Lines from August 2005

The song of the katydids always takes me back to previous Augusts… and in August 2005, when I was 39, I began a prolonged backward look with a series of poems in response to the searing and painfully honest poetry of Paul Zweig. At the same time, I was looking forward: getting ready to launch a new webzine, qarrtsiluni, with a small group of blogger-friends. I took a rare trip through the Via Negativa archives just now and found a few lines that still resonate, six years later. It’s sad to read scattered references to comments that are now lost (curse you, Haloscan and Blogger!). But at least the posts remain in all their sincerity, awkwardness, wince-worthy moments and occasionally graceful turns of phrase.

*

I watch water flowing around a large rock, its translucent body a net of shadows as it folds back against itself. After ten minutes or so, I think I might understand something fundamental about water, its impetus to condense, to fall, to plumb the depths. But then I glance just a few feet to the left & am completely flummoxed by a large drift of foam. I had forgotten about tannins.
Two ways at once

Buy my silence: free samples
Words on the Street

Strip. Lay down your overburden, bare your black seam of heat where the shovels can reach it. Let rains tease your acids from the rock.

Strip, stripe of concrete between gas stations & inconvenience stores, chain restaurants, big box stores, motels, each marooned on its own island of tarmac. We are all strangers here, even the natives.

Strip: supposedly comic, unmoving pictures starring the same faces, day after day. We grimace at the punchlines: Neighborhood Grill and Bar, says the Applebee’s sign. Oh, do let’s take a stroll ’round the Village Square!
Blogging from the ninth circle

Late summer of my 40th year, I catch
an echo of my childhood in the nightly
chorus of katydids, their camouflaged
leaf-bodies falling out of & back into unison
like a concert audience that continues its rhythmic
clapping during a break in the music.
The pure distance

Ten-thirty in the small reception area at Scotty’s Discount Tire and Muffler in downtown Summersville, West Virginia (population 3,900). I return from a walk with my umbrella in the on-again, off-again drizzle and find my brother reading a history of India as he waits for news about the car. A small, white-haired lady in the next seat over is singing about Jesus.
They call it Stormy Monday

In the meantime, I have settled
into my body like a stone
at the bottom of a pond.
Written by the vanquished

I dreamed I drove a sprayer truck
slowly along the berm of a road
in prayerful silence.
Green plague

Sky-blue petals in
the wet grass. I crouch down,
my mind blank as a cloud.

Back home, I look it up, chagrined:
forget-me-not.
That great invention

Since I stopped following the news,
my dreams supply all the missing details
of earthquake, torture, & mass starvation.
Ask me anything.
Advancing into sleepless woods

I have planted myself here like
a yellow birch sapling on top of a hemlock stump
that rots away even as the birch encircles it
with an apron of roots, & a hundred
years later it still preserves, unseen,
the hollow shape of the corpse
that gave it life.
What remains

Ghost poems

If you read this blog via RSS or email, don’t miss the comment thread to yesterday’s poem about ghosts. Luisa Igloria and Dale Favier responded with some ghost poetry of their own, so I put out a call on Facebook and Google+ for more, and as a result we have a growing and varied collection of ghost poems. Feel free to add your own to the mix. If you’re a blogger yourself, you could make it your post of the day and duplicate your poem at your own site.

Thinking about the intersection between this world and the world of the dead really seems to put the imagination into overdrive. It occurs to me that ghost stories have a lot in common with the telling of dreams: they are one kind of narrative where surrealism is not only tolerated but actively welcomed by non-literary folks. For this reason, I think they are excellent Trojan horses for smuggling a bit more poetry into everyday life. Lyric poetry proper, though, can do something a straight narrative generally will not: make us pay close attention to the sound and flavor of our thoughts. What would ghosts be like? What could it mean to be in the world but not of it? And have we modern humans so cut ourselves off from the natural world now that we are closer to the realm of ghosts than to embodied reality?

At play in the fields of Google

This entry is part 17 of 20 in the series Poetics and technology

UPDATE (9/1/11): I’ve decided to end my use of Google+ due to Google’s intransigence over its identity policy. One Facebook is enough! See you over at the other corporate soul-stealer.

Cory Doctorow sums up the issues better than I could.

*

So I’ve joined Google+, the fantastic new social network for talking about Google+. (It’s still in private beta, but I have invitations if anyone wants one.) Enthusiasm for the still-developing service has been balanced by skepticism that we actually need another general-purpose social network — see for example what Lorianne DiSabato and Beth Adams have blogged about it. Here are my initial reactions.

1) Facebook has had a “lists” feature for quite some time, supposedly allowing one to keep up with subsets of one’s contacts — family, close friends, blogger buddies, etc. Unfortunately, it never shows me more than the most recent day or two of posts from the lists I’ve set up, and even then doesn’t seem to include everything. Facebook is good at suggesting people I should add to each semi-functional list, which makes me suspect it’s really all about data-mining with advertisers in mind: figure out how specifically we network so they can better target us in coordinated advertising campaigns. Now, there’s no guarantee that Google+’s ballyhooed “circles” won’t have the same ultimate purpose. But the interface for screening one’s data-stream by subset of contacts is much smoother, it’s not three clicks away, and (so far at least) it works.

2) Data portability is a critical issue for me. Google+ lets you download and save all your posts at any time. I like that. Despite my very liberal views on copyright and content-sharing, I don’t like the feeling I get over at Facebook that my content isn’t really my own.

3) Much as I like the 140-character limit at Twitter and Identi.ca as an enforcer of concision and spur to creativity for my microblogging at The Morning Porch, I don’t otherwise see the point, and I resent Facebook limiting the length of status updates. Google+ lets you go on as long as you like. It’s bloggish.

4) While it would be nice to have a “Facebook for grown-ups,” and I’ll be happy if Google+ becomes that and gets mass adoption, at this point I’m most interested in social networking around specific interests or for specific purposes. (Just look at the success of Goodreads among book-readers and Ravelry among knitters.) It’s not clear to me yet whether Google+, with its circles and video-chat “hangouts,” represents a major step forward in this regard. I am considering getting a webcam, though — the possibilities for small-group readings and workshops are very tantalizing. I’ve always hesitated to organize conference calls on Skype due to the sometimes intermittent nature of our internet connection here; far better if it were hosted in the cloud, as Google+ hangouts are. Also, spontaneous get-togethers are often the best kind, and creative types in particular are hard to herd, as would be necessary if I ever tried the Skype approach.

5) Like Beth and Lorianne, I’m a blogger first and foremost. I think that anyone who really has anything to say on a regular basis should have their own blog, and that we should preferentially leave comments about blog posts at the point of origin and stop letting discussions fragment and dissipate at a half-dozen different places where the link might be shared.

6) A link-sharing culture, regardless of its host (Google+, Reddit, Tumblr, StumbleUpon, etc.) is fundamentally about enthusiasm for things that others have written, captured or made. This is both good and bad. I like the enthusiasm (and the frequent displays of wit), but I get frustrated after a while and want to say, O.K., but what have you made? Where are your poems? Hang out too much with professional writers or artists, though, and you’ll notice that we tend to go in the opposite direction, rarely sharing anything we didn’t make ourselves. Is it possible that our participation in social networks has helped mitigate this tendency a little? Or for those of us who were already blogging before Facebook and Twitter got big, has it actually shrunk our blogs, diminishing the emphasis we once placed on linking out, assembling sidebar linkrolls, and being social, because hey, we’re doing enough of that elsewhere? Self-centered and often anti-social as I am, I do try to strike a balance between self-promotion and other-promotion, but it’s not always easy. I like to think my use of Facebook has forced me to at least stay focused on the problem.

7) Email is still the “killer app” for me and I think for almost everyone over the age of 30. Unlike phone calls or (god help us) instant messaging, it doesn’t interrupt whatever I’m doing and destroy my concentration. We need less distraction, not more. What keeps me involved in online social interactions are email notifications, and the more customizable those notifications are, the happier I am. Facebook has recently gotten pretty good in this regard, letting me decide on a page-by-page and group-by-group basis how I want to be notified. It would be nice if I could do this for each comment thread as well, because some discussions you really want to follow and others, not so much. (I’ve seen participants in Facebook conversations go back and delete their comments just to stop the flood of notifications when the conversation goes on too long!)

It is in this regard that the older blogging platforms are really falling behind WordPress. I’m much less likely to leave a comment anymore if can’t keep track of follow-up discussion via email. I’ll actually be surprised if Blogger doesn’t overhaul its archaic commenting system soon, and introduce a “subscribe to other comments in this thread” feature when it does so. Typepad is probably a lost cause. (Incidentally, for self-hosted WordPress bloggers, I recommend the plugin I’m using, Subscribe to Comments Reloaded, rather than the original Subscribe to Comments, which hasn’t been updated since 2007. Previously I used a different plugin with a double opt-in feature — in other words, the subscriber had to not only check a box, but reply to an email in order to confirm each and every subscription. That’s too many hoops to jump through, I think.)

The point is that for me and I presume most other email-oriented people who want to participate in online conversations, it’s important that we have the option to follow discussions via email — and that we have fine-grained controls, including the option to unsubscribe from any discussion at any time. WordPress.com currently leads the social media field in this regard, which may seem ironic, since WordPress is all about traditional, long-form blogging and website creation rather than social networking. The highlight of the latest version of the software is a distraction-free writing option, which shows what the developers prioritize. At the same time, they have more — and, I gather, better — mobile phone applications than any other blogging platform. But I think it only makes sense that those who most value thoughtful communication would build the best tools for discussion and response.

Audio poetry contributions of the day

Apparently my process notes about yesterday’s videopoem gave Cynthia Cox the nudge she needed to take the leap into videopoetry herself. This morning she messaged me on Facebook:

I need a male voice to read a poem for my very low-budget, first-time video/poem thing. Would you be willing to record it and send it to me, or do you know of a male who would be willing do so?

She did her best to lower my expectations:

All I have is a little P&S camera & video of me undressing some dolls, so don’t expect much (I am cheap). And, I don’t think the poem is my best either – it’s just the one that came to me when I got the idea.

So of course I said yes, did the reading (four takes), and sent it off. Here’s what she came up with. This is way better than my earliest videopoetry experiments (also done with a point-and-shoot camera and Windows Movie Maker):


Watch on YouTube.

Cynthia Cox is a long-time online acquaintance whose poetry I admire, and she’s currently blogging poems for a new chapbook manuscript as part of her editing/polishing process — clearly a poet-blogger after my own heart.

My other poetry reading-related contribution today (aside from the usual podcast at qarrtsiluni — a poem called “Neon in a Jar” by the amazing Susan Elbe) was a new post at the group blog Voice Alpha, “From bookstore to telephone: the incredible shrinking poetry reading.” It was just going to be a simple link-post, but, well, you know how it goes. I talk about the success Heather Christle has been having with her offer to read poems over the telephone for anyone who wants to call (which includes coverage at the BBC!) and speculate that perhaps the era of chasing big audiences at bookstores is over, and we should instead concentrate on more intimate “microaudiences” — telephone, video chat, door-to-door readings… Because who are we kidding? Poetry is never going to be even remotely popular in this country. We’re freaks. Even videopoems on YouTube struggle to amass 100 views, with a few notable exceptions. If you don’t write to amuse yourself and entertain your friends first and foremost, you’re screwed.

Festival of the Trees 61: new discoveries

hugging an English oak, Hampstead Heath

Welcome to the fifth anniversary edition of the Festival of the Trees! Five years might seem like a long time on the internet, but for a tree, at least here in Pennsylvania, it’s barely enough time to get above deer-browse height. So we’re really still at the sapling stage. And although it’s nowhere near as hip as it was in 2006, long-form blogging is proving to be a durable medium for things like nature documentation, poetry, and photo-essay combinations — the stuff of which a good blog carnival edition is made.

Rather than attempt anything too clever this time around, I think I’ll just string together a bunch of cool quotes, photos and videos, which has been my pattern every since the very first edition. The suggested theme this time was “new discoveries,” which some contributors hewed to more closely than others. But all of the posts were new discoveries for me!

(A word about the format: I’ve included just one link for each item: the direct permalink to the post or article in question, on the theory that having an extra link for the blog or website as a whole is redundant and slightly confusing. But once you click through, please do take the time to explore each site further, if you can.)

Reading the past, preparing for the future

Let’s begin in Australia. Ecologist Ian Lunt shares some of his experiences in learning the read the forest for clues about its past, for example by using 19th-century surveyors’ markings on old eucalypts.

Recently I explored a back corner of Mt Pilot National Park. After pushing through thick forest, I discovered a fence post. It took me aback. Who’d plant a post in a dense forest on a steep rocky hill? I explored more, and found another, and another, in a ragged line heading dead north.

Ash at the UK-based treeblog also put his detective powers to work this month in “Forest forensics.”

This carnage occurred sometime between Sunday afternoon and Tuesday afternoon. […] By coincidence, all of this happened just a few metres away from where I was photographing fungal fruiting bodies on a cherry tree on Sunday afternoon — the subject of the previous post in fact!

At his weather station on South Fidalgo Island, Washington, Dave Wenning wonders, “Are the Madrona Trees Dying?

A question remains about the odd weather patterns we have been experiencing. If these persist over the next several years, how long will the Madronas be able to withstand the insults? When reviewing articles for this post, I was interested to note the mention of how much people adore these trees.

The effect of global climate change on trees — and the ability of forests to mitigate the effects of climate change — appears to have been the driving concern behind the Ministerial Conference on the Protection of Trees in Europe in Oslo this past month. And Pip Howard at European Trees says it was one of the most progressive environmental conferences he’s attended, with a legally binding agreement on forest protection across national boundaries almost sure to result. But he decries the absence of a public voice on the panel, and points out the necessity of improving communication between professional foresters and the general public if the latter is to have truly meaningful input: “There is no point giving the public their landscape to them unless they are able to judge between good or bad management and all too often bad management is confused with good and areas rich in biodiversity are considered poor.”

German writer and publisher Dorothee Lang summarizes a new UN report, State Of the World’s Forests 2011: “seen globally, the forests are shrinking, especially in South America. And some of the growth is due to large monocultures tree plantations.” But in northern Europe, at least, and Germany in particular, there’s room for cautious optimism. Since a low point around 1980, she says, “the pollution of the air and the rivers decreased noticeably. Endangered species are returning. And the forests are growing again.”

Putting a face on the forest

Silvia at Windywillow shares some European tree news of a decidedly more down-home flavor:

The big news this year in my garden is the blooming of my hawthorn tree. She is more than 10 years old, and has only had one flower cluster in her whole life. Until this spring, when she surprised me by bursting into bloom.

Best of all, though, was the photo of her crocheted tree hat.

Windywillow tree hat

News of an even wilder sort comes to us from Danish artist Anne Mølleskov, in the “Charlottenlund Skov (Charlottenlund Forest) near Copenhagen. Here I temporarily transformed the forest into a Face Forest by drawing faces on tree stumps with charcoal.” She adds:

The exhibition and the ephemeral nature of the works was partly inspired by the Russian/Korean author Anatolij Kim, who writes poetically in “Otec-Les”, (“Father-Forest”): “When a human being dies, it becomes a tree”, and “when a tree dies, it becomes a human being”.

We’ll return to that thought at the end of the festival. In the meantime, do click through and check out the photos of Anne’s Face Forest.

Georgia Silvera Seamans of the local ecologist blog sent along a couple of links. Back on May 26, she reviewed a new book called Seeds: One Man’s Serendipitous Journey to Find the Trees That Inspired Famous American Writers from Faulkner to Kerouac, Welty to Wharton, by Richard Horan. She praises the book for its breadth and wealth of detail, and concludes, “This book will make you want to: read the classics, if you have not, or read them again if you have; visit California; and spend more time in the southern U.S.” And just yesterday, Georgia blogged about several new ways in which municipalities and nonprofits are sharing information about urban trees, including a Chicago program that puts literal price tags on trees, calculating the economic value of their environmental services. It’s sad if that’s the only way to convince people of the value of trees, but whatever it takes, I guess.

Ontario naturalist Seabrooke Leckie’s sharp eye and well-stocked reference collection led her to learn a new species this month: the maple eyespot gall midge, Acericecis ocellaris. As she notes, “Leaf galls aren’t that unusual themselves, but this one was pretty interesting for the pattern – perfectly round, pale spots bordered in dark, vibrant pinks and purples.”

Earlier in the month, I produced a video for my site Moving Poems, using a reading by British poet and blogger Dick Jones of a poem called “The Green Man” that was featured in last month’s Festival of the Trees at Rubies in Crystal. Have a look:


The Green Man from Dave Bonta on Vimeo.

And speaking of Rubies in Crystal, Brenda’s own contribution this month was also a videopoem, her “Green Garden” Masque.

The mask’s fronds as if growing out of the forest floor in the Spring. Papier-mache, mulch: paper, or leaves. The face as landscape; the face carrying the landscape with it. Flower colours framing her face; the iridescence of insects, sheen of dragonfly.

Do click through to read all about the process of making it and the thought behind it, as well as to watch it in a larger format. Here’s a smaller-sized embed:


Watch at Rubies in Crystal.

Novelist and poet Marly Youmans posted a series of expressive photos she labeled “Dryadic: among beech and maple” from a conference she attended at West Chester University in eastern Pennsylvania. Here’s one she captioned “Lithe Willendorf Venus. Not stone but tree”:

Marly Youmans - tree at West Chester

Spotlight on India

The world’s largest English-speaking country has often been well represented in the Festival of the Trees, so I thought I’d spotlight the subcontinent for this 5th anniversary edition. A news story at Peaceful Societies: Alternatives to Violence and War reports that the Paliyan, a forest-dwelling people of southern India, are assisting in the rehabilitation of lost or orphaned babies of an endangered squirrel species.

[T]here are only about 500 grizzled giant squirrels left in India, plus a small population in Sri Lanka, due to the loss of their forest habitat. They are the size of small cats, weighing 1 to 1.8 kg (2.2 to 4 pounds) each. The Paliyan efforts for the animals are evidently part of the protection and recovery program of the Shenbagathoppu Grizzled Squirrel Wildlife Sanctuary, an important refuge for the large squirrels. It is also called the Srivilliputhur Grizzled Squirrel Wildlife Sanctuary.


Why the Buddha Sat Under the Bodhi Tree from Mike Finley on Vimeo.

The bo tree, also called peepal or sacred banyan, Ficus religiosa, is a type of strangler fig, a fun fact I discovered last month at the Kew Botanic Gardens in London. As the Wikipedia article on strangler figs puts it,

This growth habit is an adaptation for growing in dark forests where the competition for light is intense. These plants begin life as epiphytes, when their seeds, often bird-dispersed, germinate in crevices atop other trees. These seedlings grow their roots downward and envelop the host tree while also growing upward to reach into the sunlight zone above the canopy.

An original support tree can sometimes die, so that the Strangler Fig becomes a “columnar tree” with a hollow central core.

Certainly, I think many mystics would embrace this as a metaphor for the role of faith in the life of an individual (though the Buddhist scriptures also liken strangler figs to bad karma). Nor is Ficus religiosa the only strangler fig with religious significance in India. The closely related Ficus benghalensis is the banyan tree, and the national tree of India. It’s sacred to Krishna, who states in the Bhagavad Gita, “Of all trees I am the banyan tree.” Here’s my snapshot of a banyan in the Palm House at Kew:

banyan tree at Kew gardens

Uma Gowrishankar, a poet from Chennai in south India, sent along three poems about trees, including one about Ficus religiosa, “Mandala,” and in the accompanying text associates the stories about Krishna with this species rather than F. benghalensis. She may be right. I can’t imagine the authors of the Vedas, the Gita and the Puranas were too concerned about distinguishing between two such similar species (try pinning down the exact species referred to in the Bible sometime!). Uma’s other two poems were about the flowers of the neem tree and the Indian tulip.

Swirl of yellow petticoat,
crimson dreg of passion
at the bottom of the heart
for her man in the plains.

Another Indian blogger, Sahastrarashmi at The Green Ogre, has an eye-opening post about the Cannon Ball Tree (Couroupita guianensis), a native of the Caribbean and South America. “It seems to have been known in India for hundreds of years,” he says — “a mystery, since we do not know how and when it came to our shores.” The photos are lovely and intriguing: flowers and fruit grow directly out of protrusions on the trunk:

Cannon Ball Tree Flower

Despite its relatively brief tenancy in the subcontinent, this tree too has been freighted with religious significance:

The large petals, tapered at the apex with the prominent stigma at the center, have been imagined as a representation of multiple cobra hoods around a Shiv lingam. This has earned the tree several Shiva-associated appellations – Shiv Kamal, Kailaspati, Nagalingam, Nagalinga Pushpa, Mallikarjuna, etc. – and lots of survival aid in the form of propagation near Shiva temples. In the native Amazon (where it’s called Castanha de macaco, monkey nut) it is a favorite of shamans and is believed to provide protection against the ill-disposed spirits of the netherworld.

Do visit The Green Ogre for many more fascinating tidbits about this tree.

Trees as teachers

Back in the middle of June, a few days before the summer solstice, Suzanne at Spirit Whispers found wisdom in the way sycamore flowers and seeds develop:

The variation between trees along the same row can be huge, with some trees in flower before others have barely opened their leaves. Flowers & seeds develop at different rates across the sycamore community, spreading the risk of hitting adverse conditions that could hit fertilisation or the spread of seeds…. increasing the chance that some of them will mature under optimum conditions. Thus the species as a whole has a greater chance of new growth & continuity.

London blogger Jean Morris shares a series of photos taken “Under the trees.” Here’s one example:

Under the trees by Jean Morris

In her accompanying email, she put the photo series in context: “Always there, but newly magical every year: beneath the tall, old trees is a rippling, monochrome shadow-world distinct from the rest of the clashing, chaotic London street scene.”

Another Londoner, who blogs anonymously at twisted rib, reports on a new discovery about root grafting that suggests trees can practice something akin to altruism.

So a fat happy tree with access to lots of sunlight and water might (how? accidentally? in response to a chemical crie de coer?) end up with one of its roots joined to that of an undernourished example of its own kind, comparatively deprived of sunlight and water, and because of this join might slow down its own growth but provide sustenance to its graftee. That’s the new bit – the finding of evidence for individual cost to support another tree, as determined by measuring “radial girth”.

The technical term for the joining of stem, trunk or indeed root to share vascular tissue goes by the delightful name of “inosculation“. Yup, it’s like kissing but with lots more than just tongues.

This can even happen between trees of different species — and apparently carries with it a certain risk. Fascinating!

The flavor of the subtropics pervades a poem by Moira Gentry, simply titled “Tree,” in which a storm ravages a garden full of palms:

he told me how he’d gone out shaken into the savaged morning garden
all his trees down on the ground — lying stormflat under the tough old mangroves.
When I was sick, he told me, when the big storms come, about the palms

“Puerto Rican hat, Anguillan thatch, Cuban royal, Rio Grande, the palms,
honey — chonta, everglade, palmyra, clumping fishtail, I’ll never forget that day
christmas, zombie, Bismark, coconut, yellow butterfly back up over the mangroves —
honey, the palms — by noon they were all standing, every last one, I went in the house
and brought your grandmother out to see what had happened in the garden”

By sheer serendipity, whilst looking for a poetry video to post on Moving Poems this morning, I discovered a reading by Jane Hirshfield of her short poem “Tree” at the end of an interview (also brief), which features an eloquent statement about the role of poetry in contemporary society.


Direct link to video on YouTube.

Tree hunger

Kristin Berkey-Abbott, a poet and theologian from Florida, says that where she lives, “Mangoes Are the New Zucchini.”

Last week, my neighbor had signs on his van: “Yard sale and mangoes.” I went over to see their microwave, and my neighbor shook his head as he dumped another bucket of mangoes on the table. “This is how we spend our week-ends now. We’ve got three trees in the back.”

Summer in the northern hemisphere means mushroom picking season — and without the symbiotic relationships between trees and fungi, forests as we know them could barely exist. Oregon poet Sharon Cooper evokes those summer fungi in “Tiny Citadels.”

We hunger for trees in more ways than one. Nicolette Wong, a fiction writer from Hong Kong, sent along a flash fiction piece. I’m a little hazy on the difference between prose poetry and flash fiction, but the results are nearly always interesting, regardless of what the author calls it:

Cold front is you on the morning I cut through mist. Around the park where old men wave their wooden swords in unison, blunt-edged glory boiling in their veins. I tread a path of oval stones to haunt the trees, reading their names & spirits to make them my allies.

Kentucky-based poet Sherry Chandler continues her year-long meditation on a dogwood tree for The Tree Year, a worthy blogging initiative that we haven’t done enough to promote at the Festival of the Trees. In her 24th post in the series, she shares a photo of “sun dogs on the dogwood,” and concludes with a poem about another species, American sweetgum, by her friend Sally Rosen Kindred.

Here it stands, finally, in the chapter marked
Flowering Trees, and I’m afraid to read
the words, as if their spiny tongues could curl
to touch heartwood, that underbark where the sap
no longer goes.

Speaking of tree years, we got a contribution this month from A Year With the Trees blog, also based in the southern Appalachians. Rebecca shares a discovery about the redbud tree, Cercis canadensis, of which I was completely unaware: not only are the flowers beautiful, but the seed pods are edible — and nutritious:

Nutritional studies have found high concentrations of condensed tannins (proanthocyanidins) in new green Redbud seed pods. Green Redbud seed pods also revealed the presence of the essential fatty acids linoleic and alpha-linolenic acid. Oleic and palmitic acids were also present in the green seed pods.

They taste like sugar snap peas, she says.

Here at Via Negativa the other day, I compiled a short history of sassafras beer, prompted by my discovery of an old recipe in a book from 1888, which also included another brewing ingredient I’m anxious to experiment with: wild cherry bark.

Returning to Australia where we began, Aadhaar at Entropy and Light grapples with “This thing we have for trees“:

I’m organising my nascent funeral and natural interrment right now, and there’s that classical image to contend with in my mind – the planting of a tree to commemorate a loved one. I have seen tales where people have been buried foetal-like, with a fruiting tree planted atop, and later excavation has revealed a human-skeleton-shaped network of roots as the hungry tree recycles the body’s nutrients and carbon back into use, seamlessly, over time. Who wouldn’t love that?

What is the origin of our special relationship with trees, he wonders. This is a question tree bloggers have been pondering for at least the last five years, and as long as we continue, I doubt we’ll run out of creative answers. But I think Aadhaar’s conclusion is right on the money: “I would humbly submit that by sorting out our relationship with trees, we would go far with sorting out our relationship with our fellow man.”

*

That’s it for this month’s edition. It’s a holiday weekend in the U.S. and Canada, but I hope you’ll take the time to follow the links, read all the contributions, and leave comments when you can. As successful as the Festival of the Trees has become in terms of international participation and readership, I do think we could all stand to be a little more sociable, myself included. Thanks to everyone who sent in links, and I hope I’ll see you all still around for the Festival’s tenth anniversary in 2016! In the meantime, start thinking about “Lessons We Have Learned From Trees” — that will be the theme for next month’s edition at Beyond the Brambles. Email links to Kate (beyondthebrambles [at] gmail [dot] com), or submit through our online form, by 11:59 p.m. on July 30 to be included in Festival 62.

Luisa Igloria on her daily writing practice

Now it’s the turn of Via Negativa’s other regular contributor to hold forth at Marly Youmans’ blog as part of the ongoing House of Words series there. Fortunately, she’s not quite as prolix as I was! Luisa talks about how she got started using entries from The Morning Porch as writing prompts, and gives three examples of how particular entries sparked the poems they did.

For instance, Dave’s TMP observation on January 28 was “The silence of falling snow. When my furnace kicks on, the three deer digging under the wild apple tree startle and run down the slope.” When I read that, the first sentence, “The silence of falling snow” coupled with the image of “the wild apple tree” had a certain beautiful gravity that felt– and sounded– almost biblical. The wild apple tree and the three deer digging also made me think immediately of medieval tapestries, rich with illustrations of plants and animals. From there it was a short leap to recalling stories in bestiaries like the Physiologus. […]

I find Luisa’s fealty to craft and the creative venture endlessly inspiring. Go read.

Festival of the Trees returns to Via Negativa on July 1

The world’s longest-running — and probably only — blog carnival devoted to all things arboreal, the Festival of the Trees, turns five next month. Its very first edition appeared on July 1, 2006 right here at Via Negativa, so it seemed fitting to bring it back for edition #61. The theme is open, but I’m especially interested in new discoveries about trees and forests, either of a scientific or personal nature.

If you’re unfamiliar with the concept of a blog carnival, think of it as a homeless links blog which crashes on a different blog-couch every month. Or as my FOTT co-conspirator Jade Blackwater puts it (see What’s a Blog Carnival?):

A blog carnival is a recurring, theme-driven publication which congregates content from many sources in one place online.

A single issue of a blog carnival reads just like a great big blog post filled with links to many other blog posts (or photo galleries, or videos, etc.) that talk about the same subject.

The purpose of a blog carnival is to engage with the world wide community to celebrate subjects of common interest (in our case, trees and forests).

So contributors post material on their own blogs or websites and send the links to the host of the upcoming edition. For FOTT #61, email your article permalinks to me: bontasaurus (at) yahoo (dot) com, and be sure to put “Festival of the Trees” in the subject line so I’ll know it’s not spam. The deadline is June 30.

We have much more information about the Festival at our coordinating site, but I think the easiest way to grasp the concept is to browse some of the past editions, started with the most recent edition at Rubies in Crystal. This was Brenda Clews’ first time hosting, and she did something very ambitious: ask participants “to record an engagement with a tree or trees, preferably in video, but any form. To talk to the trees and bring back what transpired.” The response was impressive, and included 12 videos. (Note that video embedding is really just a fancy form of linking, and is therefore encouraged in blog carnivals.) Check it out.

I didn’t get around to making a video in time for Brenda’s edition, I’m sorry to say, but I was so impressed by a poem she reprinted from Dick Jones’ blog, I decided to ask Dick if I could make a video for it. He not only agreed, but recorded a reading for me to incorporate. I’ll be sharing this on Moving Poems next week, but here it is for those who can’t wait. (Note that HD is off by default; click on “HD” in the lower right corner if your internet speed supports it.) To read the text of the poem, refer to Brenda’s post.


Watch at Vimeo.

House of Wordiness: my nearly endless interview at the Palace

This entry is part 16 of 20 in the series Poetics and technology

At her blog The Palace at 2:00 a.m., Marly Youmans has an on-going series of interviews with writers and publishers called The House of Words. One afternoon last February, I sat down and wrote a few thousand words in response to a series of questions she sent me, and promptly forgot about it until a couple months later when the first installment appeared (#20 in the series). Marly posted a few installments, illustrated with photos she found at Via Negativa, then went on vacation for a month… in the midst of which, somewhat surreally, she and I actually met up in Wales. This was the very first time we met, despite the fact that we’ve known each other for several years and are only about a five-hour drive apart over some of the most lovingly maintained highways in the world. Anyway, the interview finally resumed in the third week of May, and just concluded a few days ago. Here are the links to the pieces in order, with a brief quote from each to give you a flavor. If you have comments on specific points I raise in the series, please leave them at Marly’s blog rather than here so as to keep the discussion in one place.

Part 1
Friends started telling me about Blogger that summer, but like most literary snobs I turned my nose up at it, both because of the absurd and ugly word, “blog,” and also because of what I was hearing about blogs in the mainstream media: that they were filled with worthless minutiae of people’s daily lives and/or links accompanied by minimal, uninformed comments. It didn’t seem at all attractive.

Part 2
I’ve come to feel that blogging and poetry writing are an ideal match, at least for those of us who are shameless enough to share imperfect drafts with the world.

Part 3
The push to come up with new content every day was transformative.

Part 4
I feel like a bit of a hypocrite: I run an online journal, but almost never submit my own work to journals unless invited. But mostly that’s because very few journals consider previously blogged material, and I write first and foremost to feed the blog.

Part 5
In general, I think the best medicine for discouragement [at not getting published] is to join a community of writers, online or in real life, and focus on the writing rather than the writer.

Part 6
There are just so many opportunities for collaboration now — I don’t see how any serious writer can fail to be excited by that.

Part 7
Generations of poets have been taught to be absolute perfectionists and struggle against every word, because we all know how mortifying it is to have to look at a poem in print that we’ve long since revised. Being mainly self-published and mainly online does allow for a more fluid conception of one’s work.

Part 8
It gradually turned into a regular magazine, though we’ve never gone so far as to issue periodic issue-dumps, as other online magazines do, preferring instead to remain bloggish, with new material at least five times a week, and comments activated for every post.

Part 9
I fear a lot of people start blogs these days on the advice of editors or agents who neglect to tell them that the most important trait of a good blogger is generosity.

Jack-in-the-boxwood, Wales (photo by Marly)
Jack-in-the-boxwood, Wales (photo by Marly--click on the photo to visit her post)
Marly Youmans and Clive Hicks-Jenkins
Marly Youmans and Clive Hicks-Jenkins take a spin through the art gallery

Incognito

London blogger meetup

Sometimes for various reasons the best photo may be the one that conveys the least information. I believe this is the only digital artifact from a May 12 get-together of six bloggers at a London pub which can be shared without upsetting any of the parties involved. Continue reading “Incognito”