blood-stained rags,
waiting to turn the tables on you.
It can be a miser who keeps an eye,
two feet, two hands on his hoard
of coins because he thinks the world
is only out to impoverish him. The sun
shines on his back and on the bustling
city, but he won't be allowed to buy a stick
of cotton candy on the beach or a golden
bullet for the gun in his secret pocket.
Fortune this week is the despot shuffled
off a plane and into a cell, there to await
trial; while in the hallway, his wife
pleads for mercy. Fortune pulls a sword
out of a gleaming cloud as if to smite
the mountains and part the sea and all
else in its path. Every blade has two edges,
every sky a moon and sun. Fortune slaps
one cheek then asks you to turn the other—
a game it never seems to tire of. Fortune says
this is one way to rid yourself of illusion,
and prepare for the breakthrough just ahead.
Portrait, with Train Wreck and Cartoon Suspension
The trains of Norfolk Southern rumble
past the new cafe. It's the same line
that carried vinyl chloride in 2023,
when something overheated and 38 cars
derailed on the edge of East Palestine,
Ohio. Think of the rain that must have
hissed and crackled in the aftermath.
Of dark plumes rising into the earth's
free troposphere, as families packed
their children and pets into cars
and drove away. A couple of years after
cleanup, some people have returned
but some have stayed away. I don't
blame them. How does anyone know
the earth has no more toxins,
if air and water particles are
no longer sheathed in emissions?
When even one coupler misaligns
and a railcar wheel slips the track,
your mind runs away with it— You won't
even have time to blow kisses or wave
goodbye, in the brief moment of cartoon
suspension after you're run off a cliff.
Arbor; or Portrait, with Four of Cups
"...you are not as heavy as the cup of earth,
not placid as is the cup of water, not
turbulent as is the cup of air..."
~ on the Four of Cups, Rider Tarot
In the card, the man seated crisscross
under a tree wears a mildly petulant
expression. A hand emerges out of a cloud,
offering a draught from a golden chalice.
In the foreground, three other cups in a row
might mean he's already drained them. Did he
not like the flavor in any? Does he no longer
care for the offer of another chance? Under
its tunic waistcoat, the tired heart looks
for the hinge in every conflict, the signs
saying it's time to push out the long skewers
that have turned it into nothing but a plump
pincushion. Just look outside: someone has raised
an arbor, started to deck it with flowers and fruit.
Balls; or Portrait, with Strength Tarot
The mascot of my school is a lion; a monarch,
to be exact. Meaning king, the creature who sits
atop the food chain in the wild. Except its statue
on the quad has no cojones; just a rough undersurface
of concrete. Is this departure from anatomical
correctness intentional? A conservatism made
sure the mermaid mascots around this port
city are flat: flat-hipped, flat-chested, no tit-
illation of boobs beneath painted bandeaus.
It's not clear when balls was first used
to mean both the possession and lack of bravery
or nerve. Decades ago, my ex pushed my father
against the wall and swore lukdit mo to his face,
meaning dickhead. We were living with my parents
and he was angry at not being the man of the house.
I didn't have the nerve to speak up against this
injustice. Perhaps I hadn't grown my own balls yet.
But really, I had not yet come to understand
how strength, like in the Rider tarot, can be
a woman subduing the fearsome beast so it lets her
pat its head and scratch its chin, while the symbol
for infinity whirls gently above their heads.
Pruning
"...late 14c., prouynen, proinen, of a bird, "to trim
the feathers with the beak;" of a person, "to dress
or groom oneself carefully," from an extended or
transferred sense of Old French proignier,
poroindre "cut back (vines), prune" — etymonline.com
They tell Mark, we have no tall ladder,
no tools to dismember the limbs of the tree:
this annual pruning before spring's promise
of regreening, so summer will be full of fruit.
They also show him three planks on the deck's
back steps— ends rotted through, middles soft—
they need replacing. Along another length,
dark streaks which call for power washing.
He will cut, he will replace, he will fix
what needs fixing without fanfare; an hour
here and there in the weeks ahead, after
his day working at his construction
sites. They will pay him the honest cost
of his labor by the hour, plus materials.
The arrangement suits all of them. They come
from people with histories of migrant labor—
people who've bent to furrows in the soil
for ten cents a day and climbed the roofs
of orchards when everyone else declined;
people who've always struggled
to make do with less. But today, as he
sits on the bottom step, he pauses; pulls out
his phone and tells them he's just returned
from the islands, where he had to claim
the body of his son from the morgue;
arrange cremation, and then for the ashes
to be sent to him. Only twenty, felled
by bullets after his own family
kicked him out into the streets.
The photo he shows them leaves
no doubt this child grew from
the tree that is his father.
Tall and willowy of build, angular
jaw, smooth skin; so young. Eyes
already shadowed by knowledge of what
the world exacts by way of maintenance.
Material Life
Sometimes I am a sieve; I sift the day
into smaller pieces that can fall
more softly onto the clay. At times
I am a raucous cawing, staking
territory in the trees. Today I am an ivory
handkerchief edged in lace, beautiful
heirloom stained with tears. Hand wash,
cold water only; lightly iron.
Love Poem with Printed Dishcloth
"The Great Wave off Kanagawa," Hokusai, 1831;
on a dishcloth from Maruyama Fiber Industry, Japan
How slender the boats beneath the cresting
waves; how bent over the oars the people
in them must be. What they do is more
necessity than recklessness— bring in
the daily catch, plow a path through ebb
and flow; avoid the treachery of rocks
and undertow. Wave upon wave upon wave
breaks against the mountain's solemn
shape. Where do they get the courage to say
goodbye, when no one knows if evening
brings them back unscathed? I think of tiny
lantern lights in windows on the shore;
and above, dark sapphire sweep gathering
the spill and swirl of fractured light.
~ with thanks to Nini Teves Lapuz
Model
She was the type of woman who'd slip
an entire block of butter into a pot
of spaghetti sauce. She was the type
who laughingly said, as you ate forkful
after forkful: You should think of marrying
an Italian when you grow up. She would say,
with neither hint of irony nor malice,
That's where, if you're a beautiful woman,
they'll pinch your behind. She never forgot
to put blush where it would most emphasize
her high cheekbones, never forgot scoop
necklines best showed off her Audrey
Hepburn neck, her chiseled clavicle.
Though you had the same shoe size,
you could never fit your wide, flat feet
into her pointy-toe kitten heels. Your calves,
shapely as yams; but your fingers, not shying
away from her lessons— scaling and gutting
fish, severing the joints and vertebra of fowl.
Ash Wednesday
We like sausage and maple syrup
so we had pancakes for supper
yesterday, which was Shrove
Tuesday. I didn't have
a miniature plaster figure
of a baby to bury
in a pan of king cake,
but I said why not, let's
fry up some eggs too,
though eggs (the kind that come
a dozen to a tray) are almost
like the new caviar. This
is our life these days—
there seems no other choice
but live it, until the invisible
pendulum swings the other way.
The famous poet who used to be
a banker wrote, Teach us to care
and not to care Teach us to sit
still. Here too, an old man
drivels beyond repair.
Lies and spite among
the roses. Cruelties
in the very sand.
How many times did we hear
the words gold and golden
on the radio?
So we spread the butter
on the pancakes, spear
the little fingers
of meat. The dust is upon us,
but we will lick the sweetness
until our tongues grow numb.
Sonnenizio on Teeth
"Devouring Time, blunt thou the lion's paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger's jaws..."
~ Sonnet 19, William Shakespeare
Pluck the keen teeth from the fierce tiger's jaws
if you can, or the equally fierce teeth from geese.
Perishing at sea, you'd be identified by your teeth
if your bones were gathered. An eyetooth jutting out
reminds you: there's a garden of teeth fixed in statues'
mouths, in Finland. Each toothy grin is a pearled set
of dentures, molded from human mouths. They gape
and pose and writhe amid the sawtoothed bramble,
or circle under trees hung with tooth-shaped pennants.
Their teeth shine in the evening light. They're slightly
menacing, but also a bit familiar: toothed expressions
you yourself might make, flossing your teeth in front
of the bathroom mirror. You used to have a rootless tooth,
chip of bone above your incisors. Gone, ghost of a tooth now.

